15 Cassiopeia Carlos Marques Set of Clarinets .pdf



Nombre del archivo original: 15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf
Título: CassÃ�opeÃ�a.mus
Autor: KKO

Este documento en formato PDF 1.7 fue generado por / Microsoft: Print To PDF, y fue enviado en caja-pdf.es el 13/04/2020 a las 12:46, desde la dirección IP 139.47.x.x. La página de descarga de documentos ha sido vista 156 veces.
Tamaño del archivo: 3.6 MB (42 páginas).
Privacidad: archivo público



Vista previa del documento


CASSIOPEIA
(Carlos Marques)
Cassiopeia was the wife of Cepheus, the Ethiopian king of Joppa (now known as Jaffa,
in Israel), and the mother of Andromeda. The queen was both beautiful and vain, and the
story of how her vanity caused great distress is told in relation to the constellation
Andromeda. A great Symphonic Poem.

CASSIOPEIA

Andante ()


 

Clarinet in B  1


 

Clarinet in B  2


 

Clarinet in B  3


  


Clarinet in B  4

Clarinet in B  6

Bass Clarinet

6

Cl.1





   


Cl.2



Cl.3



Cl.4



Cl.5
6

Cl.6



B.Cl.









  























  
  

   







 






9



  

  










         

 

        




Gino Gonçals

 




  










 







 

 


3

3


  





     

     










        


 3

3













  


  

     





















 



 



  


Clarinet in B  5

Arr. by Gino Gonçals



   
  




Carlos Marques

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda

  


  




        
  

3

3

3

3

   
        




 

 


 


11

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5





 



 







3
3
3
 


         
              



Cl.6



B.Cl.


16









           

3

3

3

3

3

3

3

3

    
     
           



 

    


 

Cl.3








Cl.4





Cl.5



 


16

Cl.6



B.Cl.













   




 


 

 


    18 



 


 









 



 

3

3

3

3

3

3

               
                





















































rall....



 



Allegro ()



 








                  
    
   
 


  






    

      
   


  




2

    

          
      

   










Cl.2


     
   


 



       

            
    3 3
3

11

Cl.1

Cassiopeia










 
 
 
                              









Cassiopeia


 
























 






 



 



 



21

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5


 


 

21

Cl.6

B.Cl.

Cl.2

Cl.3

Cl.4

Cl.5




B.Cl.






     
  
 
      


  

     


         
  
 




   
  
 

 
 

  









  
 


 

                 


  


              


               
    
   



      


  
    

   
     











 



 
         



 
      
 



  




 


 
     



     






  

        

           


 

26

Cl.6

 


  


  


 



    

26

Cl.1

3



  

   
     

 









 
                 
  

 
            
  

      
     
  

  
    

  
       

30

  

 

 




 
  

   

   

 
         

  
       

  
       

 
       


Cassiopeia

    


31

Cl.1

Cl.2

    


Cl.3



Cl.4



Cl.5



B.Cl.



36

Cl.1



Cl.2



Cl.3



Cl.4

Cl.5



36

Cl.6



B.Cl.




     

  
 





 
 

 
         



  
       





      


 
 















   
  
 

  
       



     

    

    


 
         
  
  

   
  
  

   


   
 





    
  

  


    

 
      





  


31

Cl.6

  
 


  





4

  

  


 

   
      

 

      


 


  
  

                      

  
  
               

  
  
               

           
     
    



  
  

  



   
    


  
     

  
     

   
     




      






38
























    
  
   




  

 

  

 



  

 

  

 

3

3


 

 




  

 







Cassiopeia
41

Cl.1



Cl.2



Cl.3



Cl.4

Cl.5



41

Cl.6



B.Cl.


46

Cl.1



















 




 



Cl.5



 













  





 



      



  





 



      

3






 
 



3

3




























 













 





















  

  


  
3






 






  




 












 



 


  

 








 

  

 


 
 












3

 

 









B.Cl.



    

Cl.4













 

Cl.3

Cl.6



    



46





Cl.2





5

  
3


 

 



 
 

  
 

Cassiopeia





       


 








  

51

Cl.1

Cl.2

Cl.3





Cl.4



Cl.5


51

Cl.6



B.Cl.


56

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5


























 

 
 

  

   
    


 



 





 



56

Cl.6



B.Cl.

















 




 







    








 
 

 


 









 
















 











  



 












  

 


  

















  

 

   




    
  

        

    

        

 





  




   

 


  



  


 

 







   


6


  

   

  


  


54










   








  





     

  

 
 




 




















     
dim.

dim.




dim.




dim.

 dim.




dim.


