19 Virginia Jacob de Haan Set of Clarinets .pdf



Nombre del archivo original: 19 - Virginia - Jacob de Haan - Set of Clarinets.pdf
Título: Virginia.mus
Autor: Kristo

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VIRGINIA
(Jacob de Haan)
The American state Virginia has a somewhat jagged triangular form on the map. This can be recognized
metaphorically in this composition, which sheds light on this state from three angles. These angles
represent three periods that play an important role in the history of Virginia: the colonization, slavery,
and the American Civil War.
The composition starts with a short, expressive introduction in a slow tempo, followed by two parts in
lively tempi. Here, the adventures and hardships of the first colonists are depicted. They are first
depicted by means of a characteristic theme with a lively, typically American sounding accompaniment,
resulting in a new theme. Through a regular alternation of times (6/8 and 2/4) and keys, the music finally
calms down in a unison final note, which represents the colonists reaching their goal – in 1607, they
founded the first permanent English settlement: Jamestown.
For the benefit of the tobacco plantations, in 1619, Virginia introduced black slaves from abroad. This is
expressed in the following slow movement in which a melancholic minor theme forms the starting point.
Also, we can hear elements of the blues, which reflects the nature of the slaves’ emotions.
Next, in the brass section, the foreboding of the American Civil War can be heard in which Virginia
becomes the main battlefield. The battle between the northern and southern states emerges in a warlike part. The same theme is used as in the beginning movement, where the colonists fought with the
Indians.
Liberation and hope sound through in the slow final theme where we detect the minor theme of the
middle part. However, the theme is played in a major key here, through which the optimism for the
future arises.

VIRGINIA

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
Adagio 

Clarinet in B  1

Clarinet in B  2

Clarinet in B  3

Clarinet in B  4

Clarinet in B  5

Bass Clarinet

Cl.1

Cl.2




Cl.3



Cl.4



Cl.5



B.Cl.



 
 



 
       


 
       


 
  


 


 
   


 




























                       
 

                       




    








    





     
   

©Gino Gonçals

         




3
 

                    3 3  

          

 accel.
3
3
3




                                   
 


3
3
3

            

        

 





       

   








     

    






 
 
    



 


Arr. by Gino Gonçals

 
                
3

3

3

3

   
               

accel.

3



 

3

 




3

3







      
3

 





 



 

 



 

 

 

 








  


Virginia

All. Vivace


 

11
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.





   


 

    

 

         




 
 

  
 
     
  





              
 





 


          






 




           

  





 





 



        
 


 


         
 


 


 
 
 













     
 



      




      










            









          








            









 






       
 
 

 

2





 








 

      





      








       













  

 

 


 
  
    
 



      




      





Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Virginia







   



 

 

 
 
     







     







       











    


     


Cl.4



Cl.5



B.Cl.







    





23



 

   

  


 
  


 
 



    


 
 




    

  


    


  


 


    
    



 


              





   
  




   


    
    




  
  



    


   


   


    


     

    





  




     

3


  












          


       
  




 






     
  
    





                  
         




Cl.1

Cl.2

 
 

  
  

    

    
 

    


Cl.3



Cl.4



Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4



 













    
 

  

      
   







  
   


Cl.5



B.Cl.







    



   




  
 






        
 


           
 





  

    

    







 



 





  

   



 




              
 

 
      


     



    



4








   

   


    



 


Virginia



  





    

    


  






39






  
3

3







 

     
         


 



   


 
3
     



 

 





3
 

 







  
 








   
     


    







  

3




 


 

 

 

 


3

Virginia

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.









        


 




  
    




    



      


 





 
       



    

3

    
 

    
 





3

3





5




3

3

3












 




  
    
  
  
    
  

            


3


     
  

3




 




  


3


   
    
 
  

3

        
  


 
 

 




 






 













 










     





     



 



       

3

 



3

       






3

3

3













 

3









 






 










 


  

     


     


     





     

     




    

Virginia

Cl.1


 

Cl.2



Cl.3



Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2




   

    






     
  


    


 





Cl.3



Cl.4



Cl.5



B.Cl.






