42 Cycles and Myths Nuno Osorio Set of Clarinets .pdf



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Cycles
and

Myths
(Nuno Osório Silva)
A new composer and a new sound. This piece 'Cycles and myths' sounds
quite modern and brings a mix of contemporary rhythmical sounds
alternating with more quiet intermezzi. This composition will, no doubt,
please any young audience. The initial theme returns at the end of the
piece and so the cycle has been completed.

Cycles and Myths
Andante Expressive 

Clarinet 1

Clarinet 2


  

  

Arr. by Gino Gonçals

















 
      
   

 
 
Clarinet 4
  

  


Clarinet 5
  
 

    
 
Clarinet 6
   



Clarinet 7
  




Bass Clarinet
  



  
   
6



Cl. 1



  
 
    

Cl. 2






  

Cl. 3
    



Cl. 4
 
    
   



Cl. 5
  
  
     


Cl. 6
 




Cl. 7







B.Cl.





Clarinet 3

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)

  











    

















     












3



   
   


 
 
3

 
 
3
3

©Gino Gonçals




























  






 

  







  
  






   

 



 

   

   

 




 
  





 7
  






7

 
 

  



 

11



  




  


Cl. 2

Cl. 3


 


 


 

Cl. 4

Cl. 5

Cl. 6






B.Cl.












  

Cl. 7








  
 

































Cl. 6







Cl. 7



B.Cl.



Cl. 3

Cl. 4

Cl. 5



















  
  
 
  
  
 
  
  
 









 
  
 
 
  
 
 





   

 

 
   

 

 
   

 





 

 




 


2
Allegro 140








 

 

 
7
 
  


 



    7

 


   
  







 





  

 








  



15

Cl. 2

   

  
cresc.
  

   




      





  


 

Cl. 1

Cl. 1

Cycles and Myths



   

    













 6






 
 6
  
   


  
   


  
  
   
   
   
   
  
  
   
   
   
   
  
  
   
   

   
  
 
  
  
   
  
  









 

 
  
 
 
  
 
 
  
 



    
    

 
   
  
  
   
  
  
   
  
 
  
  

Cycles and Myths

21

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.
















    


    


     



 






 






 





26

Cl. 1









 
   
 
   

 


















 
 

 
 

 
 

 
 



  




  

 


 


 


 
























  
  

  

  
  

  

  
   
      
  
  


  





 










6

6

 
 


 
 





 
 





 
 




 









 


 


 


 



    


        







3










 






 
 

 
 

 
 

 
 

 
   


    
  
  
  
  
  
  
  
  
  
 
 
 



 

6

6




  
 
 
 
 
 
 
 
 
 
 

 

 



 

 









 














 
 





 
 





 
 










 


 


 


 



 
 
 
 
 
 
 
   
 
 
 
 





   







   




 


 


 


 


 


 








 


   

 
   
       
 
 
   
     
     
 
   
     
     
 
  
 
  
 
  




31

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.



    


    









 





















36

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




 


 


 


 




 

 



 









  



 
 

 
 

 
 

 
 






 


 


 


 
























 







   











6
   






    

   
 
      
 
   
   

 
    
 
    
   

 
    
 
    
   

   


   

6

 

 








 

 


 


 

























  
 
 
 
 
 
 
 














 


 


 


 





















   
 


3

 



 




 








   









Cycles and Myths





  
 
 
 
 

 












  
3






  
  

 


  
  
 

 

 

















 



   
 
 










 
 

 


 












    





    

  












 


  
  
 

 

 

4

 

 
 
 
 
 
 
 
 
 
 
 
 
 







    
 


  
 


 





 
 

 
 




Cycles and Myths



41

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.







 

 

 

 

 

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6
















 

3



3



    
    






  

 



 
  

     


46

Cl. 1






















 

 

Cl. 7


 

B.Cl.










  
 
 
 
 



      
 

 











 
 

  
  

 
 



























  

 


  
  

   

 

 

 






   
 








   
 
 
 






 









  





    







  

  





  











  





  





 





      
  


 
  
 


 
  
 

   


 


 


















  
 

 


 




 

 

 








 





  


  
  
 
 
 

  
3










 





  


  
  
 

 

 

    


   
  

  
 












 


 

 







5
















 











    
 



 
 


  
 
   
  
  

Cycles and Myths


  

51

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.







Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.







  
  
 


  
 

     
 

 

 
 



  
  














 

        
 

      
  
  
      
  
  

 




















         


 


  





 

















      


  
      


  
      


  














 












    

 
 

         
   
 

 
    

 
    


   



   



     



  



   








  
 
      

56

Cl. 1





  
  


   

    
 
 

 
 

 
 









 

 
















6


   
 

   
 

   
 


 



     
  


     
 






















   

  


  


 














 





  





































  
  

  
  




 






  
 
     




  
 
     

Cycles and Myths
61

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




  






Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.










 






   


66

Cl. 1







  

   











 
























 






 







 








  
   




  
   






  
   

    
    





  
  

       

 














 
 


  















    


    
 






  



         




       


     
 

 





  






















 


 




 






7




    



  
  


    



     



      

  
  




  
  

  

  

  

  


   


     




 
 


 
 


 
 

 



    

 









 
 






 


 

3





 





    
  









 








  
 
 

 





 







  

  
   
3








  

 


  
  
 

 






Cycles and Myths




 

71

Cl. 1

 


    

   

Cl. 3

Cl. 4

Cl. 5

Cl. 6


 







 

 

Cl. 7


 

B.Cl.



 


Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.










  
 
 
 
 


  






  








    
 

76

Cl. 1







 
 

  


  


 




 
 



 



  

 


 


 































    











  











 



     
 

 
  
 

 
  
 
  

 

 




  


  
  
 
 


  


  


 


 



 
 
 

 

 






















 


    













    


    

   








  




   
 
   



  


 






  

    

3

3

Cl. 2

    

 
  


 
  


 
  
 



  








 







 














           


           


 



 


 
  


 

  

 

  



 

 

 




 




     
  



  
 



  
 

    

  

  

  


 


8





 
 








 
 










 
 












Cycles and Myths




                




   
    





     



  
    
 
     



  
    
 



     
    
    





 

 
 


  

  
    





 


 
 



  

  
   




 
   
 
 
 
 

 

 

 



 

 
 
86
  
  



 
  
  



81

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5








 

Cl. 6



Cl. 7



B.Cl.
















  

 


    





   


   





      

 

     











   

    

    

 





 

 
 



    
    

   
 


























































Rit..








 
















  







  




 

9

Cycles and Myths
91

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5













 


Cl. 6



Cl. 7



B.Cl.

















96

Cl. 1













Cl. 6





Cl. 7



Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.



Maestoso 















Rit..


 





































10













               
   
   


 





 






 
 








 







 







 






























      


      


    





















   







  




 



   



 

 






  





  



  

  








Cycles and Myths
101

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




 



 


 















 


106

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.











 


 

 

 













 











 





 



 








 





Rit..

   




  
    
  
     





    
  
  





 

 

  


  

























 









Rit..

 
 


























 







  


















 


 










Maestoso 




 

 




 












 

 



































   



11

      




 

Cycles and Myths









111

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




 

 

 




116

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.






Rit..








 


 


    

   

 

 























   

 




































  

Rit..

















  











































 

solo
     













  









  

Andante 




















 










  








  

















 








12

  








 
 

Cycles and Myths





121

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.



Cl. 2

Cl. 3



 




















 



 
 
 

 





 


Cl. 5

B.Cl.





  

Cl. 7









 


3









 

Cl. 4

Cl. 6



 

 
  




        
    
  

126

Cl. 1



  







 

 





















 
  



















  
 

    

  









  








 
  

 

3

 



















  








 
  



13











Cycles and Myths

 
   

131

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

  





 

Cl. 7



B.Cl.

 


Cl. 2

Cl. 3

Cl. 4

Cl. 5









 

Cl. 7



B.Cl.

 




       

 



       





   



   

























 

 













































 

       





 
 







       







 





 



         





 












         

 










  

Cl. 6





 



    



136

Cl. 1



Piu Mosso 





 

  





14

Rit..








  
  


































  
  
  






Cycles and Myths
141

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

A tempo =72








 

 

 





Cl. 3

 






 


Cl. 7



B.Cl.