 


 


 







  

















 


 


 






 






 


 

 

dim.





  



 

 


 






 


 















Cassiopeia
61

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5





B.Cl.

Cl.2

Cl.3

Cl.4

Cl.5

Cl.6

B.Cl.




  

  


  
 
 

 


     
     
 rall...

      


 
    

  
 



     

66


     

  


 

66

Cl.1

 


  


  
 

          

                

          
       


                 

  
 

                 

 



 
 

61

Cl.6

 

7

 
    

   
 




 
     


        
    


 

     
     
 
   


  



  

   


 




  





  





  



                     



 









 
 

 

Maestoso ()
        













    


   
 

 




























Ritenuto



   


   


   




 





  

Poco rit.




 




    
   
    
   





 



    

    







 





  




 





  





Cassiopeia

8

                    
 
               


  




                







71

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

  


  


   



 

 
  

 


  


B.Cl.





   


  






 



 


 



71

Cl.6

 


 








  


 


 


 


         

  
  



  




  



75

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5




   
  


  


75

Cl.6

B.Cl.








 






 
  
 

  







subito


 



   










 










 




 












 





78

           
Andante ()























  



















 





  








           




  


  
  



















































    
 




Cassiopeia

 

 

81

Cl.1

Cl.2



 

Cl.3

Cl.6

B.Cl.



Cl.2



Cl.4

Cl.5

Cl.6

B.Cl.













  

81
 


 


86





  


Cl.1

Cl.3





Cl.4

Cl.5



 

 

86



 






























rall....












 





dim.




 





























 





dim.

dim.

dim.

dim.





dim.







dim.




























   














 




  






































 
 



Menos ()

 




9












 



   














Cassiopeia

Cl.1







Cl.2







Cl.3

 

91

Cl.4

Cl.5



 













91

Cl.6

B.Cl.



 







Cl.3

 





Cl.4

 

  
 

Cl.5

 



Cl.6



B.Cl.
























   

























 
















  



   












   








 






 








 

   





Cl.2

96

   




Cl.1

  









94








  
 









96














 

10



 




















    



































Cassiopeia
Più mosso



Cl.1



Cl.2

 

Cl.3

 

Cl.4

 

Cl.5

 

101

B.Cl.

Cl.1

 

Cl.2

Cl.3

Cl.4

Cl.5

 
 
 


 

106

Cl.6

B.Cl.









  



  



  





































  
  


    

106

          

          





102

101

Cl.6

11

  
cresc.

  

cresc.

  

cresc.

cresc.

cresc.

cresc.

cresc.






  

  
























 

 




      
  




 



























   
  

   
  






molto rall...

cresc.




 

















cresc.





































 



































cresc.




cresc.



cresc.



cresc.



  112 




    



     


Cl.1



Cl.2

 

Cl.3

 

Cl.4

 

Cl.5

 











111

Cl.6



B.Cl.



111

116

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5






B.Cl.




    

 


 






















 










  


116

Cl.6

 


Cassiopeia














    











   








 


    
   



   





 



a tempo
120


 
  


          
3

         

 

         





    
   





3

3





  

   

rall....



     

 



    





  
 

    




    



 










  
 



      



12

    

 





   

 


  
 

a tempo























Cassiopeia
121

Cl.1







  
 



Cl.2

 

Cl.3

         

Cl.4

 

Cl.5

         



  

  

  
 




    
   






   



B.Cl.


126

Cl.1





















Poco rit.





Cl.2

 

Cl.3

 

Cl.4

 



Cl.5

 



126

Cl.6

B.Cl.

 






















   







  








127 Allegro ()



    












121

Cl.6


   

    







    




























  







  














  



  

  

 

   
  

  
  

   


  
  




13

 

   
 

   



















  

  
   

 

131

Cl.1








 

Cl.3

     
 

Cl.5



  

 



    
 



 



    
 



 



Cl.6



B.Cl.


136

Cl.2

     

  












        





        

   



      



   

 
   
 

              












    
    

 





    

   






    

    



    

    



 







Cl.5

 















Cl.4

B.Cl.



      



 








Cl.3

Cl.6



   



   
    
  

 
    




 



136


  

  
 
               



14


  

  
   
            


131

Cl.1

     









Cl.2

Cl.4

Cassiopeia

  
 
                
  
 
                








  

  


    

    











Cassiopeia

Cl.1

Cl.2





 
 
  

 



 


   


         

 



 


   

141



Cl.3


         

Cl.4

 

Cl.5

 











  



 




 





 




 

141

Cl.6

B.Cl.