 

  
 















55















   





 










 



 

    
          
      



 




    






    
 

     


    
 



   




 






     
 



  




 

     
 





   

 


   







    


 

6




     

             
 










 

     



 
  



   



              



 



  










  





           
 

          



 





 





     

 
   


   



        

 


 

 
 

Virginia

  


 

L'istesso tempo















    
















    





















               





         
 





Cl.1


 



Cl.2


  

61
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



7

  
 

 




       












   












 

 

 cresc.

 


 
 
  



 



 












 

 









 




 







Cl.5


 








B.Cl.

  



      



Cl.3

Cl.4










             













 
  

Virginia

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.




    73 

    






 




 
 

 
       




 
 

 

 



  
        





          






 
 




















        



 




     
        

     
     

   

 


 

 





 


 





79
















 



 



 
 


 

       


    
   
 
 
                 
 



 
 
 
   







    
 



       
       





    




       
 



   

 

8

 

 

















     



















Virginia

Cl.1



Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.



Cl.1

Cl.2

Cl.3



           
   


 



  
             
   


 
 
 
       
        



 



 
    
                       



                      





          
        


 

  
  

   


   



   

   



   


 
   

 












Cl.4



Cl.5



B.Cl.




















 


9








 
      

   

 

 
    


 




 

 
        


 




 
 
        






 











 











 
             
      




Virginia

Cl.1



 
   

Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 
   





     



 
     
 



 
 
 


  









       
 



 
 

 


    

   

   


    


 






  












   
  

 

































 






       
 






 












93


  




 
    



    






     

10







 






 




    






    





 


 










 

   
 



     




 
     




 
 












   
 




99




    





















 


 
















Cl.1

  

Cl.2

   

Cl.3


  

Cl.4

      



Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3


     







  






  













Cl.5

  



























 


 

      
 

     





   
 



 




11







  
  

 





      


Cl.4

B.Cl.

 

   


   


   
  


 
 



Virginia

      




 










 
 


    






 
  






       




 






  
   






    
    




   
  








      






     












  




       



   
  









      
   



   


105































   





      


   










Virginia

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

     



      

 
      

     
 


 


 





 
 


 




 


  
  



    
  



        



   


     
 


 



       





   
  




Cl.2


 






Cl.3


 



Cl.4

       
 


 
       




  




   
  


   
  




Cl.5


 

B.Cl.

  

      

      


  

 






       





117

12






      



   

   



     


    
   


   








 


 
  



  
  





 





 




 

     
 

     
 














     


 
 

 
   


   










 




   
    



       



    
    


  
  



  
  






 
  









Virginia

Cl.1









Cl.2









Cl.3










  


    
 


Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

   







  

   
 



    
   


 

       


    


   


   




Cl.4

  

Cl.5


 

B.Cl.







  


 


  
 





    
 





13

     
  

     
  


 







  


 


  
 



   
  























    



  


 









   


 




   
  



 





 



 
     

















  


 








 
   




     



 
     

  




 

129


 



 
 





 



 





   

 


    


   





















 


 
















Virginia

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

 


   



     



 
    

    



  
 


   
 
   











 






 
    
 
 
    
 



 




 






      
     
      
     
 
 






 


 








 

 
         
     


 
      
   

 

 



Cl.2

  


 

Cl.3

  


 

Cl.4

  

 

Cl.5

  

B.Cl.

 

 

14


 

        
   


    
    

    
    

    
    



 
  


 







  



138





             



 

             



 
          
   


 
 

  













  


 




     
 
     
 

Virginia

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

                              

             
            
                              

             
            

        


 

   

   


   


      

          

 
 
 
 
     



















147
      

 


Cl.2

Cl.3



       
 


Cl.4

Cl.5

B.Cl.





      

 

        
 

      

   



        
 

        
 













    
     

 
 



       
 


Adagio ( )

Cl.1

15





      
    
  
 
 




















 
      


       

     














solo




















Virginia

Cl.1

                     
        
 

rit.

