12 Odilia Jacob de Haan Set of Clarinets .pdf



Nombre del archivo original: 12 - Odilia - Jacob de Haan - Set of Clarinets.pdf
Título: Odilia.mus
Autor: Kristal

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ODILIA
(Jacob de Haan)
Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the
department of Doubs in Franche-Comté, Eastern France. The title is derived
from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the
daughter of the Duke of Alsace. She was born blind, and literally saw the light
at the age of twelve at the convent of Baume-les-Dames. From this miraculous
occurrence, she was dubbed Odilia — child of light.
Jacob de Haan was inspired by medieval dance music for the opening of this
composition. In the slow movement that follows, a lyrical minor theme builds
to a dramatic climax, which is followed by a calm passage featuring the
repeated lyrical theme. Finally, the medieval motif returns, this time
presented in a festive gospel version.

Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet in B  1

Clarinet in B  2

Clarinet in B  3

 
 

Tempo Moderato ()


 
 
 












 





 



     

 

   





  

 



 



  

 



 



   

 





 

 



 



   

  
  

 









 







      











 









  









 





 

  









 





 

  









 





 

  

Cl. 2



Cl. 3



 

Cl. 4







Cl. 5













Arr. by Gino Gonçals

                             





Tubular Bells




  
 
Clarinet in B  4
                 


 
Clarinet in B  5
               

  
 
 
Bass Clarinet
  

  




                 
7



Cl. 1


B.Cl.

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band





©Gino Gonçals

 


 

   


    

     


 

 


  
 

2

Odilia
12

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.




17

Cl. 1

Cl. 2

Cl. 3


















 





 

 

 

   





 





 

 

 

       
            





            





             








     


    





    

 

   



 

 





 

 

 

   



  

   

  

Cl. 4



      
     


Cl. 5



        

B.Cl.





  

 

      
     

     






   

  

19


                       






                     



 


 

  
 


 


 

    
     

       
 
  
 

 

 

 

22

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.




27
Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.



Odilia

     

            



         
  



     


    

       

   








   

             
                                 

      




       
         











 

 





3








 




 









  



    



  

















  





 



  



  

      



  

       






   
       





 








     


   

   

 


4

Odilia

   
     







  



32

Cl. 1

Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.




Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.






        
 
 
 

   


   

   


   

   


 





   

   
               

            

 
 



   
   


    


 



    


       



      


  





 

 


              

            



       


               

     

    

      


37

Cl. 1

     
             





             

35



               
                          


         
 


  


  

 

     
       



         


      




       
      
 

 



 





  



  

5

Odilia
42

Cl. 1



     


    

Cl. 2



Cl. 3



Cl. 4



 
 



Cl. 5

B.Cl.



  





47
Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.



 
 




   




   





   




  








  







Andante ()



 

 





  




 




     



 






   
Rit...

   







 













 

  









 
  









  













  















 









  




  



  


   











   









 
  










 

6

Odilia

 

 




 







  





Cl. 1

  

Cl. 2

  

Cl. 3



Cl. 4



Cl. 5

 

B.Cl.



52





   

57

Cl. 1

Cl. 2




 





 



Cl. 5

  






















59









   










  

 



 

  

 






















 

    
 





 









Cl. 4





 



    

  


 

Cl. 3

B.Cl.


 

  



 



 






                



 










7

Odilia

Cl. 1


 

     

  



  

     

Cl. 2

     




Cl. 3

  

     

 

   

Cl. 4

 









Cl. 5

  

 
 




  




  



 







62

B.Cl.





   

Cl. 2

Cl. 3

 







Cl. 4

 







Cl. 5



B.Cl.











   
   



 









 



   













 



 

 

 

 

  

 

  






















 










                    



   




                


   
            

67

Cl. 1








    









 



72

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.


  

 

 33


 
 


3 



 



 
    
 
 

 
  


 
 


 

  
 


Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5



B.Cl.



77

8

Odilia




  

 

 

3 
 






3




3

 
 
 





 


 




  

 

 

3 
 

3









     


 
  

    
 

3

 
 
 





 


 



   




       
 



       


       


    
     


 
    
 
     
 
        








3



            



 
3
3

      
3



       


        
3
3

      
3
3
 
  







 







 


Rit...



A tempo

 


    


Cl. 1



Cl. 2



82

Cl. 3

   



  
 

 
 
 
        
3

Cl. 4

Cl. 5

B.Cl.





3

        
  

 
 
 

Cl. 1



 

Cl. 2







Cl. 3







Cl. 4



Cl. 5



B.Cl.



