Caja PDF

Comparta fácilmente sus documentos PDF con sus contactos, la web y las redes sociales.

Compartir un archivo PDF Gestor de archivos Caja de instrumento Buscar PDF Ayuda Contáctenos



2 Queen of the Dolomites Jacob de Hann Set of Clarinets .pdf



Nombre del archivo original: 2 - Queen of the Dolomites - Jacob de Hann - Set of Clarinets.pdf
Título: Queen of the Dolomites.mus
Autor: Kristal

Este documento en formato PDF 1.7 fue generado por / Microsoft: Print To PDF, y fue enviado en caja-pdf.es el 01/06/2019 a las 19:46, desde la dirección IP 85.48.x.x. La página de descarga de documentos ha sido vista 119 veces.
Tamaño del archivo: 3 MB (32 páginas).
Privacidad: archivo público




Descargar el documento PDF









Vista previa del documento


Queen of the
dolomites
(Jacob de Haan)
The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday
destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello
soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports
enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory
theme of this composition echoes the majestic size of the so-called crown of mountains visible from
Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we
also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the
lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme
returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of
the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another
spectacular view of the wonderful crown of mountains.

QUEEN OF THE DOLOMITES
(Cover of Clarinets, Aragón, S.XXI)

Andante 

 
  

Clarinet in B  1

 
  

Clarinet in B  2

Bass Clarinet

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.








 



         










    

 

3

   

3

    

 




3

     



 



    

 


 
3



  
3

         
©Gino Gonçals

   



3

  

 



    

 

  

 

    

 


  

 



         



 









  



 

 


  

3
3
 
     
   

3
3
 
     
 








Clarinet in B  5






  

Clarinet in B  4

Cl.1




  

Clarinet in B  3

 

 




Jacob de Haan
Arr. by Gino Gonçals

   










 
3

   

   




QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 


  







  





 



      


     
 


   












  












  



  



  








 

  



  




  
  



  



  
    




 


 


 
















 












 
 



  


2

  



  








































    







         
      






  







  






















QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

      


  
   

  






  

























  





 





 

 






   

   

   




A tempo

         




       




















 
 

 
 






24





  



  




         






 







 











   

   

   

   

   

   

   

   











   
 
   
 
32


            





 

rit.

3















   

 
 



   

 
 

QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.





 




  


  

 








  



  


  

 








  








   
 

  
 

        
 


 

4

    
    




    



























    



  

   
 



  

 
 
 
 

    




   
 

 
 


 



 

   
   

40

          

           


         





           
 


  




 





   
 




 

 
 

   

   


   

   

   

   

   

   

QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.















    

      

    

      














  
   
 

  



         

 



      
   



      
   



  


   

    
 




    





         

48

     







rit.

    





5





        

        

     
     
     

  

   



 


 


 



 


 



 


 










   

   

   


   



   


   



       


       
  

           
     
  

            
 













   
 

  
   
  
  


       

Allegro Molto 

      
       
 
 
 

        

        

     
     
     

  

   

QUEEN OF THE DOLOMITES

6

      


    

    


   
  









    
    


                            

   



54
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1



                        
  
  



                       





Cl.3



Cl.4



B.Cl.





   
   

 
 
 
 


   
 


  
 




Cl.2

Cl.5



 

   

 
 


  












 


 


rit.

  

  






  

  






 
   
 
   

 



 

     


            


           

   

 
 


62
Meno mosso e maestoso 























       

  




   

   


   
   

      


  



  



  



QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

   

 


     

  
 

 
    


     














       
       
       




 
 



72




 

   
   


      

       

   



        



   



    
   

 

 













       


   
 


    

        


   
 








 

    



       



 



     

7

      

 

   

   






   
 


    

        


               




               




     





 
     











   

   

   

   





   

    

   
 

 
   

QUEEN OF THE DOLOMITES

Cl.1

      78
         


Cl.2



Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

     
          

 
       















    
 


  

Cl.5










   


  


Cl.4

B.Cl.



 



   
 
   
 
   
 

  



  



   





   


 

   


 


 

   


 


 

   
   

   

   

    


     




     

       



     

   

  

8





      


   

   

   

      

   

   
  

       



86

       


 


   
   







  

 


 

       



 





   

 





   

 





   

QUEEN OF THE DOLOMITES

Cl.1



 
 

Cl.2



Cl.3



 

Cl.4





Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



 






 

 

 






 
 

 

 







      

      


 





 




     

   

   

94
Molto 
       Allegro

  

rit.