    







 

Cl.2





Cl.3

 

Cl.4



Cl.5



B.Cl.









    







    







    










  

156 A tempo
Cl.1

 



Cl.2

 



Cl.3

 

Cl.4



Cl.5



B.Cl.



    

 

 



















     
 













 
 





   



  





 

 
        





 


 


     


 


  

   





          






16

  












    

  





  





  

Virginia

Cl.1

        

Cl.2



Cl.3

 

Cl.4



Cl.5



B.Cl.

Cl.1

Cl.2

Cl.3



 

  

 


  

  


 

    

     

    

  


 

    

     

    








 







 






































  





  



162



                 



sub. 
 
    

   



Cl.4



Cl.5



B.Cl.





 


  


17

 

 

 





  







        

rit.

A tempo

 




 







         






  







 
    





 






       
         

     


      


 

  












Virginia



   


171
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

 
 


   


 







 



 

    













 






  



 


   

   

 

  



       

Cl.5




B.Cl.







 





    












 



 










 









 



    
     


 





 





 



  



 

   
    







 






rit.






       

  
    








  
    



 


    





       







    

 


       A tempo
  
rit.





  



    


         


   

 




18












 









Virginia












      

        












      

        

181 Poco meno mosso (= 104)
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.3

Cl.4

Cl.5

B.Cl.



3

3


                                  
 


 3 3 3
3
3
3


                        3  3 3 3   




    




            
3
3



3
3
3
3
3
3
























   
   
               







     















                  

   
 
3

Cl.2

19

3

3

3

                  
   
 





3

3

3

3


    

   

   









    
sub. 

    




 
 










3




 





    
 

  



    


 
 


 


Allº ma non tropo ()



    






















 
 





  


 
  

    


   


188

rit.

3

3




 
 




3







Virginia

20

Cl.1

 


   
  




   




Cl.2


   

   
  



    




























Cl.3

Cl.4

Cl.5

B.Cl.


   




   








    















    




















  


Cl.1














Cl.2














Cl.3

Cl.4

Cl.5

B.Cl.


   


 




 




   


  


 

   
  

 
  






















   


   


   




   





















    


  
    


   






   

 
  







Virginia

Cl.1








Cl.2








Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.


   




   











    

   

   


   


   


21

     











 
   


     










    
 
  



  
    
 



   




 


      

     
   


       





    



    





 

      

  




    
 
   



      
     


204














       
    














  


       
    


   

   




 




 
 




   

   


  
 

 


 
 


 
    

Virginia

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

(Œ.=Œ)
                     214      
 
    
 
 



   


   



   

Cl.3

Cl.4

Cl.5

B.Cl.



  
 


 




 










   

      
 
 
 
 







     

3

3

    
3

                          
         


    




                          
  
 
 


   

3

Cl.2

22

 





   
 
3

   
 
3

3







 
 

    


 
 



 
 


 
 


  



3

























3

3


3








    


   
 


                               










      


      


  
        



 3
    
 


  
 
3




3

3

3

3
    


3







Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



 
   

 


 
   

 


 
 
    

3

    




3




   




Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.







  








 







 












    








     

 
     









            

   


 
             



  
  








       
   
    







23

 


 


 

Cl.1

Virginia










230


   














 




 


  
       
 



Cl.1

Cl.2

   
   




       
     





   
  

      




          

















   
  








  


Cl.3

 

Cl.4

 

Cl.5

     
  

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Virginia

 


  



 
 








 
 
             

  











 
 

  


           
 
  
  








  


  



 
          




 
 
             

  






 
 







 
 










    

 


 
 



 

 







  
 









  
 



238










 
 











































24

Virginia





 


 
        









 



 












Cl.1

  

Cl.2

  

Cl.3

  

Cl.4

Cl.5

 
        



Cl.1









  



Cl.2








Cl.3








  

Cl.4

  



Cl.5

  



  


 


 





 


  
  









     
     


        
        







B.Cl.








