32 Rikudim Jan Van der Roost Set of Clarinets .pdf



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RIKUDIM
(Jan Van der Roost)

Composed in 1986 and inspired by Jewish dances, Rikudim is a four-movement
suite that is approximately nine minutes in duration. Van der Roost did not draw
on authentic folk melodies as source material for Rikudim, but rather composed
the piece in the style of Israeli folk dances. These four idiomatic movements
capture the both melancholy and optimistically festive characteristics of Jewish
dance music.

RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)


  

Andante Moderado 

Clarinet in E 

  
 

   

   


   

   

   


Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5

Bass Clarinet

E  Cl.

Cl. 1

























  

    

      




      












 
  


 






 



    

I

















      







      

      











     




    

           









    



  











 

Cl. 4





Cl. 5





B. Cl.










  
  






 

 



 
 




    
  










  
  














    
    









3









 



A

 


Cl. 3




 

        








    

Cl. 2










    


   
 


   






     









arr. by Gino Gonçals




 

      



Jan Van der Roost

four Israeli Folkdances

 

Gino Gonçals

  
 






3

3

3

    




  



 


  














 


 






 

Ridukim I
E  Cl.



Cl. 1
















3

Cl. 2



Cl. 3



Cl. 4







Cl. 5





B. Cl.



E  Cl.

Cl. 1




3




 
 











        B
 


      
 


Cl. 2



Cl. 3



Cl. 4



Cl. 5



B. Cl.
















     






3

3


  
      
    


















Poco meno mosso (=112)


















   

  
   
 
 


     














  





 

 
 

     




       


 












  





  


 

















   









   









 
                
       


 



    

 




   



       
 

(Cover of Clarinets, Aragón, S.XXI)

2




 
 
 
 



  
     
  


  
     


 



 



 



 


Ridukim I
E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.



 

 

 





Cl. 2



Cl. 4

  

 









 




 

    
    
   

  
 

 






  
 



Cl. 1

Cl. 3

 







   







B. Cl.






   


 


Cl. 5







    





 




 







    




3


      



        


 


 



       

  




      







C






        


 
 
   
 
 





      
     
     

 





        
 







                        






 

 
 
 
 

    



 


    




















































 

 



  
 






 
    

    


 

    



 





(Cover of Clarinets, Aragón, S.XXI)

    





 





 


    



1.

    








 




  


Ridukim I

E  Cl.



 2.   



Cl. 1



    

Cl. 2







Cl. 3







Cl. 4





Cl. 5



B. Cl.





rit.

E  Cl.



Cl. 1



Cl. 2



D Andante Moderado 


 

  

  











  

  


  

  















   

3









      




      

Cl. 3





Cl. 4





Cl. 5





B. Cl.








  































      












 




  


  
















  
 


    



      



    



(Cover of Clarinets, Aragón, S.XXI)






  












  

    

      

  









         






4

































   












   










  





    

        

  
        



 







  



























 


















Ridukim I
E  Cl.

 E
 





     
    












    
  

3

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 



  

 

Cl. 1
















Cl. 2



Cl. 3





Cl. 4





Cl. 5






 

B. Cl.



 
 


  

 


 
 







     




      



 
































 


  

  


 

3




 


    































 








    

 

     



3

 






  



3

    




      



3

3




  


  



E  Cl.






3



 






       



3







(Cover of Clarinets, Aragón, S.XXI)







 
 





3







  
    



F







    



 
















  


      



    

3

5


   
3

  


    
    




  



 











3

 



 













 

Ridukim I

E  Cl.







Cl. 1



Cl. 2



Cl. 3



Cl. 4







Cl. 5





B. Cl.













 
 
          












 




      




    







     
    




3

     


3







3









3

 







       


 












rit.

    
  

 
  
    
  
 
 



  
 

(Cover of Clarinets, Aragón, S.XXI)

   
  



  

 
  

      
      


 



 



  



 



 

 

6

RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)


  
A

Clarinet in E 

Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5

Bass Clarinet

E  Cl.



Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5



B. Cl.





Allegretto con eleganza


    

    

    


   

   

    













II











 
  













Jan Van der Roost



arr. by Gino Gonçals


 
  
  




 





















 
 

 



 

 

 

                      

 
 

 

 



                  
 

 

 

 

 








four Israeli Folkdances

 


 




 








  


 
     
 

 
 
     
 

 





 
 
















  

 

 






 

















 


 
Gino Gonçals







      



     
 
 
 




















      

 
      

 
 


   






 



       


 


        
 

 












E  Cl.