 
 









 



  
  

Cl.2





    
 

146

Cl.1



    
 

    
    

Cl.3


 

  
     

Cl.4


     
 

  
    


Cl.5


 

 

146

Cl.6

B.Cl.










  
  

  
 









 





 

    
    
3

3

3

3

    
 

 


    


   


 
 

   

    


 


   





 

 

 
 


      
 





 
       

145

    




 
 

15














3

  
3

  



 
 






    
    
 
3

3

 
    
    
3

3







     




   



 



   



 



3

3

 
 





  
 

Cassiopeia

 
                  153 

 







 
   
    
          




 
          
 


  




         
 






 

          
    


 
151


 

           
  
    

 



      

 
 

    


 
151

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

Cl.6

B.Cl.

 



156

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

 



B.Cl.



 
  



  
  

  

 

    


  
   
 
   


156

Cl.6








 



    



    



  
  






















 



 

































   




   




       








     




  
    





        








    







        




       



160









dim.

dim.







dim.







dim.

dim.






       


dim.







       










         




dim.



16









3

     

3

     












 
 






Cassiopeia



161

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5



B.Cl.

Cl.2

Cl.3


 

 

 


 










 
 






Cl.5


 

 

166


 



























  














  



































 
 

















      



      











3


















3





  

168



3

   
   



      
3

3

   
   


 

B.Cl.

3



Cl.4

Cl.6

      


 

166

Cl.1




 

161

Cl.6



17

















  








    

























  



 



3



      

3

     



      





     








 
 










3

3









 
 



















  






Cassiopeia

     

     

    

171

Cl.1

3

Cl.2

Cl.3

Cl.4

Cl.5


  

  

 




 




 

B.Cl.




 



3




  



































  





Cl.2







      



       

Cl.3


 

Cl.4


  


Cl.5




Cl.6

B.Cl.

3

    


 
 








 3
  

  



        









3
















 








cresc.


cresc.



cresc.

   

cresc.






















 
 







     
















3

3

  





  
















  









    



3





  






176







                    





176
Cl.1



   




 
 
cresc.

 
  

 


  


 
 
cresc.

 
  






cresc.











       



171

Cl.6

       
3



18









  



Cassiopeia


                               


180

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5


 

B.Cl.



3




  









 






  







3


     

180

Cl.6

   

  

  




  

Cl.2

Cl.3


 

Cl.4


  


Cl.5



B.Cl.

3

3

    


 
 





















 



   


 


 3
 












3













 






 






 





    





 

     





 










 



 


                    










   


    

        









3





  






184

Cl.6



3








 
      



       






184
Cl.1

            

 







19

3

3

  





  

















  













  



Cassiopeia


                               


188

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

   




     




 

B.Cl.



 
         









  









   
















 

 

Cl.3



Cl.4


 

Cl.5


 

 


 

193


 

  








 




     









   






   
























    
      


























sempre allargando





   




      

      

        








   
 


  

 

 

 

 


   
  























 




  




 






   



Cl.2

B.Cl.












 

Cl.6

3





193

Cl.1

3



 


  

188

Cl.6



20


     
     


















CASSIOPEIA

Clarinet 1ºB 

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda




 

Andante ()











 


 

 





   

 








       
 


54



 






9

 



















Carlos Marques





  

Arr. by Gino Gonçals

   



         18 
 

rall....
30

     



 
 
 






38
                


    
 




 









Allegro ()

    
3



           



46



  
3



          
       








  

dim.

 

                                        
 rall...

Maestoso ()
 
 
 
  







Ritenuto


 
 
  






   


        
   
  


    












           
  










Gino Gonçals

Cassiopeia

         
 
 
 
  




    
 
  




2



subito





 



 

















    
 

dim.
rall....


94
Menos ()

86
              

 


   


  
Più mosso
102
 


   
    
          





 















   



 
molto rall... cresc.
cresc.


a tempo
 
112 

  
    







   





a tempo
120 
 





















rall....



 

     127 Allegro ()






  








 
 
Poco rit.


    



   









  



















78

Andante ()

   
 


    

 












     

   


Cassiopeia


  

145


       

 



  
  


 




    




3



3

3

  


 






160



3

168





  

dim.


         



        

  
   



    



  
   153 





     






  
  








3

3





cresc.