 


B.Cl.

25










 

  

 

 



 




  






 





    





   




 









 


 


 





Molto Rall......







 












Virginia

Cl.1

Cl.2

Cl.3

Cl.4





Cl.1



Cl.2





































B.Cl.




           



  
3

  3












       


3


 

254








 



26



 






   


 




  
 




  



 




  




    





      







 

 





    
  
 

 

 













 
    
 


 
 








   
 



  

   
                






3
3
3

Cl.5

 




 



B.Cl.

 




  




Cl.4

 

  


Cl.5

Cl.3

 

Poco meno mosso (= 104)

 


 


      


  
    

  
 
 
 
 




 
  

         

3

3

    
     
3

3

  3
       
 
 
3
   
   

  


       
 
  
   




 
                




 
     
 
   



 

  

Cl.1

                
  
3

3

Cl.2

Virginia

3

               



3

3

3

Cl.4

Cl.5

        
             
  3
3
3

B.Cl.



3

 


    
  

 


3




  
  





   







 



 

 
 

 







3
3
  3

            
     3    

  







3

3

Cl.3

   







3

 

27

Rall....






 


 

 





 







   








Adagio 
         267      



rit.

    

     

    

Cl.2



 

    

     

    

Cl.3













Cl.4











Cl.5





B.Cl.





    



 



Cl.1

       

   


         















 
 



  









 



  




  
   




 

Virginia

Cl.1



Cl.2



Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 

 






 


 

 






 






 


 


 


 



  












 

















 
cresc.






















  











 

 



 
 

cresc.







 









cresc.

 









 









 














cresc.

cresc.

cresc.

   

   




28



  



  


  



  



  

  


  










Clarinet 1ºB 

VIRGINIA

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

3
            
3

3






    
           



 accel.
 
All. Vivace


3

    11  
          











         



3
3
3

 
 
 
 








23





 
 





 



  



Arr. by Gino Gonçals

Adagio 


 










        


  
 

 

                 
        





  





        


 
 
3

3

    
3

 




    

  39
 

  





  
3

    
3

                                
    




3

 
 

 





55



 

 
      
   




L'istesso
tempo
61

                       
 







 


 



 

73

    
           



 
 cresc.

©Gino Gonçals












 
 
 


 
  
 

Virginia


    79
 













          
 
 


 


  




 





  

        




 
   
99









     
 
  

 

 





  










      
 




    
  
 

93



2



 

     


 









   
                   
   



       
 

                 
    117       
 
                          
 
 

   


   




    
 
      






 
 



 
   
 
129
 




    

  





 
 
  
         


 

 


138 


 
       
 
                  

 

  





105

                   

     
 


               


 

Virginia

    
           









  
 


156 A tempo
                     


       

   
 
rit.

 

 

147 Adagio ( )

solo




        
 

               


          
sub. 

    

       
A tempo


          

    



   

 


      

  


rit.
rit.


171



A tempo

181


      
  


188

3

3



Allº ma non tropo ()

           

 




     
 




      

rit.

    

    



     

Poco meno mosso (= 104)





3




 




3

rit.

3

    



204


        


162

      

                  
  
 
3

3

    



      
     




  



         


3






     

                    214 (Œ.=Œ)
                  


 







        

3





4
 
 
 



  

  

3
 3

   
   








        

Virginia


   


       


   
       

        


              
254




 

Poco meno mosso (= 104)


  









    

 


230



 

238



   



     






 





         
 Molto Rall......




  


              




3

3

3

    


   

  

 

cresc.

 





 

  





 






 




3



 




                 

267 Adagio 
    


 
           


Rall....

rit.
    
      
    







 
  




 




VIRGINIA

Clarinet 2ºB 


     



Adagio 



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

  



Arr. by Gino Gonçals



          
       





 


 
                       


3
3

 
           

accel.
 
