16 Molly on the Shore P.A. Grainger Set of Clarinets .pdf



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Molly on the
Shore
(Percy Aldridge Grainger)
Molly on the Shore is a composition of Percy Aldridge Grainger. It is an arrangement of
two contrasting Irish reels, "Temple Hill" and "Molly on the Shore" that present the
melodies in a variety of textures and orchestrations, giving each section of the band long
stretches of thematic and countermelodic material.
"Molly on the Shore" was written in 1907 by Grainger as a birthday gift for his mother.
Originally composed for string quartet or string orchestra, this piece was arranged in 1920
for wind band by the composer, as well as for orchestra.

MOLLY ON THE SHORE
(Cover of Clarinets, Aragón, S.XXI)

Presto 


  

Clarinet in B  1

Clarinet in B  3

 
 

Clarinet in B  4

 
 

Bass Clarinet

Cl.1




Cl.2


 



Cl.4



Cl.5

B.Cl.

3






3



 




                        
      
   












 
 

 

  




3

















 

3

                        
      
   




 






 
 

 
3

                 
 





  
 


   



 




  

Clarinet in B  5

Cl.3



 

      




  

Clarinet in B  2

6















        








P.A. Grainger

Arr. by Gino Gonçals

3

            
 




 


                   

   



  
  



3









  



                   

   








 


©Gino Gonçals

3

2

MOLLY ON THE SHORE


     


11

Cl.1

Cl.2

Cl.3

Cl.4

      
   



        


        

3



     






B.Cl.


         
     








 


Cl.1




Cl.2


 


16

Cl.3



Cl.4



Cl.5

B.Cl.




  
  




        





3

Cl.5

3











 



   






          
  




 

3

  















            
    



 







   
   



                








   
3



 
 
         
  

3





19

    

  






   
 


 



  
        
 


        

  






 



       



 











   

  







 

3

  
                 
  

 



      





   




3




                   



MOLLY ON THE SHORE



Cl.1



Cl.2


     

21

Cl.3

Cl.4

Cl.5

B.Cl.




 













  

Cl.2


  

Cl.5

B.Cl.

 




   











 











    



 



 


                                  
 


 

 
           









 














 
3
3
3
3


                   
       

























 


Cl.1

Cl.4





3

  
 


 







3

3

3

 

                   
 

3

cresc.



                   
 

3

cresc.



  


 


cresc.

27

26

Cl.3




  



3

 
   





      

3

 


  


 3




      


 






   






















cresc.



  
cresc.







 



              
 
3

cresc.

 

                
 
3



  

 



 





   

















 




  











MOLLY ON THE SHORE


                                 35     



    
 


3
3

      


   
                                 

3
3




 

   
  
  
  
    

   















 
 
 
 
  
                            
  
3
3
 

  
 
   
   
       
  
  
  
  
     
 

 









  








 











31

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

    
       








         











 

        


3
3
3

 
            
           
 
 

           
3
3


36

Cl.1

Cl.2

Cl.3

Cl.4


  

 


  


  


  


    

    







  



  



  



 



  


Cl.5



B.Cl.








  
   

 

   

 
  



  
    
 

    


 

    
 

 
  

 

    
    



  




    




  



 



4

      
3
 
   

     


41

Cl.1



Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.




43
   


3
   
             
      





     
      




  








  
   




 

   


 

  


46

Cl.1







   
   

       


  




 

 




MOLLY ON THE SHORE




 
 








5

  


                   

  
                   

  


   



 


   

 



  






 


 




 

 




 






 




    


 
  

 

  

        
     
















   
     
  
         























            










  


 


 
 

 
 

 
 

 
 

 


 



















  
 
 






 
 

 









 






















51
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

  




   





    


  
 



 
 

  
 

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

                
    


         
     


    

6

                   
    


       
   
     
        


               



3
3
3
3
   
  


                     
3














3

3










3








 


 
    

  
  
 



                     


    



56

Cl.1

MOLLY ON THE SHORE

   








     

  
  



 


  

   


59

                    
       



    
 
3
3
3
3
3
     
                  







        


  
3
3
3
3
3
3

3
3
3
3
3
3
3
3
3
3
3


    
 
                         
 


         




   

    
 




   
 
 

 

 







    
 







  
 


  



     


3


  




 



  



  


MOLLY ON THE SHORE


    


61

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.2



 






               



    


 
 













Cl.3




Cl.4



Cl.5



B.Cl.