Cl. 1

 
 




 
 
      
 
 


 

Cl. 3



Cl. 4






Cl. 5



B. Cl.



Cl. 2

E  Cl.

Cl. 1

 
 


 

Ridukim II



           



            


 
 






  
 

  



   

    

Cl. 2

Cl. 3


  



B. Cl.



 


        
 

 



Cl. 5

 

        
 

 


   

Cl. 4



   

 



  
















































      

 
      

 




 






   





      
 



2



  
  
  
   





 
     




 
   



      
  


          
 

   
 

 






   
 
Allegro con moto ()

 


B

 














   
 


 
 
 

 
 
 

 
    
   

 
 
 


(Cover of Clarinets, Aragón, S.XXI)






 
 




 




 

   








 

 
 

   















E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.














  






  

 
  
 






  





  


    














 

 







 





 















 
























 
   




    


































































 





































 
 

 




 




 




 




 

  


(Cover of Clarinets, Aragón, S.XXI)











 








  





3
















 





    



Ridukim II




 



 






 



   

 




 

  
 










E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.








   




   





  

   


  



 


 

 

 



 














 


  



    
  

  





 

 









   














   












    








 

 
 

   













   






















 









 








4





 



Ridukim II








 




 

   








 

 




 
  



 







   






   
   


 




















(Cover of Clarinets, Aragón, S.XXI)















































 








E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.



 


  

 
  
  


  


 


 







 





















  


 


  




  
 


    
   


  
 


5





 
   






    




    




    

















 


Ridukim II




















































   





   


















    

























   

   













 





 



    
 









   














 












(Cover of Clarinets, Aragón, S.XXI)

















   




E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.








 














  

 



   



   



   

  

 


  



Cl. 2





Cl. 3





Cl. 4

 





      

  
   

   



    
    





  









  





2. poco meno mosso 

   





B. Cl.







Cl. 1








 

Cl. 5







 






1.

Ridukim II


















































       












1.



 

6

 















  














 













 





























   
   

       
       

       
 

(Cover of Clarinets, Aragón, S.XXI)










 
 


 
 
 

 
 
 

Ridukim II
E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.



 




 



 




 




2.



 

 







































(Cover of Clarinets, Aragón, S.XXI)






























7









RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
A
Clarinet in E 

Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5

Bass Clarinet

E  Cl.

Cl. 1




  

Andante con dolcezza ()


 
















Cl. 3

  







Cl. 5

 

B. Cl.






Jan Van der Roost

III

 



 
   

 

    

    
 

  
 



      


  

   
         

 



   





(3+2+2)

Cl. 2

Cl. 4

four Israeli Folkdances








































 































 

arr. by Gino Gonçals

 



              
 


 


 


   
   
   
                    

 

 

 




























 











































 





 

                   
 


 


 


 





                            












Gino Gonçals






Ridukim III

E  Cl.







 

Cl. 2

   







Cl. 3

  





Cl. 1

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.





  


  






































 



 
 










2












           


   


 

  
 


 

            
   
























     

 



 


       













 



































  





 





 





 





  









































  
 




  




        
 






 
        



           


 


 


 
  

      




(Cover of Clarinets, Aragón, S.XXI)

      




Ridukim

E  Cl.

Cl. 1






 





 











  



















Cl. 2

   

Cl. 3

Cl. 4



Cl. 5

 

B. Cl.







  


   













 

    

 
 



 









III

  


 















 









B poco con dolore 



  

  


 


   



   




 

 

        
      


 



      























Cl. 1


















Cl. 2

   



 



 

 



Cl. 3



 
 













Cl. 5

 





Cl. 4

 



E  Cl.

B. Cl.





  
 

  
 

     












  
 



 





  


  






(Cover of Clarinets, Aragón, S.XXI)

3

  
  

  






  
 
  
 













Ridukim

III

4































Cl. 2

   





 






 

Cl. 3

  



















E  Cl.

Cl. 1




Cl. 4

 

Cl. 5

 

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.




  
 







      


C

E  Cl.

  
 






 


  
  
  
























  
 



 





  


  




 
 




  
 
  
 













  
 
  
 

solo








 
  







  


 










  


 







 
 















































  
  














 

 
 
 


(Cover of Clarinets, Aragón, S.XXI)



  
  
  
  

Ridukim

E  Cl.