  











  











  
 

























  


        

    

Cl. 6











   




 

Cl. 5





 


Cl. 2

Cl. 4







 



 


146

Cl. 1


















  
























  






3

Rit..

  
 









 































 
        
  
A tempo =72






 







       
       




   





    
    










3




3











3



    







3
    
    




  








 

15








3



 

Cycles and Myths
151

Cl. 1





Cl. 2

 

Cl. 3

 

Cl. 4



Cl. 5

 

Cl. 6



B.Cl.



Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.









  
 












 

























  


 
        
 

   



 



 



 



 
        
 

 
        
 




 
 


 
        
 

 
        
 




 

 





















Rit..



  





   







 

 

 

 







   












 

   



    




Allegro 

   

    

  



   

156

Cl. 2



 

Cl. 7

Cl. 1



  



    













 



















       


  


         
 





       



       



   
            





     








 

3

16

  

  

















 




 






 
 

 
 

 
        
 

 
        
 




  
 


Cycles and Myths
161

Cl. 1

Cl. 2

Cl. 3





Cl. 4



Cl. 5



Cl. 6

Cl. 7

B.Cl.

Cl. 2

 
     
        



 
     
        







  

 
   
   
   
   

Cl. 4



Cl. 5





Cl. 7

B.Cl.














    


 


 

 

























    



    



    





 

 











    

       
   



    


    
       




    
       






  

 

       
   

     









     







     



 

      

       

        
 

     

      

          

 






  



   

  
 

 
     
        

 

 
     
        

 





  

  





  
 





















Cl. 6







Cl. 3





166

Cl. 1





17



 
     
         



 
     




    

      



  
 


               
    
               
    

























 
  











 


 










 

 


 



 


 


 


 
 

 
 

 
 

Cycles and Myths

       
       






 

















171

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

       
       
  

  


Cl. 6



Cl. 7



B.Cl.






Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.


 

 
 
 







 


 









 

 


 












 




176

Cl. 1

18






















  


  













   
   

   
   


 
 












  


  



 
           

 
           








  







 






   
 



  







 






   
 



  



  



  




    









 


 

















 
     

 
     



 

 
    

    



    
 



   
 


    




   
 


   
 




   
 


   
 



   
 





 


















     

    

    

 
  

 

 
 
















Energetic




  

















     


     


     




 

  
 




 



Cycles and Myths


  

181

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.


  


     


     


    


  

  




   



  

186

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.


  


      


    


  



  


  



19






















        

 

        

 




  
      

 


 
 
 



    
 




                        





    

   
              

       






  

3
3
3


 

   

      

3
3
3



    
    
 

  



 
   





   

 





  
    

 
 
 

     


    



      





   

 

























                     






 
                     






 

    
  

   
 

  
    

 
   

                       






 
    
 


 



       

 



 


 

     
 
 

 

 


     
 
 
 


 



     


    



 
   


      
 


 
 
 
 

 
 
 



  


Cycles and Myths
191

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.
















        



       
   

      
   

        
 


        
 


 
  





Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

   




B.Cl.




    








 





       



  

     

                            






 
 


       


      


    


  



  


     

      




      





                                     

 
 





    

196

Cl. 1

 
       

 
       


20

    
              






  



 


  



 
  
  

 

 

 
  



           

 
           

 

                     






 
                     






 

  
    









  
 







  



  




 
 


   
 
 


 
 


 


   
 
 



  
 




  
    
      



      





    

 

 

    
    

     
 

               
               
     
 


                       






 
    
 


 

 


 

  
    

             


 

     



      
 


 


 
 


 

 

  



Cycles and Myths

201

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




  

Cl. 2










         
  

         
  

        
  

  






  





  






206

Cl. 1






Cl. 3



Cl. 4



Cl. 5



Cl. 6



Cl. 7



B.Cl.



 
 











 


 
 

 

       
 

  



 

  

 

  




       


















 





    


  




    



  

















3

      
  3   
     
  

  

    





     
     

  





3




    


  

     
     
3





  


  





 

 33
     
     








      
  

       












Rit..
 55



     

     

      



  









     

   
      


        

         

   












  

 
 
3


 
 



3



  

21

Andante 



      
      





 
 









 


Cycles and Myths
211

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5



Cl. 6



Cl. 7



B.Cl.