                                             









                                             



176

                                             








 













 






 




     







184


 








   

sempre allargando




     








CASSIOPEIA

Clarinet 2ºB 



Andante ()

 
 






 

 













           

 


54

 









   
 




   
     

  



 






 




Arr. by Gino Gonçals

     

  





    

 











 


Carlos Marques

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda

 


30

 












18

rall....

Allegro ()






       




46








         


 

38




  
3


         

    
3

           



     

  



  9 






  

dim.

                                        
        
               

 Poco rit.

   

Ritenuto



  










 




     


 

Maestoso ()



78

           
Andante ()



Gino Gonçals

        
 


 













Cassiopeia

 
    
   
rall....

    

dim.















86





2

Menos ()



94

    




          


102

Più mosso

                     
cresc.

a tempo
    
112

 




      













120 a tempo
    
 










 









 
rall....


    

127 Allegro ()


 


        












 
Poco rit.



       


   










  




















        



 








  

145

      



    



      


   



            

   
  



    



  153 
  





      




   


3



3








3



3

  


Cassiopeia



 








3
 


         


 
168



3

        






sempre allargando

3




   

   

3

       

3

3

3

   

   

3


    
  

   

3



       

3

176

            




160

dim.

        


   



        

 
cresc.


 



3

3

    





  
    



3



  

   

184



3

3




 
         

      








CASSIOPEIA

Clarinet 3ºB 

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda

Andante ()

 
 



     




                  

3



3

18 Allegro ()

 






 
  
  


  

38









 




    




3

  

  


     9    


 3

   

 



























 
 
 


    
 rall....

  


   

  

             







                 
    

dim.


    
   

      

  

      






     




   



   



           
     

 


     



 
 

    




Carlos Marques
Arr. by Gino Gonçals




   

 




30









  

  
 

46




     
  

54



 

                                        
         
               

 Poco rit.
Gino Gonçals

Cassiopeia
Ritenuto
     

 



 

 

 







dim.

 









 











   


102 Più mosso







  





cresc.





 












    





   

rall....


 


 







120 a tempo
                  

3
rall....




Poco rit.

    







cresc.



112 atempo



               



         
  




 






     




       

   

 



        
 


    




   

 






86 Menos ()




     





94



Maestoso ()

78 Andante ()




 

 



2



    


   

127 Allegro ()






  
            


   

     

Cassiopeia

 

 

145
          







   
       





   
 

dim.



 

      

3


   
   
3

sempre allargando

160





   


   

        

3



184

168

3

       




      

3






  
   


      

  
3

3

3

3
 

        



     



       
 

3
 


         

176



   
153
                              


3

   

      

 

  
     



3







   
3




 
   
cresc.

       

3

        

3
















CASSIOPEIA

Clarinet 4ºB 

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda

Andante ()




  




Arr. by Gino Gonçals



  9    




 









3

 

    




       
               
      
 
 

 




  
  


Carlos Marques

 
      








 



                      
          
3

  
 rall....

  

18 Allegro ()






 



3

3





   




   

 

 
                           























                                    
                                  
   




  



 





 



38

 

3

 



 



30




  

  


         





 


54
                         
     
46



    


    
           
     

dim.


  
3

Gino Gonçals


   

     
 


          





 






Cassiopeia


 





   











 

    

 


 

 


    

86 Menos ()

94

         
 











  






cresc.






  

Ritenuto





102 Più mosso




   
  







 








112 a tempo



Poco rit.





  



         




  


 













    







    









  
  


 


120 a tempo
          

3

rall....



dim.






  

cresc.



127 Allegro ()








 



 




rall....




  




 

 

        



Maestoso ()





        




       
 



78 Andante ()

 




         
 Poco rit.

2




   
 




   

Cassiopeia



 







 
    



     
 



3
145
          







       



     


   



 
                                
 



 






153


 

160













         




168
























  3

    
 






    
 

sempre allargando



 
 


 



           









176
 

            

cresc.


 

dim.

               
















 
       

 




 3
           




 

 






184













CASSIOPEIA

Clarinet 5ºB 

 
 



(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda

Andante ()

9



 



 



  


          

  

3

3

Carlos Marques
Arr. by Gino Gonçals







       
  

3



  
             
3

3

      
           

 
       

      

18 Allegro ()





      





   




                                      
               
3



      
 






3

3

  

          



30

     

3



3

  
 rall....


   



   

 
         

  




           

  
  
  


                              



  
     

 


 


38



    

 

3

   


  

   




     

Gino Gonçals



46






 

  


 



 







 
54

  
3




   
  

Cassiopeia








       
    
 



   
  

       



        
 



 
      



Ritenuto

  


 


rall....







dim.

