24 Pirates of the Caribbean. .The Curse of the Black Pearl Klaus BADELT Set of Clarinets .pdf



Nombre del archivo original: 24 - Pirates of the Caribbean.-.The Curse of the Black Pearl - Klaus BADELT - Set of Clarinets.pdf
Título: Piratas - Score2 - Bass Clarinet.mus
Autor: Kristal

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Pirates of the Caribbean: The
Curse of the Black Pearl
Verbinski dirigió la creación de la banda sonora con Klaus Badelt y Hans Zimmer, que dirigió 15
compositores para terminarla rápidamente. El compositor Alan Silvestri, que había trabajado con
Verbinski en Mousehunt y The Mexican, fue originalmente contratado para escribir las partituras de The
Curse of the Black Pearl. Sin embargo, surgieron diferencias creativas entre él y el productor Jerry
Bruckheimer, por lo que Silvestri respetuosamente abandonó el trabajo sin haber grabado nada Gore
Verbinski preguntó a Hans Zimmer, con quien trabajó en The Ring, si quería hacerse cargo. Zimmer declinó
debido al cúmulo de trabajo que tenía, ya que en ése momento estaba trabajando en la banda sonora de
The Last Samurai. Como resultado Verbinski acudió a Klaus Badelt, un compositor nobel que había
trabajado en Remote Control Productions tres años.
Zimmer sin embargo terminó colaborando con Badelt para escribir la mayoría de los temas principales,
muchos de los cuales surgieron de una demo sintetizada que había creado. Esta demo contenía las
primeras versiones de tres de los temas finales del álbum, entre ellos He's A Pirate. Dado que el calendario
era muy apretado y la música se necesitaba para la película en tres semanas, otros siete compositores —
Ramin Djawadi, James Dooley, Nick Glennie- Smith, Steve Jablonsky, Blake Neely, James McKee Smith, y
Geoff Zanelli— ayudaron a orquestar la música. La banda sonora se grabó con un grupo de músicos,
reconocido como el Hollywood Studio Symphony, en el transcurso de cuatro días. El corto período de
tiempo exigido requirió el uso de un estudio de grabación diferente para cada sesión.

From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean
(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
Music by KLAUS BADELT
(Cover of Clarinets, Aragón, S.XXI)
Arr. by Gino Gonçals
Tempo Rubato 

Cl.1

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
         


         
 
  

        

  



 
       

 
       

 
      




 
 
      






  
  
 















47



  
  




  
 
  
 



 

 


      


      


      


      













 


 


 







      
   
      

      
   

























 


 





























 









 

 


 

 








         











     





     














    




    















 

 
      



 









 




  

 









































 







      


 



 






      


      



     



     



 





 





 





 




















  
 












































  

  

  

 

 

 

 




6

Pirates of the Caribbean









  











































































   
 







 


































 

 

 


 

 


 
 

 

 
 







               
 
               
 







 
























"The Black Pearl"


 







()
 Misterioso


 

56

 



  


































   









 
 










               
               


 
 





 
 














7

Pirates of the Caribbean





                            



  



  


  

 



 


 



66

                          





  
 


 
 

 








 





 



 



 







 

























 



 






 

 







  








  
  





























  
  


















































  




  




  

  



















  


















  








  











  



  






 















  














                          






                          

()
 Faster

  



  



  



 


 

accel.













8

Pirates of the Caribbean










75









    




    




    








cresc...

    




    












 

 


 



 


 



 




 















cresc...






















      



      






3















3




    

    





3






      





3






3

3






3

3

3

    




    

    































































































                       
3

3

3

3

3
















3

3




  
3




     




                 
3
3
















      

3






      




    





3






cresc...