87









84

3







        
    


3

  












    



3


 




        



 

 







 


























 







  
 


   






  


    

  

 




 

  


    

  





 















  















9

Odilia

   






 










 









10

Odilia
92





Cl. 1



Cl. 2



 

Cl. 3





Cl. 4



Cl. 5

B.Cl.









    

   



    

   







Rit...




 
    

 
  

Rock 

 
  





 








 















  
   
 


 
 

 









      
      
      
      

















    
 









Cl. 4











Cl. 5



B.Cl.



97

Cl. 1

Cl. 2

Cl. 3

 
    





   


                             


    
          
                             


    
          

11

Odilia
102

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.










 

103












 










 



 


 






  

 
 


 
 


 






    

    


  
 

  
 

 
  















                 
 

     

                 
  
     

107

Cl. 1














 








 













            
 
     
            
       

           
        

           
        




           









                           


           
  


                              


           
  

12

Odilia
112

Cl. 1

Cl. 2




 

Cl. 3



Cl. 4



Cl. 5

B.Cl.




Cl. 2

Cl. 3

Cl. 4























 


 
 






 



 







 








 

 






    

    




       

      

     
     

     
 
  

  
 
     







 

 






 









Cl. 5



B.Cl.









 





                  


        

                  


        

117

Cl. 1

 

 

       

 

        
      

        
  
   











        
      









                    
            

 
 
 
                    
            

 
 
 

13

Odilia
122

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.

Cl. 2

Cl. 3



  

















  


 


 



    
    


     
    



127

Cl. 1

  





Cl. 4



Cl. 5



B.Cl.



  

  

















 
   
        
         
        







         









































                  
   
 
     
   
                  
   
 
     
   
 

 

 



 

 

 










































  


 


 








 
  

  
  

 
  


                   
                
 

                   
                
 


14

Odilia


    
      

132

Cl. 1

Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.

       
     
       
      






















 




135













 













     
 




  
  

 
     

















     
    





            





 
         

                              
   

 
         


137

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5



B.Cl.















     
     




     
     










 





 








     
 
 
     




        
      



                             

      
       

15

Odilia
142

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.




 










   
  







Cl. 2























                       

 
 

 


 

 

 

 

 

  

     

 
 

 

Cl. 3

 
  
  
 

                  

Cl. 4



Cl. 5



B.Cl.

















   
  







                 


 



 

    
   




     
  

                 

      




147

Cl. 1



   
  

                  

 


 

 

 

 

 

             



 

 




     

   











 


 


 

 


 

 


 

    
   


   

 



16

Odilia

 
 



     

 


  

     
    







 

 



 

 

 

 



 

 

152

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.



 

 
 








 

Cl. 2



Cl. 3




Cl. 4



Cl. 5



B.Cl.








 



 



 

 
 
 

 
 

    
    


 
 

  
  

                             
  
    
   

     
      








       
    
   

157

Cl. 1

 













 

                 

  

  










































                       






     
   




                             

 

    
      
 

17

Odilia
162

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.




167
Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.

  



















     






     


 




     
  
 




                 

 

 








































            




















    

 


  
 
     


 
 






 

 

     




     

 


 
     








   
 



 
   



 
  






     

 
 
 

 



   





   


 




18

Odilia
172

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.


















 
  
 
  


     






   


   

 



  



   

 










           

 
 


 

 
          

177

Cl. 1

 
  

Cl. 2

           


    

Cl. 3



Cl. 4



Cl. 5



B.Cl.




 


 


 











   

   
  

     
    
     
    

      
         
      
 
 
 


      
 
 
 

      
 
 
 


                 

         
  
                 
         
   

     

           
                             
    
 
   
                             



                   
    
 
            
                             
 
         
 
 
 

19

Odilia

       
    


 

182

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.



 

     

  



        


    
       


  
         



     
    

Cl. 1

 
    


     

Cl. 2



187

Cl. 3



Cl. 4



Cl. 5



B.Cl.



     
     




 
 

 

 

 

 

    
    


 
 

 
       

 

 

          
      

 

 



 

 

 




 


 



       
    
   

   
    

                     
   
      
 

 
       

 

     



                    
      
      
 



 

 




 

 


 



 

 
 

                    
        
  
   

    
 
                             
 

20

Odilia

Cl. 1

 

 
            


        



Cl. 2





Cl. 3



Cl. 4



192

Cl. 5

B.Cl.




         
    


 
  




 

 
 

Cl. 2

Cl. 3

 



  
  



 
  



Cl. 4



Cl. 5



B.Cl.







 

 

 



 

 



 



     
      
 

199

 













           
 

 
 



 

   

 

             




 

      
      







        

 
 
    

197

Cl. 1



     


 

 
 

 

 

 

  

        


 
 




            







 














           

 
 
 
 
 


           

 
 
 
 
 



21

Odilia
202

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.