Cl. 1

Cl. 2

Cl. 3






















  































Cl. 5



B. Cl.



















Cl. 1





Cl. 2

  



Cl. 3

 












Cl. 4

Cl. 5

B. Cl.



  
  
  
  





































5




  
 

 


Cl. 4

E  Cl.

III









 




 

 
  






 



rit.





 




























                     
 


 


 

 









 

 

 
(Cover of Clarinets, Aragón, S.XXI)
















 




   
 


   


 

 

 

 






Ridukim
D

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1



Andante con dolcezza ()
(3+2+2)







  


   

  






    
  
     







 







Cl. 2


  

Cl. 3

  







Cl. 4

Cl. 5

B. Cl.









 



III

6














 
























 





































     


 



 

        





















         

 


 


 


 

             





























 











































 





 

                            
 


 


 


 





                            



(Cover of Clarinets, Aragón, S.XXI)











Ridukim III

E  Cl.







 

Cl. 2

   







Cl. 3

  









Cl. 1

Cl. 4



Cl. 5

 

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.



   












































 



 
 












      

   


   
     







7

























         

 


 


 


 

             





















 



































 







 





 





 





  









































  
 



   




       
 







        



           


 


 


 
  

      




(Cover of Clarinets, Aragón, S.XXI)

      




Ridukim III

E  Cl.

Cl. 1






 





 












Cl. 2

   

Cl. 3

  



















Cl. 4



Cl. 5

 

B. Cl.

E  Cl.



   



   


   




 




    

 
  





















8

 


  















 









poco con dolore 



  






 


   


   




 

 

        
      


 

    
  
   















Cl. 1



















Cl. 2

   



 



 

 



Cl. 3



 
 













Cl. 5

 





Cl. 4

 



B. Cl.



  
 

  
 

     












  
 




  

 


    






(Cover of Clarinets, Aragón, S.XXI)




















  
 
  
 














Ridukim

III

9































Cl. 2

   





 






 

Cl. 3

  



















E  Cl.

Cl. 1




Cl. 4

 

Cl. 5

 

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

  
 




  
 







      


solo






 


  

  

  

























  
 



 





  


  




  
  




  
 
  
 













  
 
  
 








 
  



  


 





  


 







  
  

















































  
  














 

 
 
 
 

(Cover of Clarinets, Aragón, S.XXI)



  
  
  
  

Ridukim III

E  Cl.

Cl. 1

Cl. 2

Cl. 3

















 


  

















 











B. Cl.



E  Cl.









Cl. 2

  



Cl. 3



Cl. 4



Cl. 5

 





















































































 

     



  

  


  




morendo








  
  














B. Cl.





Cl. 5









Cl. 1




  
 

Cl. 4



10

rit.







 

                   
 


 


 

  

















 









(Cover of Clarinets, Aragón, S.XXI)












RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)

four Israeli Folkdances



Clarinet in B  1



Clarinet in B  2



Clarinet in B  3



Clarinet in B  4



Clarinet in B  5



Bass Clarinet



E  Cl.

Cl. 1

Cl. 2



 A



 

 
 
  


 
 
  

 



 
    



 
   
  
  
            








  
                 


 


 
 
 
  
             
 
 
  


                 
 
 
  
 


        

          
          

Cl. 3

 

Cl. 4

 

Cl. 5

 

B. Cl.


 

 










 





   
 





  


arr. by Gino Gonçals

IV

CON MOTO E FOLLEMENTO
Clarinet in E 

Jan Van der Roost







             
             
             






  




  






 

 











 




                     
    





    


     

    


   



 
  
   

    



 





Gino Gonçals



  





  









     





     






     








  







   





 







  




   









                          


  








 









  
   






 


  


B
E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 

 


 


 

























































        
1.

        


  
   
    

   
  
   

  



  

  
  
  
  

 


 






Ridukim IV

        
        




































  
  
  
  

   





 



 























2.

 









   













   


























































  
  


   
   












(Cover of Clarinets, Aragón, S.XXI)














   
   


















  
 





 




           











 









 









poco meno mosso

     
C


 





 


2



 







   


E  Cl.

Cl. 1




  
 


Cl. 2



Cl. 3



Cl. 4

  


Cl. 5



E  Cl.



Cl. 2

   
   



   
   









3

   1.



  


2.