    




3

      





3







3

3

      

3

3

3

3

      






3

3

3











 



































80
























 

 

 









































9

Pirates of the Caribbean

   




   




   


































































   














































   















   





































































































































   














   






























































 


 



88





















   






































   











   













   

























   






































 
 
 
 
 
 























































   










   







   

















 
    

     


     





























 

































   






























 
     





























 
     











  


 
     

Pirates of the Caribbean























































































  



3
3

   
3














































  




























































   








 







3
3



10

   
3





3
3
 


  
 

3
 


  
  

3

   












      


3
3
3
 



   
   
   







3




3




































 
   








 
  


Pirates of the Caribbean







    

 






 




  




 





 


3

3

3

3

  

   
    
3
3
3
3
3










 

 




 
 
  




3
3
3
3
 3  
 
   





 





 
   











 














 






 










  


 

 

 
















  

 

 


  



 
3

3

   
   



















3



3













3

  

 

 

















3

 





 
 


















 










 


















3


















 

     






3
3




  

  







3



3

3


 

3
 


  
  

 

  

      


3
3
 

  
  
3

 



   
3
 





   

 
3



 

    
 
3
3
 



 

   





11

109

     
     
     
     


 

     
     
   
      





     
     







3




Pirates of the Caribbean













     

     

      

      

     
     
 

     















       


     

     

     


     


      




















 
 


































































 

 










































     




 
    






 





 



 































  
  






       



 





 
     

 






  
       

      
 


     
 

 
 

114 

       




 










 





































 











 














































 


 





12

13

Pirates of the Caribbean



 



 































  







  





















 






 


 





































122

" TO THE PIRATE´S CAVE"

DRIVING, WITH INTENSITY ()




















  



  

























 



     

               
  






              
  
  
             

            
  
  
  

  

              


  

  



     

  
   


  

  



  



            
  
  


  


         


  

 


  

   




    



       

       


    


        







 
 

  






  
 




  








 


     
    







    
























 










 

 



     


    


    














       



     


  
 

   


 

  
 

   


 
 


  
     



  


 











  













 


 






 











      
       


















     
     

 






 


Pirates of the Caribbean






































            

   

   
 

   

 


 


  
 
 
  
 
 

 
 

 
 
 
 

 
 

 
 


     
 


     
 


  
    

  
    

  
    

  
    


 
  
   
    
  


      

 
     


     


     


      


 



 

















 
     
 
     


     

     







 

















     



































    


133


       


    

  
     
  
     

    
    

  





 


 


 


 












  

137

       


       




 
















 



























    


     

    

     
 

    



























 
         
    
 
         
    


  
       
  

  
       
  

 

     
 

  





14

 


 


 


 














 





  
  

    
  

    
   














  

 
  

 




 
 
 
 











 

 

  

            
 


 


 


 


 














  

            
 


 

 

 

 

 


 
 
  
 

 

 
 

  

 
  


  

 
 

 

 


 



 
 
 
 
 
 






cresc...

cresc...

cresc...

cresc...





 




 



    

  
    

  

   
   
   
   
















     
 
 
     
  

     
 
 

   
   



 


 


cresc...



cresc...








 
  
  





        142 

   

       

   


 
  
                   
  

 









                  
  

 
 
  

                  
  

 





15

Pirates of the Caribbean



  


 









  



   
     


   
    



     
   

148

 

 

 
 

 

 




















  



































 





 







 
 

      


   
  

  
  


  










    


   














       


       


    
   

 
   

    
   
   


     




     
 
 

 
 
 




















Pirates of the Caribbean

































     


    


      
       

     155  
     
     

    
     
     


              









 

 






 

 
 





 
 






 
 






 





     

 
     



   
          
   
          


     

     

 
     
 
     







 


 


 


 






     





   
          



           



           

  







    
       




 
     













 
























  





 


 


 


 



























  





 


 


 


 








 
                                 

 
  

 
                               















 
                                  




 
 



  
 
 
    
 

    




  

  


















   
 







 





   


 










  








 





  













 
    
 

 







   
 
 









16



















 
 






































 









 






GENTLY ()






























17

Pirates of the Caribbean


















 


 
















































































  






  





 

solo - espr..

