 

   



 

66

Cl.1









  







3

   






  





  















  



      
 


















  
          


 
 
   
   
 


 
 
  
 
 

 

  

 












        





 



3






3


  









 
 


  

     




3



 
       
 

   67        
      

3

        





      
   














7








 
       
 
















 



 
    
 

 
    

 





 



    
              




    
              

3






3

          
      
 




 
          

                 
  
  
3



 




 

3




 
  

 
  














8

MOLLY ON THE SHORE

     
        


     


3
cresc.
     
           


  



71

Cl.1

Cl.2

Cl.3




Cl.4



Cl.5



B.Cl.







3

3
        
 
            

cresc.


  

       


 

 
cresc.

   

        
 

cresc.

 
  



Cl.1


 

Cl.2


 

76

Cl.3

Cl.4








 



Cl.5




B.Cl.





cresc.

  



       75









       


 

            



     
 

 

 




3


 























   
3

   


  
cresc.

    





















   


 

 















    
   






      





    









        



       










    

     
  


 
  

 
 




  
 





  
  


 

   







    






    


      




       
  















 

 














 

 



























      
3


      
3



MOLLY ON THE SHORE

     




81

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.


  
    


      

 


   


 






    



Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

  
     



    


           




  


 
3

           





 

  

  















 





 
 
 

       



 


 
 


 
 



  



  
 
 
 

  

  
                                         

 


3
3
3

 









 
 
     

 




  

 

    
       








 

 


                                            

3
3
3




              
  
    






 





 
 






  

 

 








  
  
   
  
 




86

Cl.1

    
   
 



     83                   

3

  
  
            
 




9

10

MOLLY ON THE SHORE

     

  
                                        







91
Cl.1

Cl.2

 













3

Cl.3

Cl.4

Cl.5

B.Cl.




 


 


            



Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

3


    




   















   
   
  
                            




 



 

3

























  



 

 





 














    











 



       99  






















      
           
     


3
3


      

 


                         


3
3
 solo

 








   


 



96

Cl.1

3




 













   



      
    


   

 



101

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.


  





 







106





Cl.2



Cl.3





Cl.4





B.Cl.




















 







  























     
   





        
   







  



107

11






        





   

        

   
   




Cl.1

Cl.5



MOLLY ON THE SHORE

  









 

 

  

  

   
            
  







   

       






 






 






 






 


12

MOLLY ON THE SHORE






111

Cl.1

Cl.2




Cl.3



Cl.4

Cl.5

B.Cl.









Cl.2




 



 



  


  
                      


           
   
 





 





 








 





          

     

        



116

Cl.1

  



 





Cl.3



Cl.4


  
 

Cl.5



B.Cl.






 









 






 



 



 
  
 
  
 
  
  

  
   
   



  


   



 

 
 

   






 















     


  



   






     


  

  



    




 
 










115


 

 





 

   




  



   


     
  
    
  
 








MOLLY ON THE SHORE

        


   

   

121

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

        



   

   

   





       

 


  


       

  






   


   

  


   

    









        


126

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

    
 




    


  
     
   

 
    

       




    
 


  




 




123





  

  

          
  
   
      
 


 
   


    

   
 

   
   


   

         



         


    
     

   

     
   

   



 

      
    



 



 

  

 


  


                         

   
 



         
 

          
   

  
  

13

   
    

 





    

 

  




  









 


 
 
 



 
 




      
               
 






  
  
  
  







 
 

14

MOLLY ON THE SHORE


 

131
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.












136

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.








 3
 

                         




















   





 
   


 






   

    



   







     














139 
 



                 
3
3



                




                          

3
3



  
       
 






  


3

3


 















         
cresc.


    









  






cresc.

