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57 Bohemian Rhapsody Queen Set of Clarinets .pdf

Nombre del archivo original: 57 - Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Título: BOHEMIAN RHAPSODY 2.musx
Autor: Kristal

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BOHEMIAN RHAPSODY
“ QUEEN “
Bohemian Rhapsody» –en español: «Rapsodia bohemia»– es una canción
y sencillo de la banda británica de rock Queen. Fue escrita por Freddie
Mercury para el álbum de 1975 titulado A Night at the Opera. «Bohemian
Rhapsody» presenta una estructura inusual, más similar a una rapsodia clásica que
a la música popular.

Cuando se puso a la venta como sencillo, «Bohemian Rhapsody» se convirtió en un
éxito comercial que permaneció en la cima de las listas británicas durante nueve
semanas. Alcanzó allí el puesto número uno otra vez en 1991, tras la muerte
de Freddie Mercury. En total, alcanzó 2.176.000 ventas, siendo el tercer sencillo
más vendido de todos los tiempos en Reino Unido.
Bohemian Rhapsody - Wikipedia

Recorded by QUEEN

BOHEMIAN RHAPSODY
(Cover of Clarinets, Aragón, S.XXI)

Clarinet in E 
Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5
Clarinet in B  6
Bass Clarinet

      
  
Slowly 



    
       



    

    

 

B  Cl. 1
B  Cl. 2
B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.

  


       
    
 





 


 

5

E  Cl.

  

 

   


   



 

 



     

      
       

    
    




     


















          


          





             




 


 






  
       

 
   


   
   
 

   
   
   

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

      
      
      
      

      
    

      
             
 

















    

    


  









   




 






©Gino Gonçals









 



      

      

   











  













    

    

 
 





    

 

 

 








       
 

10
E  Cl.
B  Cl. 1
B  Cl. 2
B  Cl. 3


       
         
 



B  Cl. 5

 



B  Cl. 6

 



B. Cl.

 

 

15

E  Cl.
B  Cl. 1
B  Cl. 2




B  Cl. 3



B  Cl. 4



B  Cl. 5



B  Cl. 6



B. Cl.







 




 





 
 





  

  

  

     



 


  

     

        

B  Cl. 4

BOHEMIAN RHAPSODY





  

  

  

  

  

  

 

 

 

17










    rit.
   

     

      
 












































     







 
 



 

 
 




  


  

 









     





      
 






 

 







 



 

 
 









 



 


 
   

a tempo











 



2









 
 

 

     



 
 








20

E  Cl.
B  Cl. 1
B  Cl. 2




      




       








B  Cl. 3



B  Cl. 4



B  Cl. 5





B  Cl. 6









B. Cl.

25
E  Cl.



B  Cl. 1



B  Cl. 2
B  Cl. 3
B  Cl. 4



B  Cl. 5



B  Cl. 6



B. Cl.



  














 
 
 






















         
   

         

 










 







 



 







 

















 



















 







   



 

3




   






   






         
 
 



 
 







 
 

  

    

 

  


 



BOHEMIAN RHAPSODY



 
 



  







      

     




























 
 


 
 

 
 










 

      
       

         
 

       

 


    


   


 



 
 

 


  
  






      




      









     


  



      



  


 









 

B  Cl. 1
B  Cl. 2




B  Cl. 3



B  Cl. 4



B  Cl. 5



B  Cl. 6



B. Cl.



E  Cl.
B  Cl. 1
B  Cl. 2
B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.








     


     
















Faster 
















    


  




 
 















  



  

  
 
  
 
 


35


    




30

E  Cl.



    



     

BOHEMIAN RHAPSODY














 



   
   


  

   

  

 

   










 








 

























            

  


















  













            















            









4

    








    


rit.






 







  
 
  


  
 
  


  
 
  





 

 


 












  
 

  
 

  
 

40

E  Cl.



B  Cl. 1



B  Cl. 2



B  Cl. 4



B  Cl. 5



B  Cl. 6



E  Cl.



B  Cl. 1



B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.

      



      
 

      

       
 

    
 


 








    
    
    


    





 

   
 
   
 
   
 

     
 
 


 



 



 


  



      




      
 


      

   



 








   



    

    











   
 
 


 




















  



 



 

  



 






 


 

 






     

     
















 





 


   
   


   
   




5

     




       
  

 


     

        
  

 










 
      
  
 

       
  
 
 

 
 
 
     

     
 






      

     
 






     
 

      
 


      

43

 
       







       




      





45

B  Cl. 2






B  Cl. 3

B. Cl.



BOHEMIAN RHAPSODY


   
   









 
 
 

50

E  Cl.