MORE BROADLY ()

 








"ONE LAST SHOT"



 

legato



 





 


















 

167











 



 


 


legato








legato








18

Pirates of the Caribbean





 

  
  
 
 











































 
 

 
 
  





 

 
 




  

     




 



 





    


     

   



  




   


    

  







  

 

 






    
 

 






  

 

  






 

172

  

 
  

  

 


 
   
 

 
 
  


    












 


     

    
   

    

  

 



 



  

 

 
  







    
 














 

   



  



     
















      






 



    
     
  
  


     

  
  




  

      



  

     

        
         

 


 





    
 



Pirates of the Caribbean





  










 


 





 





 









"HE´S A PIRATE"
BRISKLY, WITH





 


































   



  
        




3
3
3
 3

  
        








3

3

3



3








MOTION ()


















3

3





 



  








 














3

 
 
3

3










3











































3










3











          









    
 
3
3
3
3
3

  
                
3
3
3
3
3

                
3
3
3
3
3

                
3













  








  
      
3
3
3
  
      
3
3
3
3
  
          
 3
3
3





186



 


  












   

 
  






 













 









180

19




3


        
3

3

3

3

3

3

3

3

        
        
        
 
 
3

 
 
3

  
                          

3
 
 
   
      
   
   
 
 

20

Pirates of the Caribbean




















  
3

3

  

3

  

3

  








3




 

3

 

3


 
3


 
3





    
 
















3








3
3
3



















            
        
3
3

3

3

    
3

    
3

    

           


3
3
3

          


3
3
3

          


3

3








3







3





















3









3











3

 
               


                

3
3
3
3

3
3
3
3

               
  
   

 3
3
3
3



             



 











3
3
3
3



             










 
 
   


 






194



3

    


3

   


3

   


3

  
3

  
3

  



    
3

3

       
3




    
3

    

 
 
 


 3
3
3
      




           



























 3
3


  



  
3

 
 
3


  
 
 

    
      
                       
3

3

3

           
3

3

3

3

3

3

           



3









3

3


 

3

 

3




             



















3







3


        
3

3

3

3

        





3

 
3

3

         
3





3

3

 

















Pirates of the Caribbean

    
 
                 


       

     

 

       


3

3

3

3

3
     3

   
   
3
3
3
3



      
 
   

 
















3

    
 





































3


  
3

  

  
3


      

3

  
  

 



3

 















  
3

  
3

  
3

3




 


 
3

 
3

 
3

 








3

3

3
3
    
   

3

  
3



3

  
3




    
3

3

  
  

 

3

3

 

 







 


3







3







3







3







3







    
3

 

3

3
    
           

3
3

      

           
     

 
    

           

3

3

3

  


3

       
   







 
    

       

3














3




3

3




3



3

3

      
3

3

3

3

3

3

      
      
    
3

   
   


 
 




3

3



203

3

3

3

      





3

3

3



 





3

 



3



3



3







3






 


3





 
 




3

3

   
    






 

 


















21

  




3


  

3

  

3

  







3







3

  
3

  

 

 


    
3

 

3

      
3
3

3
3

      

      


     

      

3

3

3

3

3

3

 

3

3

3

3

    
    

 


     


3

3

      
3

3

3

3

3

3

3

3

    
    
3

   
   


 
 





      3


3

3
3

       
 
3

     
  
3


  
   

3
3


   
  
 
3


  
 
   
3



   
   
3


 

 
   


 

3

  

    


3
 33
3

    
   

3

   







 

 
  

  
 
 





3




     
 
3

3

3

3


     
3

  


3

3

 
 
3





   
   













3










3

 

3

3
3

3







3

3

3
3







3




3
3

 
 

3

3

3

3


      
    

3

3

3




3

3



   
  



3

3

   
 3 




3



3

        
      
3
3
       







     
  
3



3
          
 


             


3

3



3

   
  

3

3




3

3

3



              
3
3
3
3








    

  

3




3

     
  



                
3

3

   
 3 




   

3


     




   

3



3

 


   

3



3

3

3

3

3



3

3


       



3

     
 




   

3

22

Pirates of the Caribbean
210




3

  

3



  
3
3

  






  

3

 
 




 
 




3



















3

3

3

3


      
3
3
  
 

3

3

3













218

3





3


       


    
3


3

  
   

     

3
3

3
3

      

3
     

 

  




 



3








3








 





























3

  
3

  















3

  
3

  

    
    

3



3

     
    
















3

3

3

3

      
  
3

3

3

3

   
    

   
    


 



 











 
    













   


   













3

  
  

























3


    
















3

  



3

  













        



   

        
   


   


   

        