 


 
    

cresc.



 
 cresc.











     



cresc.












cresc.



              

3


     




         
3

            
   
  
3


   




           
  
     

 
3

 
 





 





MOLLY ON THE SHORE

      
              
   



 

3
3
3
3
3
   
3      

                 
  

3

                            3
  

   

3
3
3
3
3
   
  

    

           



     


  
  




   
  
 



 
  





 
 







 

 










141

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

3

3

3

3

3

3

3

     
3

3

     
3

3


        

3

     
3

3

3

3

     

        

3












 


 








 147                        

 


                  
     

    
    

           






  
3

3
3
3
3
3
3
3



 
      


        
 
    
3
     


            

 


  
 













         









 



 

 
  
 



145

15

3


            



   

    







  












3

   
   












16

MOLLY ON THE SHORE



                                        





150

Cl.1

3

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

3

                                  

      

   


cresc.
3
3
3

      
        






cresc.



       

     







 






 







155
Cl.1

3

cresc.





 

      


3



 

3





 







         
 
3
3
 3
        



  



 



3

    





cresc.

3

    



3

    

3





 




  

 

 

  



3
         
        
           3

3

3

3

3





      



3



 









3



          





cresc.

         
  
3

cresc.

3

 




 
3



 

         
         3
       3
3
                   
    
  
 

3

3

3

3

3

3

3

3

3

3

3































159

Cl.1

Cl.2

Cl.3






       
     
3

3




Cl.5

B.Cl.

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

  

3



3

17

       
           


 

 

3

3

3

3

3

3

3

3

         
3

3

3




3



3

       
       
                                




 


 

3

3

3

3











3










solo





 
 
    








       
   


 
  












 


 












163
Cl.1

3

       

3
3
3
              




    
3

Cl.4

3

MOLLY ON THE SHORE













  
    


 


   



























18

MOLLY ON THE SHORE

       
   


       
   


     

Cl.1

Cl.2





Cl.3



Cl.4



Cl.5

B.Cl.





Cl.2



Cl.4

Cl.5

B.Cl.
















 






           










           
















 


 










      



   


















Cl.1

Cl.3







173

 



171

168





 






    





















   


                 








MOLLY ON THE SHORE


        
                                  









178
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

3


   








Cl.2







Cl.3



Cl.4



Cl.5



B.Cl.









 

3






            







183

Cl.1

19





  



 




















                              
 

 













 







   






 






   




 




   








 














 

3














3


 








 





187

 




       

       



 
 
 

 

   


 
  



20

MOLLY ON THE SHORE



188

Cl.1

Cl.2









                

       


3

Cl.3

Cl.4

Cl.5

B.Cl.

3
                 


            
3
3

 


  



 
 

  











    
  
 
  




         



193

Cl.1

Cl.2


         



Cl.3




Cl.4



Cl.5



B.Cl.

















 






 












  




  


3

    
3

    








 

 








 
        
 

   
       

     



      
  














3


        

3



  



   






























        




 











 


 






  




 













Clarinet 1ºB 

MOLLY ON THE SHORE
(Cover of Clarinets, Aragón, S.XXI)


  

Presto 








P.A. Grainger

Arr. by Gino Gonçals

 
                     
  
      

3


                                         
 

 
3

3

3


     
     
         











    







       
      

19
3

  


 




                     





         
27

                           

     
    

 
3
3

cresc.
cresc.


                        35                 


 


3
3
3

      
      
              










          

   


3
3

3

   
         43                            


 
3

3


    



















51

          
    
      

 



©Gino Gonçals

Molly on the Shore

2

            
                  







    














        


          59 



                     


 
 
 
 
 
 
 
 
67 
       
 
 
 
 
 
 
 
    









     
        





    
        
       
   
      

3

3

  






              75           




 

 
 
                     





  
                       


3

     




   



  















       99  





  

   


  
          

 


cresc.


       


   83   

3


                       91



 



3
3


 



3



107




 




Molly on the Shore



   



      

    

   
         


          
     


         

   
     

    
        
  
123   
         
   
     

       
            









      
   




115

              


     131














147





3

 









3

       
139 

 
                         

3
3
cresc.