 


 


 
 






 



 









 


  


 
 




 


 


     
 

     
 







 

 






    

    








  
 

  
 

 
  


        
        
        
        


         

   
 








                              
 
 

           

                              
  
             

207

Cl. 1



 




















 








 













                  
 
         








 
 


 
 


 





   

  

                        
           
  

22

Odilia

 
     




     


          


 
        
    



       
  



       





 



 


        







                       
        
    
 
 
 

                       
        
    
 
 
 
  
 

  
 

 
  

 
  


  
  

  

 



  


 



















212

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.

217

Cl. 1

Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.








  


 


 
 
 







 
   
        
         
        



         



        

 
 
 
         






















                    
            
 
    

                    
            
 
    

23

Odilia
222

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

B.Cl.

 
 























Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.


 






   

       

        

      

        

      
 
 

227

Cl. 1

 

 
 

 


 








 

 

 





 

 

 









































            
            
            
            


 
   
        
         
        



         



        

 
   
         










































     
   

     



 

231



    

      




                         
                 

                     
                    


24

Odilia
232

Cl. 1



Cl. 2



Cl. 3

Cl. 4

Cl. 5

B.Cl.

                              
                             


           




 
  
 





237

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5



B.Cl.















                 







 

 



 

 

 

 



 















                   
                   

                              
                             


                 







     
     
  

     
     
 

 



 

 



  

 

 



 

 


































                   
                   

Odilia

     
      




    

    



 






  
   

     


  




242

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B.Cl.




    
 
    
   


25

   












               
  

                   
  
   




   

 
          
  
 



          
  
  




  





Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet 1ºB 

 
 



Tempo Moderato ()





27



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band



Arr. by Gino Gonçals

                       




     
        













   
 
  



   

   

   
  

19

   

   

   


                      


                         






 

 




 
   




    

      
          






 






   

                  
      

         
  
©Gino Gonçals



   

35

      




    

      

      



       

47

Odilia
Andante ()

2





   


Rit...

    
59

    

  

 

 

    
  

   

        

      





  













         


   
  
  
  


    
3
 3
A tempo
   
Rit...
         



 
 
      






3
84









       
  
   




   

 

  Rock 
  







 




  


103

    

 


              

      



 




  

  

 

   

       





  
 
3

   

Rit...

   

     

 



 



       
  
  



Odilia

 


           



           

        


    




 






     

 













          
        


 

        
    


 



   








   
  



       
 

 

3

   

 

   

 



      

    


135



   
  

 
       



 

   


     

 

       
 

                             
      
 
          
                     
  
      

     



           

     
        
     

 

         

  




167



     

 




           

                   
      
   
    
 





     


    

 

 

Odilia

         
      

4

                 

  

  

                       

 
      
  

  



231



    
  



       
 






 




  
 

 

   

 

 

       

 



 



     



        
        

   
 




             

 





   





199



  


           

        

                              
                             


                              
                              
             
  















                  



Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet 2ºB 

 
 

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band



        

Tempo Moderato ()




    





        

              

   

   

   

Jacob de Haan
Arr. by Gino Gonçals

   


   
  

       


                                           


19



       

   

      



   


      














        
  

   


27





   



                               


35

     
      



   

           
Rit...

         
  


47 Andante ()

 


©Gino Gonçals



  


    


 

Odilia

 
59

 

 



  

       





 

 

2



  



  

  

 

     
      

         












     


    


    





3


   
 



3

     











             



A tempo

Rit...



84
3

  









       






 


   


 Rock

  


     



 




  


103



              

 



    


   







    
 
3






  
 

   

        
Rit...


      
  


      
  

3

Odilia






 
 






          

      










        



  


 

   

          

 
      


 




 



 




             

 




    

 
167



   

   


 

   



 







 

 

135

 

 

 

 

 

 

   



   


   

   

 

   

   

 

 

 

 

 

        
 




                       
        
  

    
       

 

      

 

   

       
     





           

         
   

     
 

Odilia


 

 
 

                          
   
  
   
 

               






   




   




 

 







    


    

     



     




199





        



       
 


          

 
      


 








          

      
   




 


4








  
 




  
 

 

   



   
   

 

   



           






231

                             










                             








   

 





                   

   


   


Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet 3ºB 

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band



Jacob de Haan
Arr. by Gino Gonçals

Tempo Moderato ()

 
 

 

    

                   

  
 


                



     
      





             







     

19



   



                       






27

           



    




 


       

                               
   
      
  


                     
          
    


       





 



35

  
Rit...

    

47

  Andante ()




©Gino Gonçals

  



Odilia







 



 

  










  
 



3










 



 





 






 




















 Rit...
        