3





3

3

3

3
3

3

3

3

3

3

3

3

3

3

         

  


3



3

3

3

         
       


   

3

            
3

3

3















3

3

3

3

3

3

3





























































3

3

3

3

3

3

3

3

3

3









3
























3



3



3



3


































  




  

3

               3    



 

3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3



 
              
        

3
3
3
 3  3  3  3   3  3
 
         








 



3

       
  



   
        

  

3

         

   

3

23


         

3

3

3

  
       

3
3
3
  
       


 
                   






   
   





Pirates of the Caribbean

3

3



               
 
3
3
3
3
3
3



               
 
3





  


  




3

3









3





3










3





3

3

  
  
3


  

3


  






 



 
 


3

3

3

3
3
 




3







                    







3

3

3

3

3

3

3




                   



3


    

  



  
3








  





3









  




3


    





  







 

 

3

3




 
 

  


 


 
 


 
 


  


3

3

3

24

Pirates of the Caribbean

232
 
  
            
             
 




3





3


3


3


3








3


3


3


3


3



3

3

3

3

3

3

 
 








 3

                 



3

3

3

3

3

3

3

3
3
3
 3    3    

               
3
3













3










  
  










  
  





















3






3










3



3




3

3

3

3

3

3


















  
  







3





3



3

3



3




























  





  




3

  







3

3








3

 
  
3
 


3




3

  
   
 











3
3

 
 
3

 
 
3

 
 
3

 
 









From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 1

(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)
Music by KLAUS BADELT
Tempo Rubato 
Arr. by Gino Gonçals

 
 

 

"The Medallion Calls"






DELIBERATELY ( )

 
  

8



  
 





 



 





20

 



 

 







 











rit.









 
                      


 


31





solo - espr..



 



 



                   

 
 

       
      



   
   

     
             
 




 
47

       
            

 


"The Black Pearl"

()
 Misterioso


 

56















                       

   

                              

         
  
 
accel.
 
75 
                    
                    
3
3
3
3
3
3



  
cresc...
      

81






      

     














             

3
3
3
3
3
3

66

Faster ()

©Gino Gonçals

Pirates of the Caribbean



 




































 

   

 
   


 










  


  


 



   











  



3








  
   

3

 

" TO THE PIRATE´S CAVE"



 
 

 




















 





      133   
   







                   137 






       
  

  




 








3

 

 


 

 
3

109

       

114 







      
 


 






 
 

DRIVING, WITH INTENSITY ()

122

 


  



3



 

 


 

                   




 
 
    




   




   





88

2



        




 

 










          

   
 


               

 

       
 








 

        
      

Pirates of the Caribbean

 




 



                  


      




148

 


  

142


          


            

 
    

                               




155









GENTLY ()


 

180



186













172



  

166


  

cresc...

   

   

  
      




MORE BROADLY () "ONE LAST SHOT"

solo - espr..
      



 

  



      









 





    



MOTION ()



194 
   
     
3

3

 

  

"HE´S A PIRATE"
BRISKLY, WITH




     


  

 

      

           



 

 

3

 


3


       
                                       

 


3

3

3

3

3

3

3

3

3

3

4

Pirates of the Caribbean



210







 
               








 


 
 

    203 
  
   

  

3
3
3
3
3
3
3

    
    
    
   
3

 
 
 
 

3
3
3
3
3
3
3




3
3
3
3
3
3
 3
      


                   






  



3
3
3





    
                 218 
  



 
3
3
3
3
3
3
3
3





                    






3
3
3
3
3
3
3
 



   
                    







3



 
 



3

3

3

3

3

3

3

3

232 
  
  

 
   









 




3

3

3



3

3


3



3



3

3

3

   

3






3

From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 2º

(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)
Music by KLAUS BADELT
Tempo Rubato 
Arr. by Gino Gonçals

 
 



 


"The Medallion Calls"



 DELIBERATELY ( ) 
  


8



    





    

20

 










rit.






                     
  
  
   




                 
 
    

 
    

      







31 solo - espr..

   



     




 




   
  


solo - espr..









 

   







    
                         




47
    
 

    





     





   
  











 

 




"The Black Pearl"



Misterioso ()

                          

 

 
56

 
       




      

  cresc...
Faster ()







     


    




     

    

©Gino Gonçals









                             

66


 









accel.