215

Cl. 1

Cl. 2

Cl. 3

Cl. 4






Cl. 5



Cl. 6



Cl. 7



B.Cl.



 



 

































 



 







 


























  

 
 




    



      





















 

 

 
 



 Rit..










  















  





















 



  

   



















 








  






   

  













  





 








  



  



  









      



  

  






22








 


 




















 
 
























Cycles and Myths

Clarinet 1'B 



Andante Expressive 


  

 


  

cresc.


 

 




  

  




 

 
 6
    
  


    


   
3






    


 

  





    


 

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)

   

   

   


  


   


Arr. by Gino Gonçals









 Allegro 140

 14

 

 





 
 6
                 


   



    

 
  



 


   



  


      


       
         
 
 
   


                    


 


   
3

   

©Gino Gonçals

    

   













Cycles and Myths


        

            




   
   
    


  









    
   


 





  


 

Rit..



Andante 



  









 




 
 



A tempo =72




   

     











Maestoso 

Rit..

             






2

  



A tempo =72

  


 

  
Allegro 
       

 

 


Maestoso 



     











 
  



 


Rit..

  
  

 
  

3

 

3



 





Piu Mosso 


Rit..

    

 
  

 
  






   
Rit..

 
  

 


  


    

       



Rit..

    



Cycles and Myths











         
  

 








      





 


                 
  

3


         

   









            


      
  




    
           






     


 



                


Energetic

        
  





 Andante  


 
      









      
  




Rit..
 5

     





  

     

  
3

  




 

  
 

     






 
 
 Rit..

Cycles and Myths

Clarinet 2'B 

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

      

  
        



 

3


  


    


 




          

 


 




 
 
14 Allegro 140





 
















 6
 6


Andante Expressive 


  











 
  








      

 



 


 

  
   


   


 

     




 
 

  

         




         


    

    
 

     
  

 
    
 



       





  
    

3

©Gino Gonçals




 









        
 
 




  
       

   
3

   
3




Cycles and Myths


    

  


 






   



   
   

 

    






                 






     
        




 



 



Rit..














Rit..

 


Maestoso 
















Andante 

Rit..





 

Rit..







     

  













Maestoso 

              

 


2







 



















 



      










   





 

=72
 
                A tempo




  


Rit..
Piu Mosso 

    













Rit..







A tempo =72



Cycles and Myths



   





Rit..

              

 






         



       
 
      



       

Energetic









   









Allegro 

    















 



   

           


      






    






        

    

        
 






      

Rit..

               

Andante 

5

   
   

  


 








                       
  


           

 

          





3

 

3







   


        


Rit..

Cycles and Myths

Clarinet 3'B 

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

Andante Expressive 

  

   


7








    
  
 

        3     



       


14 Allegro 140





  



    



    

23

    

   


 


          



 


 




 
     

41

3



   
 


         







   
  

 
 


 

66









6


    


















   








  


6

   



 
 


   


   

3

48

55

      
  


  

   

29

35



   



 


        
 
 


 

    

    





©Gino Gonçals





 
   




  





     
        






      











Cycles and Myths


         



73

80



89










   

       







 



105

Rit..

        





Andante 

Rit..

123



  



Rit..








       





Rit..



    


Allegro 







  























  

A tempo =72

A tempo =72





   

Rit..



154





            

   








         


138

145







Piu Mosso 

132





115

 



 
 


   










Maestoso 







       



Maestoso 

Rit..




     

       


2



   



















Cycles and Myths









172







163

3

           
            


 


           
   
Energetic





               


 



181









                        

 


  
 

     



                                        
        

186


                                              
              

191

     



















                                  
        

196

       

           


  

201


  




     

206

213



 














    

      
 Rit.. 3
 

 

          
 Rit..

      


Andante 

   






Cycles and Myths

Clarinet 4ºB 


   


Andante Expressive 

8





  

  
       
       

 
        

    


 




 
   

41



49

  




     

 

65

        


55



72


 

3











  



 







 
  
  

  





    









3

 
  


   

   


       
      


              

  


  







 
  






 
   





       
  
 
  

©Gino Gonçals

   


6






 








          
  





    
 





 
 

 



   



  
7

   

 


6

















    


     


34



Arr. by Gino Gonçals

  



 
  




 

   

22



7

Allegro 140

14

  

  

3

13

28

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)




  


Cycles and Myths
79






  


       
 
Maestoso 





         

    
     

88

105





Rit..