B  Cl. 1



B  Cl. 2
B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.




B  Cl. 1
B  Cl. 2
B  Cl. 3

  

 

     
  
    


   
    
   
    





    
   

    







B  Cl. 5





B  Cl. 6





B. Cl.



B  Cl. 4

    

 


    



      



    


   
    

55

E  Cl.


   



     
     

       
 
     

    



     
 

      


       

    

     



 
 
 




    


     

 



 



 



 

 



 

  



 

   

  




       

       



      

BOHEMIAN RHAPSODY



   

    
    





  


  






      

       

      


    
6







 

 

 




 







          



   
          


   


 





     


  


 
 
58

 









 

 

 

  

  


 
    

 
    



 
    







  
  

  
 

 



 
 
   
 
   
 

 
    
    





  
  

  
  

 


 



60

E  Cl.
B  Cl. 1
B  Cl. 2












B  Cl. 3



B  Cl. 4



B  Cl. 5



B  Cl. 6



B. Cl.


65

E  Cl.


 



BOHEMIAN RHAPSODY















  


  

  

  











 
 
 
 




  
 
  


    
 
   
 




B  Cl. 4



       
    
 

B  Cl. 5



B  Cl. 6



B. Cl.



       
 
 
 
  
    
    
   
   






 

  


  






  

  





















  

  

  
  







 


 



 



   
   



66

B  Cl. 3





 
    
 



B  Cl. 2

  

  
 

   


   




B  Cl. 1

  

 
 
 
 



   
 

   
 

 


   
 
 
    
 




































 


 














 


 


 

 



 


 






 




 



 


   
 
 
    
 

 





  

 
    
 

 



   7

 
  




     
 


     
 

 
    
 





  

 


 


 











  













 

 

 
 
 
 

 
 
 
 

E  Cl.
B  Cl. 1
B  Cl. 2
B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.

E  Cl.
B  Cl. 1
B  Cl. 2
B  Cl. 3

       
70


 
   





          

 


 
  
               



    
  



    

  



    

  







  
 






  


75
    rit.
      





 


 

 

B  Cl. 4



B  Cl. 5



B  Cl. 6



B. Cl.










 








 





 





























 


 

BOHEMIAN RHAPSODY













 



 

















       
 

       
  


       
  

       
  






 




















78




 


 


 
 





         
        




     
    







 
  

Stately 


   

 
  


 

     

 
       
    
 



   



  


 
 

 
 
 
 

 
  


     
   


 

 
  


     
    
     
    

     
  

    


 
 
      


   
   

































   















  

  


 


 
  


8

80

E  Cl.



B  Cl. 1



B  Cl. 2
B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.




       

     
 

B  Cl. 1
B  Cl. 2
B  Cl. 3



      


   









   
  







  
  







   
  











  
  


 

85

E  Cl.



 
 



rit.







 
      


B  Cl. 4

        

B  Cl. 5

 

B  Cl. 6

 

B. Cl.

 


 









  

BOHEMIAN RHAPSODY








 

 
























 

 


















 




 





















  


 

  

 






 

 







 




 





   

   







 






 



 

Piu Mosso 



    
 

      




   
  

87




      
 




 


9












 








































































BOHEMIAN RHAPSODY

       



90

E  Cl.
B  Cl. 1
B  Cl. 2





 

B  Cl. 3



B  Cl. 4



B  Cl. 5



B  Cl. 6



B. Cl.



    
 

 
 

  
  

























   







   




















10


     



Slowly 


     

rit.





















         
  


     

  


     














    

    









  





   





















Recorded by QUEEN

Clarinet MI 

BOHEMIAN RHAPSODY
(Cover of Clarinets, Aragón, S.XXI)

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

                              
 
 




Slowly 






 

 







   10                            
  




  

  

a tempo



  



17

rit.

 

 

  


                        





   





  




       
       

       



35





Faster 

rit.



       








        





     
 
  





      





     


©Gino Gonçals

 



25









       




        43       

 






   






BOHEMIAN RHAPSODY







     

     


 



    
    


 






   







 



 



  



     


rit.

   

   











78





  

           




 





58

  

            


       


                

     



66





 















 

     


    
    








Stately 







  
rit.

           

    


  
 
Piu Mosso 
87



         

  


   
     



Slowly 

rit.

2





Recorded by QUEEN
Clarinet 1

BOHEMIAN RHAPSODY

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)

 
       
Slowly 

 







 


      



       

  



       


rit.

      



                    
10




 

a tempo






 

17

 
 




              
 
 



25











 

43






    




                

 



      
 





    
               


35

  

Faster 

rit.