 




 
  





Rock 









  

  


  
 

3




             

A tempo

84 
3

 
 
        






 










103



 
               




        
 




 
  




 


59

  

     

3


 


Rit...



   



 
    








 





    

2

            
     


















 






    




 





Odilia




  

     
      


135

   
        

          



      
 




   

          



        
 

          
    



  

                  
 

 
 


         


167






     
 

 





                        





           
           




     

  


   
           

 



             

   





 

3

 
        


   



 

   



          
                       


                  
 
                 



   


  









 
 





 


 





 







 


  

 
 

 


Odilia

 






        






       
 
      


 
 




  








 


    

 





 









 

   





 

 



199

  







  






            

      



 

 





    



 


  

231

 



     
   





 

   
   

         
 
      



 
 

   


4

   


 



   


  






 

 

      



   


Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet 4ºB 

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band

       
  

Tubular Bells








Tempo Moderato ()



    

   



   





 

Jacob de Haan
Arr. by Gino Gonçals

   

   
  

   


                                         

19











 
    
    



                                       
 
 


27









    



    


                              



     

           






47








   




Andante ()



35


©Gino Gonçals











 

Rit...



   


Odilia



59





  



  

    






  
  







  


 



 





  
  
  

 


Rit...

 



  


Rit...

2







 
 
 





A tempo   

      
 3





  




 


 


 



84







Rock 





 





 



 





 












   

















     










 









103
















 









3

3





  
      

  
 



               

 
3

 




Odilia




   



3

  
         


      

  

135

    

     
 
       
   

 

   
       
       
 
       



      
        


  
167





   

   


   




 





 

 
 

   
 

 
 

 
 

 





 
  

    
 

   



   

  

        
 
   

         
         


            


   

 
   

   

  


     
 
  


            


 

       

 

 

 

 

 

   

 
 

  

 

 

 

 

 

 

Odilia





199



 







     
 

















 








    

   



 
 
 

  











   
     
 





 

 









 


 




          



 


231





 


 

 


 

 







          



  

 
 








           
            





 







4



 

 



 





          








 


        

 



   





Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet 5ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band

Arr. by Gino Gonçals

Bells
  Tubular






  
         






Tempo Moderato ()






  






   

   

   

  

    

19

          
    
 
  



                         











      

  

35




    






Rit...

 

  


27


   


         

          
    
 
  


     



    


         

                


   

  


47

 


()
  Andante

 
 



    
©Gino Gonçals

 












    
 




 




Odilia

 
    
      


   

          
  



59



      
  













  






                

  
  
  


 
 
 

A tempo    
     
 3

       

  

 
  
 

 
 
   









3

84




  






   


 




2

Rit...




  

              
       
3

   


3









  


      

 

   

Rit...




 



Rock 

                                  
 
       
         
                             
  
             
103

 
 
                           
 
           
  

3

Odilia






                                  
         
          

                       
                       

 
                      
                    



135






167








                                
                     

 


 

 

 

 

 

 







   

 

 

       
         



   



   


 
 




 

    
    

    
       
   
         


       
 
   


                  
   
   







 

 

 





       
 
   

                 
 
       

Odilia

4



                
       
    
   
         

 
     
                        
      
 
 
         
199

             
   
     




 
     



   

 
                                  
          
         
 
                             
  
             


 
                 
              
 
             
            









       
       

      
      

                     
                    
231









                 





               




      

  



 


 



      







                   
       



   



Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA

Clarinet Bass





Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
Pop Overture for Band

Moderato ()
 Tempo

  

   





Arr. by Gino Gonçals

   

   

   

  

   


   

   

  
    

   

   

   

  






  
 


   

   

   


19








   


   


 



47




   


  





 



    


     


  

   











   

 
  


 

   

Andante ()

 


27



  

©Gino Gonçals

     

        


  

 
 







Rit...

    



   

35

   


  




59












2

Odilia









 

 


 
 


 
 


 

 

 






Rit...



  









A tempo 3

84



  

 

 








 



  
 

 



 
 
 

3

  
  


















    
 

 
 
 


    

      



 



     


                                   
         
         








Rit...

Rock 

                                 
  
            
  
103

                                  
         
         
                                  
  
                  

Odilia

3



               
               


                  
               










       
       

                                   
     
           
135



                                   
   
          



             
 
  

              
 

 

     
            
     


                 
 
 


          
       



            
 










           
    




        

           


              
 

  
       
 


  


           
           

167

   
                                   
       
    
   








4

Odilia

                                   
     
     
           

                 

 
           
 

     
 

           
           


                                   
  
            
  











                                  
         
          
                        
                       

                                  
                      
                     
                    




 
 


231





199

                           
              

                          
  
               


         













   




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