   
3

  
 

3












 






  


   







   























   




3

























 








                        




                

                    

 
 





                




                

                          

Cl. 3

 

Cl. 4

 

Cl. 5

 

B. Cl.




   


B. Cl.

Cl. 1



Ridukim IV



  


  





  




     










  


  





  




   










  




 


  

 

 
   
 

 

   








(Cover of Clarinets, Aragón, S.XXI)















   




  





   



 







 













  






   



E  Cl.

Cl. 1

Cl. 2

        



       
  
     
    

Cl. 3

 

Cl. 4

 

Cl. 5

 

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.















 











 


 
 










  
 
  
 


  
 
 



















  


 


  
 

  
  







   

   
 

  



  
 


 

  
 
 
 
   

 
   



  

  




 


 

 

 




 


 

 
 













Ridukim IV

















 


 



 

 














4

        



        




















    



   

















   
   








 










 con fuoco e forza





 
    

   
    
     






   

  



      


  


  





    


  









 



    
   







    
   


 





    

    








 



 



D

 
 





(Cover of Clarinets, Aragón, S.XXI)



















E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

E  Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.




  


    



















  






 



 



 2.















































      

       

       

   

       

       


   










 



 



 


             
  
     


 



 


 





 

 








 



  

 


  



 


   






 


  
 

              1.


       
              

      

  



 



  










































5

Ridukim IV


























(Cover of Clarinets, Aragón, S.XXI)
































 
 









   

   



   




 






   


   





   













RIKUDIM

Clarinete Mi 

four Israeli Folkdances

I





Andante Moderado 

  
  

 

A



Poco meno mosso (=112)

     
 



C


 

  




 

E

F









  





    



           


      
    

     
  

arr. by Gino Gonçals









     


     



     

  

     




     

1.

Andante Moderado 

D

(Cover of Clarinets, Aragón, S.XXI)



    


     


            






 

B



Jan Van der Roost

2.

rit.




    





rit.

Gino Gonçals

 

      



   



   

3

     
  

                  

     



     





    



      




RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet Mi 



  
  

A Allegretto con eleganza

       
 
 
 
 

 
 






II

      

 





          




           












    


 





    

Gino Gonçals




 







 





















 






 

      














   


1.
2. poco meno mosso 




          
    

  







 
   

   
     



2.



 1.


  
  


 



C




arr. by Gino Gonçals


        

       
    


B Allegro con moto ()



Jan Van der Roost

four Israeli Folkdances





 

RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet MI 

four Israeli Folkdances

III

Jan Van der Roost


 
 
 
 
 


 
 
 
 
 

 poco con dolore 
      
 
 
 
  B   
  

 
 
 


   
   
    
C solo



    

 




Andante con dolcezza ()
A



(3+2+2)





arr. by Gino Gonçals


 





 
   
rit.

Andante con dulzura ()

D

 
 
 
 
 

 
 
 
 
 

 poco con dolore 
   
 
 
 
 




  

 
 
 




 

 

 






solo





  
  





  
  


  




  

morendo

 
 




Gino Gonçals

rit.






RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet Mi 

 A






 



B

 







Jan Van der Roost

four Israeli Folkdances

IV

CON MOTO E FOLLEMENTO

arr. by Gino Gonçals

                       
 


   





  
poco meno mosso

              
     



2.
                 1.



 
   

3


        


                         

        
1.

        
 



2.

       

  


    





   
    

  





 

D con fuoco e forza

1.

C

2.






 






 









               


                 






 




Gino Gonçals















   


RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet 1º

four Israeli Folkdances

  

      

 

I




  

      
            A 3 
    




3
3
     




   
   









Andante

 Moderado




 




  










 1.    

    






3








3

3















 
3





 
3


3





3

3


      
 

  
  

  


rit.






 
E






      

3




























3

3

   

 














3

3

    

Poco meno mosso (=112)

B












F




arr. by Gino Gonçals


    
















3

3

     
      

3


          



 

2.

   


Andante Moderado 





 


      





      











     


D



 





C

Jan Van der Roost

3

3






 

   









            



  


rit.

Gino Gonçals

3

3

3

RIKUDIM

Clarinet 1º

four Israeli Folkdances

(Cover of Clarinets, Aragón, S.XXI)

A

    


Allegretto con eleganza

 



arr. by Gino Gonçals

   





       








    
    


               








  



B Allegro con moto ()












   


  















 

 





 

2.















2.






   



      
 










 
      














C










   

       

  




 
       
1.

  








       






 



 

  














  


Jan Van der Roost

II


    




poco meno mosso 



Gino Gonçals














1.