 


      
                       
   
  
3
3
3
3
3
3

3
3
3
3
3
3
3
3
     
             
        
3
3
     
3
  

  

  
                                         




3

3


  

                         155

 

3

3

      
 
cresc.



3

3

3

Molly on the Shore

4

3
3
       
3
                   




      
 

3

3

3

3

3

3

3

3

  
3

      
3
        
3
3
3
3
3









        
     
3
3
3
3
3
3













     
        



       

 
   

     


171
     
        



       


   
  

     

3
  178






                    
 



163

solo

3

          

3

              
 

187
  
3











              

 
3
       



 
           


         


3






    

     

 







MOLLY ON THE SHORE

Clarinet 2ºB 


    




     


(Cover of Clarinets, Aragón, S.XXI)

P.A. Grainger
Arr. by Gino Gonçals

 
 
 
 
 
 





  
  
  
  
  


Presto 







 19  







    
  
  
       
 







     
















27

















  
  
  
  
  

 






 
      


   
   
  
            












   
          
   

 

 
3
3
cresc.




  

 35      
                                       
  
3
3
3

                     

          
       

       


3

       
43
3


















              
   








        
 

         51         























    
      
            
   


   




   




    


                   
         


   
 

     
     


   

59
                                 



 
3
3
©Gino Gonçals

Molly on the Shore







2

67 
      


















                             
 

 
3
3








                              


   
   
     


  
75











  
                     

  


 


 






 
   83


    




          
         

 
 


 

 


  
               





3

3

3

cresc.




    
  


 










                                        
91





                       


3

3








 
    

3

99

3

    

    



  




        123





    






  

  



 
  


             



     
  



 

    

107





   
115

 
    


 

   
  

          

       
        

     




    

 3
             

Molly on the Shore

  
131
3
 
               

 


  

 
   
   
              

cresc.

      
        









        
            

3
3

     

           147

        
   









  
  
3
3


139

 
       


    
3


 



171



3      
   




        

3

 
 

                        
 

 
3

cresc.


       
        155


3

        163
  








 





3

  





   

    













178



 

187                         
    




 
   
3
3


   
                   
       


3


         
     


3






MOLLY ON THE SHORE

Clarinet 3ºB 



Presto 


  












Arr. by Gino Gonçals

  
      
         
        


 



      
  



         



    



P.A. Grainger

(Cover of Clarinets, Aragón, S.XXI)



   
  

   





 


19



   






   




 


27





      
  
  
  
  


 
  
 cresc.






 35     


    
  


  
    


      
   








   
               
     
        

  

 
   
        

     





51
                        

 
 
3
3
3
3

3
3
3
3
3
 59 
                  

                

    
3
3
3
3
3
3

                        


 









43


        



     


 
 

  





  




 

   












3
3
      67     






                            


 
   
 

©Gino Gonçals

2

Molly on the Shore





75
3

        
   























cresc.
    


        
 











        
          





         
         
      

       83


                         



 

    91

       
        

      



 












     


   





99



107










  

  




 

115
                







  

















               



   


     
    

       
                   


  
    

 
 
  
   

 


131













123

 
         




3

cresc.

Molly on the Shore

3

139
                                   
   



   
   
3
3


3
3
3
3
                      3
      


       
3
3
3
3

3
3
147 
3
3
3
3
3

   


     
 


      
       
 

            155              

3
3
cresc.
 3
  
3
3
3
3
3
3
3
3
 
      3
        
        

     3
   3
3


        













178






     
     
3

3

3

3

3

      

3

163

3

3

3

3

     


       
3

3

3












 

171     



















 
  
 












  
187    
 
 

 3


               

 



       
3

                  
     
   
3




 





           
 
 


Clarinet 4ºB 

MOLLY ON THE SHORE


Presto 

 
 





27

P.A. Grainger

(Cover of Clarinets, Aragón, S.XXI)



Arr. by Gino Gonçals

   

                      




19

3





























       
                      



3

 


3



3






 
cresc.