94



102 Più mosso




 


cresc.





       





  




















 


112 a tempo





86 Menos ()





 
          
  











cresc.



Poco rit.



 


   

127 Allegro ()





  



















  





  



    
 






120 a tempo

            

rall....

      



  


3






 




         
 Poco rit.



78 Andante ()




   
  

dim.

         









 






   
  

Maestoso ()

 
 



2
















        

Cassiopeia

   

    




  







            





 

3









 









   




145


      






 



 

3




       

    
3

  
    
 

                                  

 

  
 


160
























153




 

dim.


 

 


  





















 








 






3



  
  

sempre allargando






            
 

     







168







  

cresc.






     



 
      









176


















3

 





          
 

184



         
 

 



   

     







CASSIOPEIA

Clarinet 6ºB 

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda


 


Andante ()







9

3

3

3




46





  
  
  

 











  

  

30

 


3

  
3

3

  




   
       

  




    
     


  


  

 
          


  
  

               



 38
  


  





                       


Allegro ()

18
3






           
rall....



3
3
 

            
  
 


  
 

   
      



  
  


                



Arr. by Gino Gonçals





     





                 
  

3



  



Carlos Marques







  
Gino Gonçals

  

           



   
  
dim.

  

           


 

  





  
  

 
54



 
     


Cassiopeia










     
 
                             






         

Poco rit.

 


    
   
Ritenuto

      
   
 

 



78 Andante ()





     
 




86 Menos ()














102 Più mosso




2








    
    










   
 








 






 
         
 







  

dim.


 









  
rall....







94













cresc.

112 a tempo




      
  

   
 
















Maestoso ()

   




cresc.










     






rall....




    






127 Allegro ()




120 a tempo

   
    














   




  
  
    
               
Poco rit.


Cassiopeia








3

  
  
            
 




  
    

                


 






 

 



 


    



145

    
3



    



    

  
3



 



 



 

      

 
 
 
 
 



                        





 
   
   


  


 

153






160

















  






dim.

168
  







 
 
 

 
 
 
 
 
 
 
176
  
 
 


 
 
 cresc.            










    

 











184


      
   



           
 

sempre allargando 












     













   







   




CASSIOPEIA

Clarinete Bass


  


Andante ()


 

18








Allegro ()

          
   

 
       
   
































 






rall....


       


     
 








    
 
   
   
 



 
           

  
  

  
  

  
   
  


  
  
  

54

            




  







        






    
    
      





    
 
    

Ritenuto
 
  Maestoso ()
  









   
   









 



 

9

  
             
 











   
    
    
   
30





Arr. by Gino Gonçals

 
 
 
                       

                  
  
       


                    
         
 
38
 
   

 
 
  
  


Carlos Marques

(Cover of Clarinets, Aragón, S.XXI)
Fantasía para Banda

46

Gino Gonçals

  

  
  


   
 
dim.

  
 
 Poco rit.

 

Cassiopeia








 





























94








86 Menos ()


















 




 



145





  
  












































cresc.

112 a tempo



cresc.

 



rall....



















  
  





  
  





  
         







  
  
                

  
  
               







127 Allegro ()

Poco rit.

    

      
















102 Più mosso

    





120 a tempo









78 Andante ()



 



 




dim.









 
rall....

 



 









2





  
  




  
  

Cassiopeia






  

  
  





  





153









  
  

  
  

168

  
 


  


  

  
 


  


      


  


  


  

sempre allargando

176


  


  

  
  



      




  


  


  


   
  




  


  



     
  

  
  


160


  

  
 

  
  
cresc.







    





 

  
 



 


           


  





dim.

                     


3




  
  
      


184





  

  










15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf - página 1/42
 
15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf - página 2/42
15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf - página 3/42
15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf - página 4/42
15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf - página 5/42
15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf - página 6/42
 




Descargar el documento (PDF)

15 - Cassiopeia - Carlos Marques - Set of Clarinets.pdf (PDF, 3.6 MB)





Documentos relacionados


Documento PDF 15   cassiopeia   carlos marques   set of clarinets
Documento PDF 7   oregon   jacob de haan   set of clarinets
Documento PDF 25   where eagles soar   steven reineke   set of clarinets
Documento PDF 33   voice of the vikings   michael geisler   set of clarinets
Documento PDF 11   variazioni in blue   jacob de haan   set of clarinets
Documento PDF 42   cycles and myths   nuno osorio   set of clarinets

Palabras claves relacionadas