            

3

11








    








  

3
3

3
 
 






             





 



 
All. Vivace

3

  
 

   


   


     

    

     

     

23


     

   
 
    
    
    




  

 
3
     
          39
 














  
3


                 
               






3
3
3
3


  
 


  
    
    






55










     
  
              
   


©Gino Gonçals


 

 




 




 

       
   



  73
                         



 

  




61 L'istesso tempo


 

Virginia

   

79
         

 
 



      


   


  


         

 


 
   







     

    



 






 
    
 


93

   

      

























     

 




 

     




 

      
 



99

      
   



105

       
 
  

129
       
         

  
 
  



  

   

 
     
    

  




         
   



      
   



117

2



 


 



       






       




















        
 




    
 



  

138


     
 

Virginia

3

                   
 
             

147 Adagio ( )
  


































 
  



               
 rit.



156 A tempo

     


   
 
 




 



171













rit.

 


181



   

rit.

   
     

3

3




 

               




A tempo

   




3

    




                     


 


rit.

     

162

   

A tempo

 
 rit.

 


   







 

Poco meno mosso (= 104)

                  
   
 
3






        








    
 


    

3

3

3



    


188 Allº ma non tropo ()



     



204

       
    


                   214      
                      

(Œ.=Œ)








   







 

3

4
 
  
 



 





3
 3


Virginia

 3
 




              
 


 




       
 


3


      

   


238


     


       
 


      





            
     

   




     
  



230





 

       
        


               

 


        
    


  


  


  

 molto Rall......
Poco meno mosso (= 104)
254

 

 










   
 
   
    


 
                                  

 





3
3
3
3
3
Rall....
3

 



       267 

     


rit.
Adagio 

   
 











    





     


cresc.

   



    

 



Clarinet 3ºB 

VIRGINIA

(Cover of Clarinets, Aragón, S.XXI)

 
     



Adagio 

Arr. by Gino Gonçals

  

 
      






                       



   

   
 
 
       
  



23
   

  
 
 
     


     
    




   




    
 


     
 

55
 





  

 



    

     





 

          

     

 



61 L'istesso tempo

3






                        
 accel.
 

          
  







    

    

    







 

3



39






    

 

 




3




    

    


       




3

3

3

11 All. Vivace

  
 

Jacob de Haan



    




    
 
           





 

3



   

    


 
 


 

 
     
      

  
  
  


©Gino Gonçals

Virginia

2

 
73





      




   
        


   

 


79








               

             






   


 
              
  



 

 
      







93
       
 
     




  
   

  
 






99
105
    
       
 




    

 

     
 
   


                   
    
 

      




    




         
 



    



   


          
 
 


129




 

 
                
 





    
   



        




117



   


  


 

           

 








 







             

                       


 






138

147 Adagio ( )














                          

   

 
 
 
 



Virginia

       



156

A tempo

 
 















       


   

  







 



 
171

 


 



rit.

    






A tempo

               
 rit.




 


3




 


 

 

162



rit.







         







 

A tempo

         

 

         
rit.



    






                                           
 
  





3
3
3
3
3
3

sub.

 
Allº188
ma non tropo ()
 
  


















 
      


 

 

181

Poco meno mosso (= 104)

rit.

       

 
 



204  
               
        
 

 


 
 
     
 
          
 
           







214 (Œ.=Œ)
3
3



    
     














 

   
     

 
 


Virginia

 

          
     
 





 



 
              

   
 

   



 



 

  


   




230





238






254 Poco meno mosso (= 104)

   








         

267


 

 






 

    


       
 

 
 







   






  


 
   



     

 molto Rall......
                  
    






3
3

3
      
          





        

 3
3
3
3
3

rit.



3

3

4

Adagio 









   




cresc.


 





 



  

   



  

 
 
Rall....






 



VIRGINIA

Clarinet 4ºB 



 Adagio 
  






      

 accel.
 