3

 





3

 

                 
    
  
3




 
              35

  

    

             
3

 

  
      

 



      



51

  
   

      


 












   




43

   


 
 

   



   


    








 

                          





        
     
     


3

3

3

3


      
    


  
                        
 
 
 
 
 
 


   
  
  
           
  







  
3

3

3

3

3

3

3

3

3

©Gino Gonçals

3

3

59

Molly on the Shore


 

 

67



   

 

     
 


     




      
  

  

 
 

3
    75


   
           





     


           
    

83


                              

3

3

3

2

 

  

     
 
cresc.

     


    

 

         




                          91                 


            

3

       


3



3

3

99

3

              




3









            






  

                         




     





                      


            115

   



  
 
107


            
    


  





   




     
  


Molly on the Shore




  

3

                 



          
        
  


123

131


                              



     








      
  
  
  

 




cresc.





                 
 

   

   
 3


   
       
  
    

139

3



            


3






 


 
 






  

    


3
   
     
    













      

147
3
  







       


  

  
 






 
   

cresc.
                                 




3

   

3

163










       

155





        
3

  

    178

       
                 




187
   





 
 
 

  
  

 







    








 


      
       

  
   
  


171

MOLLY ON THE SHORE

Clarinet 5ºB 

(Cover of Clarinets, Aragón, S.XXI)

 
 

Presto 






P.A. Grainger
Arr. by Gino Gonçals



 
                        
  
      

3


                                         
 

 
3

3

3


      
      
         










    
         
        


3




  
  
 
 









 
              






  















  

   
cresc.

   


  








   

     
 


   



19

3


 


3



35

  
  
 

 


    









   
   


 





    
  

  

   
   


 


    

27

    
  
 

   

  

   



    



   
    


 
  

51



       

   



  



  

 




  
   
  

43

   
   

©Gino Gonçals

    
  

   
   
   

   
   
   
  




2

Molly on the Shore


 
              

67
 
 
 
 





 





  

   

   


 
        




     






 


59

cresc.

      
 

        
 


 

 
   

   

   


          

75

3


 
                     

 
        

3










                             




 
 
  

   
91

 
 










   
 






























solo
99
  









  









   


 


        
     

     






     






        





  


83

        

   
   


 








 




 





 


   




107



  

115













 




 


        





  

 





 


 
      




    
     

   

123

Molly on the Shore


 
   
       
 
131


 

   


           



       
    



 
 


  


 

155








163









  
  

 
   
139
 

  


   

     




          

             

cresc.

 

  




 


  
 


 


                  


   


   



 







147







3

    

cresc.


           






              


178









 187


      

  

 



 


 
171

3











       


 


 


 

   



    
  



  





   
 

 
  




  
  













  
    

  









MOLLY ON THE SHORE

Clarinet Bass

P.A. Grainger

(Cover of Clarinets, Aragón, S.XXI)

Presto 




  


 





  
 




 





 

 








  




 



 





  




 



 







Arr. by Gino Gonçals

  





 





  



 







  



    
 



  
                               









  




19



3




35






3


 

3

3

                

  

   



   



   



 
 




          

 
 
43

 




       
 
  










 


 








  
   


27

   





 
   

3

   



 
       
   
 




  


©Gino Gonçals

 
   





  

51

3

   






 


   
 
  

   
   

Molly on the Shore


 

  
 




         



 
 
 


59


 




















  




67

   
   








       




  

 
   



  


  
   




  
 

 
   


      





  



       

 

    
  
cresc.

75



 



 



  
  



   


    

  






   
 
 
     



83


 





2

 
  
  




   



     



   















  










      




91
























107








99






















   

  
    


   

123


       
     
       

115









Molly on the Shore


   
   
     
 




 
   
 
131

 


 
   

139

 






   


 
 


 

           
     



       



   

 


    
 




         


     

 
cresc.

  
   



   
 

    
 









163


















 
   




147



3

    



cresc.







     
    
 










171













178


   









   





  
 

   
 
 



155



3






  

187

 







   



   

 
  




  



 

 











  

   






 





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