 

RIKUDIM

Clarinet 1º







  



III
















         
         


  





  
  

   








 


C Andante con dulzura ()

 
 

  
  

 
 

Jan Van der Roost

   



  
  

arr. by Gino Gonçals

       
              

   
 
   


       
 
   B poco con dolore

 
 






   


  
  

(3+2+2)

  

   



 



 



 

four Israeli Folkdances

Andante con dolcezza ()

 


      

 
 

  
 
A

(Cover of Clarinets, Aragón, S.XXI)

 
 

      




 



   









rit.

              
         
  
  

   



poco con dolore 
 
               

   
 









 





  
 rit.
Gino Gonçals

  
  

 
 
 
 

   
 



  

 







RIKUDIM

Clarinet 1º

four Israeli Folkdances

(Cover of Clarinets, Aragón, S.XXI)

 A
arr. by Gino Gonçals
IV






  
                               



                     

    
CON MOTO E FOLLEMENTO

   


 


B

  

   





Jan Van der Roost

         1.

 


   

                       
 


            1.   2.
 




3
                        

   












    
    
   

        

 

2.

poco meno mosso

C

 



     










 


con fuoco e forza

D



   




                 

               








 

  2. 






                         





 


1.

Gino Gonçals

RIKUDIM

Clarinet 2º

four Israeli Folkdances

(Cover of Clarinets, Aragón, S.XXI)

Jan Van der Roost

I

arr. by Gino Gonçals

           





                         
 

 
   
                A  













   


 



Andante Moderado 









  


  


C

 





E

 




F



Poco meno mosso (=112)

   
   



 

 
 

 
 

 
 

    

 

1.

2.

rit.



 





            














     
           


Andante Moderado 

     
 

D

 
B

    

    




 

 





    

    

Gino Gonçals

 



 



 

 
rit.

 

 







RIKUDIM

Clarinet 2º
(Cover of Clarinets, Aragón, S.XXI)
A

    


four Israeli Folkdances

II

Allegretto con eleganza





 

    

   

  




  

  









 






   

  







 






   1.












 

   

arr. by Gino Gonçals

   

 


B

 

 

   




   



     






1.

  

 

 



            

   






   
 
 







   




C






    



poco meno mosso 

2.

    

  

Allegro con moto ()


      





        
   
 

Jan Van der Roost

  

2.

Gino Gonçals






 






 

  




 





 


 





    



 











RIKUDIM

Clarinet 2º
A

Andante con dolcezza ()

    


     
(3+2+2)

 

III

   

   

   

   

(Cover of Clarinets, Aragón, S.XXI)

four Israeli Folkdances

Jan Van der Roost

   

   

arr. by Gino Gonçals

   

                       






                                


B poco con dolore 

       



 

C

     

     


 

   



   

   


     

   

   

   
   

 


   

 

  




 








poco con dolore 



 


 


     




 

  



 

 D Andante
con dulzura ()




       







    

rit.




   

   

   

   

   

   



 






 


 
Gino Gonçals






 


 
rit.

 




   

   

  


 



 







  
 





RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet 2º

Jan Van der Roost

four Israeli Folkdances

IV
 A









 
                               



B
  






































arr. by Gino Gonçals

CON MOTO E FOLLEMENTO

 
   





  



C poco meno mosso

  


1.

 




 
     






2.

                

   










 

  







  


2.



       




                
         


  











   
             



D

1.







  
    

con fuoco e forza

1.



                                    


      




2.

                   



Gino Gonçals

RIKUDIM

Clarinet 3º

four Israeli Folkdances

Jan Van der Roost

I

(Cover of Clarinets, Aragón, S.XXI)

    
                      
 


Andante Moderado 

 

A

 
 


  


 


Poco meno mosso (=112)

 

B



 
 



     

      



F







 
 

 
 

    
  

 

 
 
 
 

    
    

Gino Gonçals

    
    






     
2.

rit.

                   

 
 
 
 


 



1.

 



D Andante Moderado 

E

    
  



             

             


      
 




C

arr. by Gino Gonçals










  
 



rit.







    


  

RIKUDIM

Clarinet 3º

four Israeli Folkdances

    


   






   







 


 

  
    

  









  






 










arr. by Gino Gonçals




 

  

 


1.






2.

  

1.



  

 

   
  


 


 







 







    

         

















        
  





   
 

 



  


B Allegro con moto ()


 


   




  




 



 

Jan Van der Roost

II

(Cover of Clarinets, Aragón, S.XXI)
A Allegretto con eleganza







poco meno mosso 

  

2.