    


Rit..




  


128

 




136

144

 
   






 



 



Andante 

 



   


  

  



  


     

   
158
    








151

      


Maestoso 

   

  

  







  

114

121








Rit..


  


 

Rit..



 









  

  

  

  

  

Piu Mosso 




      

A tempo =72


       







A tempo =72




         

Rit..







                        
           
3



Allegro 

168

3

    




             
  
    
Rit..
  




  

  

3

    




2

3

 






3

 













Cycles and Myths
175




   

  


   
 



   
 


3


   
 


        
    
   

Energetic


               
                               
   

          


181


                                            


 

 

 


  

187


                                            

 

      
   

192


                                           



 

 

 


  

197

            


  



        
 Rit..    

202


 

208

213



 






  





3



Andante 



       


 

          
  




            
 Rit..




  




Cycles and Myths

Clarinet 5ºB 


  

Andante Expressive 

7






    





 

  




   
  







12

7


       
  

20

 




   
   

    


3

   
 

14




               
       

31







  
 
  
            
          

  
  

         
   


            
 
 

          
 
 


                       
 
    
 




  
  
  




  
  

         
   

42

54

  
 
 



 
 

7

     
 
 

48

    


   



 


            
 
  

36

Arr. by Gino Gonçals

 

Allegro 140

  
  

 
   



   


               

          

25

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)

 
 
  
        
 
  
 
©Gino Gonçals






  
  
 

     
 
 

     
  
 
 
 
         
 
 

 

           
  
 



Cycles and Myths






  
     
     


  

67

                   
        
61


            
 
 

2


                  
 

 

 
 

                    
 
 
 
 

          
 
 

73



         


 



                                 
      
  
 
  
  

Maestoso 
85












Rit..


102
Maestoso 
 



    




  





Rit.. 
79


 

111

 



 

142



  






















Rit..













     


 



 

 


  



        

    

    
  

    

 
  

 

Piu Mosso 



133



 
  

 

119

126





Andante 

solo








Rit..







Rit..



A tempo =72

 




A tempo =72












Cycles and Myths
151







    
   



159







    


Rit..





    


Allegro 








                  
        

169

3
















  
  
   
     

 





                                      

         
 
  
  
       
Energetic

177


        
 

188

        
    
183

   
           
   
               


  
                                       


 

 



 

 


193


  

198

203






 

209

214



 

                               


        










Andante 

     

  
3

  
 



          



       

       
    Rit..

 


 Rit..
















   


 





 

  




Cycles and Myths

Clarinet 6ºB 


   


Andante Expressive 

10























17

22

28

33





 



  

Arr. by Gino Gonçals





Allegro 140











 
  
 
           

       


 
  


15

  
  

  
   



   

  
   
   

  
  
  
  
  
                    
                        
  
   
  

  
  
       
       

  
  
       
       

  
  
  

  
 
 






  

           
 
 
              


    
 

      
 





  

  
  
 
 


  
 

 

 
 

         
 


 




           
    


58







  
   


        

    

45

51



  


    
 

39

NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)













  
 
 
  
  
  
 
    


  
 





 
 

  

  
   
©Gino Gonçals

 





 
 






  
 
 


        
  



  
 






 

Cycles and Myths



65





           
           


 

71

2



 

  
 

 
 







 

  
 



 
 





  

  
  
 
 



 

  
 

 
 
 

 
 
 
 
 
 







  
   
           






 







 


77



83

92







            
 
  

  


Maestoso 



 
   

100

 






Andante 
















 






 










   
 




























136

145

 

















Rit..
3



Rit..







A tempo =72







 

Rit..





Rit..



   

A tempo =72

       
        





Rit..









127







     








   


Maestoso 

108

117






















Piu Mosso 

























Cycles and Myths

 
      
      
  
                 

 
 

 


 


Allegro 

154



159





Rit..