           



 
    
 


   

 
      


 
                


 
         
   




       


      

  





     



 

9




     

          
 

   
 

   


   



                     
    


   
      


 
 
 

     
   
 
  



         
       
 




         
      
 




     
 

 

  



QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.


       




     

     

    
  

  


  

    


Cl.1



Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.






 






      

 
   


 
   


 
   






  


 
   


100

 


 
 

 
 
 


         





      


 
 

 

10

 
 
 
 
 
 

      

      

      

      

      

      


  105 Andante 

    
    

 




 


     

 
 

 

    


     
        





   

    
 






 

   
    



 
       


 












 
    
       


Molto rall....



 


 

 










QUEEN OF THE DOLOMITES

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 




11


                

 





 

  



   
  
  



        
                  




         
        
  





 

110

 

 
  

A tempo

















  













      118  






           






             
 
 

 


             
 







          

   
 


    


    


 

























QUEEN OF THE DOLOMITES

Cl.1

Cl.2


 

Cl.4



Cl.5

  

Cl.1

Cl.2





 

Cl.3

B.Cl.




 



















  
  




Cl.3

 

Cl.4

 

Cl.5

    

B.Cl.





    
    
      
  

     
rit.

  A tempo

125

     



12








     









 


      













 





















    

    













   







      


     

    

    



     








    

   














  

  













  
  

QUEEN OF THE DOLOMITES

Cl.1

Cl.2






    
    




13





   




   




rit.

Cl.3

 







  

Cl.4

 







  

Cl.5









  

B.Cl.












  

 




 

 




 

 



 





















 
 
 
 

  


  



QUEEN OF THE DOLOMITES
(Cover of Clarinets, Aragón, S.XXI)

Clarinete 1ºB 

 
 

Andante 





 


 

















24






 


 


  



 














 



         




        


 






 











rit.





         


©Gino Gonçals












   





32

         


      
  

40

 





               

A tempo



Arr. by Gino Gonçals

      



    

  



          




Jacob de Haan





 

         




QUEEN OF THE DOLOMITES





2



                      

48

rit.

         


Allegro Molto 

      
               
             
   

      






         
  

   

54



   





    


 
  




rit.

  
    

 




    



62 Meno mosso e maestoso 


     







       


       


72

   


                      78
 









 

   



      
    







    


 






      

86

       





QUEEN OF THE DOLOMITES



    


       
 




  
              

 





94 Allegro Molto 

rit.

100

       




         
 










  

Molto rall....


 
 




110



A tempo





105




 

Andante 



   



    




      






   



 



 




   



            118  



rit.
125 A tempo






  
             
 




     


 



 




 

rit.

3



    


    
  






QUEEN OF THE DOLOMITES

Clarinet 3ºB 

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

Andante 

 
 





   

  








































  


    

 








rit.




  

Allegro Molto 








    

 

24 A tempo



 





 

 

 

    

    

 


   


 
            
  
 
   

48

Jacob de Haan


32




40







    




 









 









 




rit.





     


           

     
  
 
   

©Gino Gonçals



2

QUEEN OF THE DOLOMITES





     

    


   




  
   
 
 


 

                               

54

 
 




       


78

       

   
 



 
    
 



   




   

   


  




   


       



     




rit.





    
72

62 Meno mosso e maestoso 

     



    




     
   

       

86

      
rit.
   
     


94





       



 

  Molto 
 Allegro
    
   
 



   


100


   


3

QUEEN OF THE DOLOMITES
Molto rall....

                 







    
  

105

110 A tempo

Andante 
    



        






        



A tempo


        


125

 

rit.





  












118





   
       
rit.

       
 


  


        



                    
   

 










  








QUEEN OF THE DOLOMITES

Clarinet 2ºB 

(Cover of Clarinets, Aragón, S.XXI)
Andante 

 
 








  
















Jacob de Haan
Arr. by Gino Gonçals



 




  



 




    




  


       

  

  







 





     
 


 


    

 

   
rit.


         


 

         

©Gino Gonçals

24











 






A tempo

 


         
 



32

   





        

      
 








 
 

 



     
40



             

QUEEN OF THE DOLOMITES







 

48

rit.