Gino Gonçals

C













  


 

  


 






 






  






    




  











 

RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet 3º
Andante con dolcezza ()
A

      

(3+2+2)

    

      


  

  
C

   
  

Jan Van der Roost
arr. by Gino Gonçals

  

     


  

     

III

  

  

   


four Israeli Folkdances

  

  

  

           

      
 


B poco con dolore 

 

 

 

             
  

  


rit.


  

               




D Andante con dulzura ()

  


  

  

  

  



                  



 

 
        
 

poco con dolore 

  

















 
 

rit.



   

 





Gino Gonçals



 


     















 

RIKUDIM

Clarinet 3º

four Israeli Folkdances

(Cover of Clarinets, Aragón, S.XXI)

A
       

        
             


 
  B









 
                
 
 
 

 

1.
 
   

 
   
       
 

  

 
CON MOTO E FOLLEMENTO



C

   


poco meno mosso







1.



2.







 
 







1.





arr. by Gino Gonçals







 


    



2.



              
 
 
  

  


     



   


    




 


con fuoco e forza

 






  



 

D

Jan Van der Roost

IV

 




   

Gino Gonçals


 



 







    

 

  
 

   
2.



 
   
  


   
     
 
 



   










 
 

 





RIKUDIM
four Israeli Folkdances

Clarinet 4º

arr. by Gino Gonçals

                                     
    
      

Andante Moderado 


                    




A

Jan Van der Roost

I

(Cover of Clarinets, Aragón, S.XXI)


           


             




                 
     
     
     
     


B

Poco meno mosso (=112)

                                  
                            

C

1.
2.

    
    


 
rit.





 
                 

   


D Andante Moderado 

             
     

    





  
  
  

E



                         

  
  

F

    






                               

  
 
rit.

Gino Gonçals

RIKUDIM

(Cover of Clarinets, Aragón, S.XXI)
Clarinet 4º

Allegretto con eleganza

   
     

    
  




















 

1.

 
    

 

  


     
  

  

  


2.

  








1.


      

          
  


    

 












    
  





  








 
 

   



  

2.

Gino Gonçals



C



   


poco meno mosso 



arr. by Gino Gonçals





     
  


 
     

             
   







Jan Van der Roost

B Allegro con moto ()


   






    

 







  





  



II

 
                
      
    
A

 

four Israeli Folkdances




  


 

 
  




 






 

 
 

 

   








 


RIKUDIM

Clarinet 4º
A

Andante con dolcezza ()

  




  

  

  

  

Jan Van der Roost

III

(3+2+2)

  


(Cover of Clarinets, Aragón, S.XXI)

four Israeli Folkdances

  


arr. by Gino Gonçals

 

  

  

  

  

  

 

  

  

B poco con dolore 

                 

              
 
  
  


      

                    
  
  
  
  
  

C




     

    


  

 

 

D Andante con dulzura ()

  

  





  

  

     


  




 

  

  

 

  

  

  

  


  

  

 

  

  

                


  
        
               
poco con dolore 

                            
  
  
  
  
  



 
  
      



         

Gino Gonçals



rit.

   



 


 

rit.

RIKUDIM

Clarinet 4º

four Israeli Folkdances

(Cover of Clarinets, Aragón, S.XXI)

Jan Van der Roost

IV

             



                       


 
     
CON MOTO E FOLLEMENTO

arr. by Gino Gonçals

A

B





              
   
 
  
 
 
      
 


1.
2.



    
             



        





 
C

   
 

 




poco meno mosso

 

 



  




  



  



  





        





   






     

  







 

              





 
 




 








   
   
 
      

  






1.

D

2.


 


con fuoco e forza

    

 


1.



 








 


     



2.


 




   


Gino Gonçals


 



 




   

















 
 

RIKUDIM

four Israeli Folkdances

Clarinet 5º

Jan Van der Roost

I

(Cover of Clarinets, Aragón, S.XXI)

arr. by Gino Gonçals

                          


                
Andante Moderado 

A

                
 
     



         


B



              


1.



  




2.





rit.

   
   
 

 
 
      
             




    

   

Poco meno mosso (=112)







    


  
    


     

  



C



D Andante Moderado 




                     


            

                 
  
 
  
 
 

E

 
      
  
     
   






      

    



F

         
 
  
 



  
rit.

Gino Gonçals




  

  



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