       







    


  



     

     



 



       
  
3

     
 




 




     



  



tempo
     61  L'istesso

         




 








       


             




 









    















 









     




 



 



73



    
 



    


    


 

  








      





    




    


     


    


    




55



 

         






 





    




Arr. by Gino Gonçals

11 All. Vivace

23
 







 

 

 






      


Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

3

39

       

3

     


     


   
     

















              





©Gino Gonçals

Virginia

2

         79    
    







    
     
   
 
  
 



 

 
    




    

  







    


99


 






        

 
   
93






     
  











 

 

                   
 
 
   

  
 


                         
 
 
   
   
105






  
                      
  
   
 
     
  
   
 
 
 


      
     
 
 

    117
                
  
   



                  
 
 
 
 

 







    
 

  
    



 













  

  



   

   



129

        

138



147
      
   


  
 




             
 
 

  

    

 

 

             
 

Adagio ( )










 



    
 


         
 
 

    






Virginia

 





156 A tempo

 
 rit.

3
162

 
 

A tempo

171

    
   
 
       

rit.










    
                      
    



     
      
rit.






A tempo

  



 
    


     rit.










   
 
   








       

 


   
    
 


 


3


    



    



  
   



 
 

 

     

3


    
 rit.









 





             
 


        




       
 

3

 
      





181 Poco meno mosso (= 104)

 
 3 3 3 3
              
  


             
3


188 Allº ma non tropo ()








       
   
    



    
 



   

204








214

    





(Œ.=Œ)

 
 

    






3

3

230








  





Virginia

         
 

  





   
 


 



Rall....






 
  
      




         

         












254 Poco meno mosso (= 104)

      



 
 

4
238












 


    

rit.








Adagio 











           






  3
3



    





cresc.

 











Molto Rall......

3
3
  3
  3






               


 
3         
3    

267













    




  


 


 


 


VIRGINIA

Clarinet 5ºB 





Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

 Adagio 
 








     


    

 accel.

    

Arr. by Gino Gonçals







             




 

















     





 
    
 

55

tempo
 L'istesso

   
 




  

61

     



   
  
 



 



3

     


     
 


   

        



 
   

   

 
     







©Gino Gonçals







39

3




    
 

    




    


    


 
 











      






   




             




 





23
      

  











 
 




 


                


    
  


  
 

  
   



11 All. Vivace


              




 







       











 



  


 



2

   
          
 
   
79
                          
     


   
   
 
    












   
93

Virginia


 






    

   






73



















    









   
   

   
 
   
 
   









  

 
 

       
 
 
 
      

    
  
  
  





 
    


 
    



   



 



 
 

 
 






105
           
 
 






      


      

 
    

 
    


 
 


  
 


138




 
 



   





 
 










  







        
  
  


129


 



117




  
   




99



      



    
  

   
    
   








         
 
 












   






Virginia



           
 
 




      


162












A tempo





 





rit.

    



 





147 Adagio ( )



171



 



rit.









 





rit.








   
   




 
     





    

   








rit.

   



3

188 Allº ma non tropo ()



 



   
       








    
204


  
 
          


 

3

 

3



  
    
 

   




rit.



  



 





 





   

 

181 Poco meno mosso (= 104)

     

               



3



156 A tempo

     






A tempo

     

 



 











    

   


3





      
 




      










   

3

    


3





 


        


   






 

   
 

Virginia





 


214

      

3

(Œ.=Œ)

  3
  

     

   


     
  




Molto Rall......





  
 




  













 

267



Adagio 









  





    


 
 



   
   

 





cresc.


 










  
     


238





  




 Rall.... 









  3
 
        

3

   
    

   
    






 


  
          













   

253 Poco meno mosso (= 104)





 





230













    



 



      
 
3




3





4





rit.



 


  





 



  





VIRGINIA

Clarinet Bass

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)


     
 
 

Adagio 





    
    




         
  

 accel.
          
  









            











             



 
 
 
 
 
      


 

             




 





 
 
 

  

 
55









3





               





               



 



 

 





        






  





   
  





                               
 
 




11 All. Vivace

23
          

  




   








                




           



                  
   
   
   



Arr. by Gino Gonçals


           
  
3



40

 

 



         

                     


        


















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