                








      
 


     


©Gino Gonçals

 



 
       
     


BOHEMIAN RHAPSODY

2

                            





 
 



        






58

  





  
     








78





  




  


 
 

   

66





  








       


Stately 









 
      



  
rit.







          


     
                   











     
 

   


     

rit.

   



Piu Mosso 
87

  








                     



           


Slowly 

rit.

Recorded by QUEEN

BOHEMIAN RHAPSODY

Clarinet 2

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)

Slowly 


       


 
       

       


              

 




             








                               
rit.

10

  
   



17



 

  

 

        
  


   



   
 
























   

25

                    
35 Faster 




      





 



a tempo

 


 



         



       
   
 rit.

            







                 
 


43

©Gino Gonçals



      
 




 


BOHEMIAN RHAPSODY

 

   
 



 

   
    


2

     
  

      




  
 
                                      

58




  


  
 

   
  


      
rit.

     



 










78












           



 




66



  
 






 




                   
     
      


 




 
  

 
                      

 
     



Stately 








 

rit.







Piu Mosso 

   


87

Slowly 


 
        
rit.

   

 






Recorded by QUEEN

BOHEMIAN RHAPSODY

Clarinet 3

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)

                              



Slowly 

      
  


      
  




   
    
    



rit.





     
  



a tempo

 

 


 







 

    






 

     
©Gino Gonçals

35




17

 


 







    
 rit.


    
     
 




     

10



                  
 



   

 









     

      

25

    

     






        



      


 



   
 
Faster 




 
   


   


 



       
 

43

 


    




          



BOHEMIAN RHAPSODY

     
  

    









58

          
 
 

 




    
   















      







 



           
 









Slowly 







 
 

78




   
  


87 Piu Mosso 

          
  



66



rit.

 





      

          
  


    



       
      

2











  


    









   
  




Stately 

  

rit.






 
         

rit.



Recorded by QUEEN

BOHEMIAN RHAPSODY

Clarinet 4

 

(Cover of Clarinets, Aragón, S.XXI)



Slowly 

   

 

      


 


    



10



 




   
  

  


   

rit.




   
  













 


  






rit.







a tempo




 

25







     

17





Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

35




   

 






     






Faster 








     




 
 








 
 



                 
                    





   


 


     






43








              



          


         
 





58



    



         

 

                         
 

 
©Gino Gonçals

BOHEMIAN RHAPSODY

   




 

66






 
 
   
 

78 Stately 













 
 

     



  















      

rit.



Slowly 







  




             
 
  

    


    




2

87









rit.


 




   
  



Piu Mosso 






 
         

rit.



 

 

Recorded by QUEEN

Clarinet 5

BOHEMIAN RHAPSODY

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)


                     

    
                           



Slowly 






  










rit.

    
















 


 
 



 








  
 







10



 
 

a tempo

25








rit.





     
 
 




 
 








   







35


   
 
Faster 





 
 

17










 




   





                           


     
 


 
     













  

 



     
           














              
 
                                    



©Gino Gonçals

BOHEMIAN RHAPSODY





       



       







  
  

 




   
    




58

 
           
 
 




  









rit.




 

    














87

Piu Mosso 

Slowly 












 





    
rit.

66






        
  






  
  



 






                          
 
   
dolce







       


2

78






 









 



 


Stately 

   




Recorded by QUEEN

BOHEMIAN RHAPSODY

Clarinet 6

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)

Slowly 

 
 













a tempo






 
 



















10


















43










  






  
 




rit.


















     


rit.



     
  
 

              

  







 




         
 
   
  



   
 
 


     
            



   











     



17

     






 


 




Faster 

 





25


    
   

35





       



©Gino Gonçals

    




       




     

58



 
    




2

BOHEMIAN RHAPSODY



  
  
    
    
 
 
     
     
     
     


 
 
 
 

       
 



78







Stately 










        
  











66



 











   
    






              
 
  




 


    

    



 




rit.







Slowly 









 









rit.



87 Piu Mosso 




     
rit.

   














Recorded by QUEEN

BOHEMIAN RHAPSODY

Clarinet Bass

Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)



Slowly 

 
 






a tempo

 







rit.


   












 

43









10








       
   
 

17


  
  
35


 





















 58  
  
 

  
 
 




©Gino Gonçals









  
  












     
 


   

        




           





















rit.

25

 
 








Faster 











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BOHEMIAN RHAPSODY



                      
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66

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78

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        
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Stately 






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      
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             
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     



  



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2




rit.


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Slowly 









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
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

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rit.


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


87 Piu Mosso 





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


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