     







  
75 


 





 






      
3


 



3




 


     










3

3




   















3







 
      




3

3

88

 
      
 


3






 
        
   
3
3


80

   










3

2

Pirates of the Caribbean

   





    


















  
3









 
 
  






 
    



  
109

 
   

 
 

   
   
114

        

 
            



 
  

 



 





 
  

3



3

" TO THE PIRATE´S CAVE"
122 DRIVING, WITH INTENSITY ()




















 






   
 


  
  


3

 



 








 

      




 
  

  

                       


  

  
















  

      
 
 


     




Pirates of the Caribbean











133


 











   





     
   
     
        


   
              
 

    





       




 

137

 


148




           

155
           

    












142

 









 




cresc...

    
 


 




















 


legato







    

"HE´S A PIRATE"
BRISKLY, WITH


     

184





  




     
180



MOTION ()

 





     
   


        



MORE BROADLY ()


 

166

      








   
       








             
    

172







   
       


    

    
 








  

   
    
         



    
 




GENTLY ()

   

 




 
               
  
  

3

3

 


  

       
3

3

4

Pirates of the Caribbean




       
  
  
                  
         
3

3

3

3

3

3
3
3
      3

                  
3



3



3

             
  

3

3

       
 
3

    
     
3



3

194

3

 
     

3

3

3

 3


  



203

3

 



3

3

3

3

3

3

      3


   


3
3
3
232
  3 3


     



3

3

3






                
 

3
3

3

3

3
3










  
            
         
3

3

218

3

3



     
 
 
 3
3

3


  
  



3



 

3

3



3

3

3

3
3
 


3




3

         






  



3

3
      
 


3



3

         
 



3

3

   


210

         




    



3



  
3

3

3

3






     






   





















 
  







3

3

3

3
 3    3

     
 
 

3

3

3

           








     

   

3

3
3
 3

              






3

3


   
   
3

From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 3º

(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)
Music by KLAUS BADELT
Tempo Rubato 
Arr. by Gino Gonçals

 
 

 













"The Medallion Calls"



 
 
8

DELIBERATELY ( )




  

 
 

  






  







rit.








     
 

  



                
    
  
               



31

solo - espr..



     


  


        


      












   

20

 




                                             
   
   
   
    






47
 




       
  
    




 





















  

  



"The Black Pearl"



56







Misterioso ()



 

  
 










       
       


                         
       
  
  





           
   
     
 accel.  

75
   

                         
 cresc...     
  
66

Faster ()

©Gino Gonçals

                 




          
    

80


88



 



2

Pirates of the Caribbean

      
  


       



       
   


       
  


       



       
   


 
  


     

 
  

     


    

                  



   
  
   



  



 
109

  

 
 
 

 




 
       





3

3

3

114

 




  
               


3



 


   


              




" TO THE PIRATE´S CAVE"
122 DRIVING, WITH INTENSITY ()




      





    

 










   





   
    
        
           

  

 
                     
   
    


     
     
 
                    




133





 
   

        
     


137



  
  



              
  
 

 
    







  




 


 


142


 


 



       
   

cresc...



3

Pirates of the Caribbean



 

  
 


  

  


148









     
 

  
  






   


 
               
                    
   

       




 
 

155





   

  
 




 
                                 






 
















166

 

 



MORE BROADLY ()




               

                 

   
  

   



GENTLY ()

172



  
3

     
   



3

"HE´S A PIRATE"
184 BRISKLY, WITH



    






3

3

3

     
   

3



180



3

3

3





3



3

    
              





  

 

3

3

3

3

        

 



3

  
         



3

3



MOTION ()3

    
              
3



   

                 
                  




3





3

194

3

3

       

3

3

  
         

4

Pirates of the Caribbean





     
        


3

 
  


203



3

3


  




3

       




3

 

  


3





  

3

   


           



3

3

3

      
  
3

3






       
 


3

3

3

        


3

3


    
 

3

3



3

3

3

3

 


3


    
3

3

 

3
       


    

3
 3 3



218 
      

3 
3

        
   







   

3

3

3


  