2

              

           

       


Allegro Molto 

54
 
                








            
 

    
     



 

 

  









     



rit.


62







Meno mosso e maestoso 

       


              




72



 
             

78



    




       

 


   
 


                    








    



  

      




86






     

   
rit.

94

   




    

 

 Molto 
  Allegro
 
   

 



3

QUEEN OF THE DOLOMITES




        


100 
   
           

   



105
Molto rall....
 Andante 
    
     











       





 

 



110

 



  


 

 

  
  
    







 

rit.





A tempo








     
 


 



118



  

 







125 A tempo


       



 
   
rit.


 










 

    

    




  






QUEEN OF THE DOLOMITES

Clarinet 4ºB 

(Cover of Clarinets, Aragón, S.XXI)

 
 

Andante 






         























 

 





























    

 
  





       



 





  



24 A tempo






rit.

 

 









32





  

    
 


    

 


   



Jacob de Haan

Arr. by Gino Gonçals








40





    



 


     

©Gino Gonçals











  





 
rit.

   
 


     





48 Allegro Molto 

     

QUEEN OF THE DOLOMITES

2

                                  

 
 




54

  





  






        
       


72



 





    

  



 

78



  



    

 



       

Allegro Molto 



 

   

           




              
  



94



62 Meno mosso e maestoso 

 


 
     

    



    


 

  

rit.

86

   

       


    





        
 
 
   

   





      

      



rit.


            



   





3

QUEEN OF THE DOLOMITES


100  
                   
   
   

 


    

105

   







 

 
 



   


        





   
  



Andante 




Molto rall....

              


   

110 A tempo

 




        

 



          
118





        


               
rit.

125









      

A tempo





 







rit.











QUEEN OF THE DOLOMITES
(Cover of Clarinets, Aragón, S.XXI)

Clarinet Bass

Jacob de Haan

Arr. by Gino Gonçals

Andante 













3
3
3
3
 
     
         







3







  


  A tempo
  
   
 









3

   






 





       
















 rit.
   

       
 

    

           


   

       
 

   










   

32

       
   





   



40



Allegro Molto 

      
 

 
     




  






48

3

                    

24



3

©Gino Gonçals







rit.





  
        
 




2

QUEEN OF THE DOLOMITES
54







               
                



rit.





62 Meno mosso e maestoso 

   


   

   


   

        
                        
   

72



78




   

    
   


   

    

      
 

   
 

                   
   

        
       

86

   

   

   

   

  Molto 
  Allegro
      
                 

 

           

rit.



  
  

94


   


Molto rall....

     
    



                    


        
105

100


   


Andante 

   
 



   



    
 

3

QUEEN OF THE DOLOMITES






110 A tempo



rit.



118






   




























  






125 A tempo







rit.
























 













Clarinet 5ºB 






 




















QUEEN OF THE DOLOMITES
(Cover of Clarinets, Aragón, S.XXI)

Andante 

3
3
3
 

     






   







  

  








  



    



    

  





  

24





A tempo

   

   

       
 

    

   

  
           


   

   

32

       
 

40

rit.

   






   

   



    



 
 

 







Arr. by Gino Gonçals

 rit.


       

   
 








Jacob de Haan







©Gino Gonçals







48

Allegro Molto 
     



QUEEN OF THE DOLOMITES







   

     


  
   

2

  
   

     


                                    


54

 
   

   


  
 rit. 





62 Meno mosso e maestoso 

   


   

   

   

   

   

   

   


        



                      



 








72

   

   

   



   







  

78

   

   

86

   

   



        


   
 

   


   

      

   
 

   


3

QUEEN OF THE DOLOMITES



    

94

rit.



   
 


 
          
   
 


Allegro Molto 

  

Molto rall....





                 



   




   
       
 

  
 






    



 



rit.






118













  

   

      
rit.

 







125 A tempo




     


Andante 

110 A tempo




      


100

105

 

  


         




 







 


  




  

 

  



Documentos relacionados


Documento PDF 2   queen of the dolomites   jacob de hann   set of clarinets
Documento PDF 7   oregon   jacob de haan   set of clarinets
Documento PDF 8   la storia   jacob de haan   set of clarinets
Documento PDF 4   yellow mountains   jacob de haan   set of clarinets
Documento PDF 5   ammerland   jacob de haan   set of clarinets
Documento PDF 3   river city   jacob de haan   set of clarinets


Palabras claves relacionadas