3



 




















 
                 
    
















  
      
      
      
     
                                   

 

 

 

 





164

 






 

174



183

  



  
 




 





      
 
 


189


 
  




      
   

                    






Energetic








                     
  

 


    



168


      
 




207



214








      







 




     









Rit..





 


    


 



  

    

  









     

195

201

      
 










Andante 

     
  



Rit..




     



3























Cycles and Myths

Clarinet 7ºB 


  

Andante Expressive 

10



















NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)






  

 








  



Arr. by Gino Gonçals







Allegro 140 15






 
  
 
           

       



   


  
  
  
  
   

                 

                        
22

  
  
  
  
  

                          
                   
27

  
  
  
  
  


                   


                  

17

  
   

  
39

 
 
 
 
33


 

45


 

51



57




 


64

 
 



 
 
 




  
  

  
 



  
          


     
  
 
  
 
  
  
  
  





 
 
 


  
 

 

 
 





         
 
 



  
 








 






 
 





 
 
 





                       
          






   

  



   
 

©Gino Gonçals



   
 























  
 
  
 
  
 

  









       
  






 
 

Cycles and Myths


 

  

  
 
 
 

69


 



75



81

88







96

103



111









 


 

  
 

 
 
       

 
 




  
 





Rit..


    



   

  










     
 




    

 




















138



147









Rit..

3


  



 
 





  
 


     

 





 

 
 





   

A tempo =72



           
          
Rit..







Rit..













 


 




 

        
 



Andante 





 

Piu Mosso 



    
A tempo =72



 





Maestoso 



Rit..






 






  


Maestoso 

   

 

129



 

 
 
 
 
 
 
           
        
  
  


119





2



























  








  


  







 


 Rit..

Cycles and Myths
155



3

 
      
      
 
                 


 
 

 


 

Allegro 


   






  
      
      

 
             
     
                

164

 
      
      
      
     
                                   

 

 

 

 




160


    



168




 
174







 



   








  

180

Energetic

191


  

197


  


   

204

210







 





3

 


 








3





 




     

  

3

    

  




       
 

Andante 

3





      
   

                    










           
 
  
  


 
  





 

      
 



   

  
185

        
 
 


     



 
  

























 




     

 




     

 







   




        


Rit..









  
 











     
 Rit..







 

Cycles and Myths

Clarinet Bass


  



Andante Expressive 

10





















17

23

29

35











 


41

















47

54

60

69




   

 








NUNO OSóRIO

(Cover of Clarinets, Aragón, S.XXI)

 





 
  
  







Arr. by Gino Gonçals



 
     
Allegro 140


  
  
  

15








 
  
  

  
 
  
 
             
           
  
 
  
 
 
      
  
         
 




 
    
 

  
 
  
 
  
 
                   
                
  
 
 
 
 
  

  
  
     
  
  



 
  
 
 
 
      
 
 
 

  
  
  
  

      

 







 
 

  
         
 
  
  
      
     




 
   
  

 
   
 


 




           
 
    

 
  
        



    
 
 
 
 
  
  
  
  
 
 
 
 
©Gino Gonçals









  

      


  
  
 









 


 
 


Cycles and Myths


 


81

 


88

 

75



95

105








  





 




   




  


114

   

     
 
  
 
  
 
 


123

 










A tempo =72

140

148















A tempo =72






 






 
    
 
 



   




 








 












 






















Maestoso 







Andante 



Piu Mosso 

132




 



 
   
 

Maestoso 





Rit..

 
   
 




Rit..

 


  
  
  






   








        
Rit..
    



 


  




 









2















  
 



Rit..












        


 




  











Rit..

Rit..







   



Cycles and Myths

 

156






162
 


  
 


    

168
    
     

176




   

 

 



 

   
 
  








       
     


 
  
          


   




Allegro 


   
 



   
 


3
3
3








       







   
 
 


186



               
        
 

191

 
 
 
 
  
       
 
  

181


           
     
 

201

  

         

196

207



214






 



 

3



  
  




    

Rit.. 




 







  
 


 
  

 








  
 


         

 


  

Energetic


   
 








           
           
 
  
  

    
 
 
 
 
          



3

     
  


  
 


  

      
    








     
    
 
 


     
     
 


      
   
 






Rit..








        
      

  


        
  

Andante 

 






 
 


      

  






  
 



        












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