3

3

3

3





 



          





3

3
3
3
3
 3
 3
 3
              
   




3

210

3

3

3








3



3

     

3

3



3

3

     




               
3

3



3

      
3

       
  



3
3


3



3




3

3


  

3
3
     
   

          
   

 
3


 

    

3




3



3

3

3

3

     

3

3

232

          


3







3

3

3

3


    


3

   

3






From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 4º

(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)
Music by KLAUS BADELT
Tempo Rubato 
Arr. by Gino Gonçals

 
 

 







( )

 DELIBERATELY

 
 

"The Medallion Calls"

8











   
  
 


 

 

 





 

  
 









  

    

    
    

 

 

31



             
 


   

20




rit.




   








 

   

  





 




     
 

solo - espr..


    
     







              
 
    








                           
    
    

    




 
 

 




  
   
 
 
 

"The Black Pearl"

47

   











  






 Misterioso()
  

                               





                             

56

accel.

©Gino Gonçals



Faster ()

 
 
66






 








81
      



 

 
          


     

  


 




 









 
  

87

  
                
  





           

 

3

3

3





 109

     

   
      









114

 










     
 


 

            
 


       



" TO THE PIRATE´S CAVE"
122 DRIVING, WITH INTENSITY ()






  

  

 
  



 
             
    
  


  3



 

3

3


          
   




3

3

3

  3



  

3

3
 
 


  



 



3
  3

     







    


3

3
  3
  3





   



       














2

75

      
   

 






Pirates of the Caribbean


                
        
137



     

  

  





  
  


 



 




        





  




133





       
  


  142
    
            







 

cresc...
cresc...




                  
   
   


148

     
  







GENTLY ()










 


166

 


 



 








 












 






 

  

 



  
    


MORE BROADLY ()




172

 
     
180










  



     
 

155
  

 
    
  

   



3

Pirates of the Caribbean







  
    


  

  
     











 

  

 



"HE´S A PIRATE"
184 BRISKLY, WITH











  
    




              


 












3


 




 

3


 

 
MOTION ()
3


   

  
  
                                     
3

3

3

3

3

3

3

3

3

   
             

3



3

3

3


      

3



3

3

3

      



3



194




3



3

 


4

Pirates of the Caribbean



 


210











3




3

 







3
     

 





203

3

       
   
3


3

3

3

3



3

  


3

3

   
 


3

3

3

3

3

3

3

3

3

3

3

3

                             
                     



 



3





3






               




               

3

3






                          



   
   
    
   



       
3





3






3

3

3

3

3

218

3

3

3

3

3

3

3

3

   
    

                       


 
  
3

3

3

3












3
3
3
3
3
3
3
3
3
3
3
3
3






               
 
 
  
                       

3

3



 


3


     

3

3

 
 3

      
 3

232



3



           

3

3

3

    

 

3

3








3

3


    
3

3

3


   
      
3

 3
   

From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 5º

(Symphonic Suite)

 
 

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)
Music by KLAUS BADELT

Tempo Rubato 

 

"The Medallion Calls"



20



  

  
 
   
   

            
           
 


31














          











rit.








               
             

  
                   
 


                        
  
    


                        
    




          
                       

       
 
 



         
   
 

   



  
                  
    

        
           


  




 
 






 




 DELIBERATELY ( )

  
      


        
       
8



Arr. by Gino Gonçals

 

    



accel.



47

 

 



"The Black Pearl"

56







Misterioso ()


 
66

  

©Gino Gonçals




Faster ()




 









75



  
  

2

Pirates of the Caribbean



 


      












88







3






  
  










 
3


















3





  
  

 

 
 









  
  







80













 



























 










  3

 
   


  






3




3

3

3
3
3












     















 

     
 
  


3

3

3

3

3

3
3 109
3

  3


        
     

                  
 
 
 
3

114


        


      



  




 
 


  
  


       
 
3

3









 
 




 
 
       
   
  










 
 







 



" TO THE PIRATE´S CAVE"
122 DRIVING, WITH INTENSITY ()






 




 







 
 
 




 
 
 

  
 
  
       
       
   
  

 
             






        
      


133




3

Pirates of the Caribbean






 
142



 
  
  





137














 



  

 
 







155




   
  


 

  



    
  






legato

172

     
184









"HE´S A PIRATE"
BRISKLY, WITH



3

3

 

3





MOTION
()
3
3


 


 

3

            

3

3

3











  

        
    


3












   

 
 




 
         



 
 
    
    





3




GENTLY ()

180



  



     

   




  
  




166



cresc...






     






  
  



MORE BROADLY ()

 
 




cresc...


          
       
       






148

                


   
  





3




3

    
   
3


3

3






3



 

3

   

                        

4

Pirates of the Caribbean




210








3

194

3

    

  





3


3






3

    



       

3

3








3

    

3

 
























3

3



3





3

  







3

3

3

     
    
232












 3
   
  




3

 


        
 



3









   
  
3




3

3

3

3

   
    

3



3

3

3

218

3





3

                     
           

3






3



       
    



3



  

    
     
 
3

     

3
3
 3

             


3



203







3
    
  

  


3

3





3

3
3
  3

          










3




















   
     
3

3






3

  
 

From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 6

(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)
Music by KLAUS BADELT
Arr. by Gino Gonçals
Tempo Rubato 

 
 

 

"The Medallion Calls"



 
 
8


20



31















rit.












                                    

  
                                
                           
 
  


    
                              




 
   

                                   
              






 
 






DELIBERATELY ( )









                      

            
   

  
          
 



47



  

 
       


     










    


 



 





 

 



 



    
 
 

         
   

 
   



  
 
           

             
 
 

 



"The Black Pearl"

56





 

 

©Gino Gonçals




Misterioso ()



 







 



 


 

accel.




  





2

Pirates of the Caribbean

 
 

Faster ()

66

75












 
3




3

 

 




3

3

3

 
  
  

3

                    

















 

 
 








 

 
 




 




 

   



 

 
 
 
   









87




 

114





















 

WITH INTENSITY ()
 DRIVING,

  
 
 

   
  
 

  
 
   


  
    


  
          

  
  


137


 
 
 


          

 
  

122

" TO THE PIRATE´S CAVE"


 

   
      




80

    

 

 

 




    
 


  


 
 

 

 

 

 










 



  
    
  



 

  



 

 
 






  
  

 

 
 

   
    




 




109

 
 


  






  
 
 

    
   
 
  
   
 
 
 



 



  


   
 

133

      
   
       

  

  


    
     
        


   
142











3

Pirates of the Caribbean

 
 











 
 
 



184













             
     




172







 



  

  



180



MOTION ()

  
  
 
                     
 

3

3

3

  
  

3

3

3

3

3

3

  


3

    






3




203

3

  

3

3

3

194

   
   
 

 
   

           
3

       
       

155

           

"HE´S A PIRATE"
BRISKLY, WITH

 









 
 
     

            
     
GENTLY ()



 







   



  


MORE BROADLY ()

 





148

 
   
   

 

   
  

 
  

166



cresc...

  



    



3



 

 

















           
       
 
3

3



3

3

   
     
                    
3

3



3

3



3

3

 

                        

3

   



3



   




  
 

3











210



3

  




3





3

3

          
3








3

 

3







232











3



    








3












3

4

Pirates of the Caribbean

218

  
  

3

  















  



  
 




  



3

  














3

3

3



3













  


3




3




3

3




3

3

           







3

  
  






    

3




From Walt Disney Pictures' PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL

Pirates of the Caribbean

Clarinet 7º

(Symphonic Suite)

(A medley including: The Medallion Calls - The Black Pearl - To The Pirate's Cave! - One Last Shot - He's A Pirate)
(Cover of Clarinets, Aragón, S.XXI)

 
 

Tempo Rubato 

 

"The Medallion Calls"





 DELIBERATELY ( )
 


      




             
8

20



31















Music by KLAUS BADELT
Arr. by Gino Gonçals








rit.







                             

  
                      
 
   
   

  


    
                              

  

  

                                    
       
     

 



      


  




 
 







 


 

     
     

 





47


       
       

    


 



       
 

       
  

           
   


 
   


 

  
           
  
   
  

     

56

©Gino Gonçals

"The Black Pearl"








    

Misterioso ()


 




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