39 Transalpinia Armin Klofer Set of Clarinets .pdf



Nombre del archivo original: 39 - Transalpinia - Armin Klofer - Set of Clarinets.pdf
Título: Transalpinia - Armin Kofler.mus
Autor: KKO

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TRANSALPINIA
( Armin Kofler )
Der Konzertmarsch "Transalpinia" stellt, wie der Name bereits suggeriert, eine
künstlerische Nord-Süd Brücke über die Alpen dar. Auftraggeber des Marsches war der
Musikverein Unterjettingen, der eine langjährige Freundschaft zur Banda Musicale aus
Luicciana unterhält. Somit ist es nicht überraschend, dass im Marsch die unterschiedlichen
Stile nördlich und südlich der Alpen miteinandern vermischt und verbunden werden. Um
diesen Bezug noch zu verstärken, werden in kurzen Zwischenteilen und Übergängen
Volkslieder aus der jeweiligen Region in abgewandelter Form zitiert, bis der Marsch
schließlich in einem eingängiger Trio-Melodie mündet.

TRANSALPINIA

      

Alla Marcia 

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

Cl.6

Cl.7

Cl.B


  

 




  


  

 
















  
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 

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 


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      



 


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 

          
   


         

  


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  
         



  



  
  

      
  

(Cover of Clarinets, Aragón, S.XXI)













         
   
  




 
  
   

   

   
  


   







Armin Kofler
Arr. by Gino Gonçals





A







  


  









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  

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   



©Gino Gonçals

 
   


 



TRANSALPINIA

 

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
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B

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 

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2



  



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  

TRANSALPINIA


  

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  



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3

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   



C


    





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  

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TRANSALPINIA

 


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    





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D




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   



    








4

TRANSALPINIA





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


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
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 
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  
   
  
 



         




 
       





               
   

               
   



        
  
  





  

  










5

TRANSALPINIA


   

2.
   


    



    


    


   



1.


   



  
 


  
 


  
 


  
 








   

   






   
   





     
     
 

 
  

  






 
 

 
    
 

 
    
 

 
    
 

 

      

 



 


 

 

 








 









 




 











   



 
  













 






 


  
 

 

 
  

 











 


    

    




   



 




  
 

   











 


   

   

   


 

   

   







6



  
  
  
  



   





    



  




   



 


  



   



 



   

 

 








   

F





        
     
 
  


   
 


  


 


  














 



 





 

  
 

   



  


    

  




    
    












 

 






 

 
 

 

  
  


  



   




        




  


  

  

 
  

 
 




 

       





   




    



  

TRIO
G

 
  

TRANSALPINIA












































   




 






















 
 


 

  


















 















solo



  


  

  








        
   
          

    
  
 


 


 
   
 



 
 

 

7


     
    




 




   
 
   
   

   


























  

  



















 









































 

 










 

 







 


TRANSALPINIA








































 






     


  


 





 



















  

  










   











 

   



  




   












  









    

 
 







  




 







   




    

 

  



  
 




 









 


































   



    

  



  
 


 











 








   

 














   






    

  




 







 




 
















    

 
 








 








8



  



    




   



9

TRANSALPINIA





















 








  










































   
















   

  


  



   





    








   














   














    
    




  
 




 








 





 







   



 




   










    

    


























 

  




   









  






     

 









    

 


 






    

 

 


 












  

H








 











   

  




   




   





    
    




  

 
 











 



TRANSALPINIA












 























 




  



  











 

 

 

  




   


 

 










     

     


 







I














 



























 
 









   
   



    







 



  


  







 



  



  



 













   











































 












  



 
  
 





 








   



    



10










 

























 
   
   
 

   
 
    
 









 


 
 








   





    


  



  



    





   




11

TRANSALPINIA






 





   


 




 


 


  


  



  


  



 















     


 

















 








   

   





  



  


   





 





    

  



  
 



 




















 












 













 








 











   


   

   


   





  




   


   



   








 




   




















J




    

  



  
 




 














   
   






    


  

 



 






  



  





   


 









    

  



  
 


 












 


TRANSALPINIA
















 



 









     


  


 





 












  

 


  

  

 


























   
   


   










   








   







   





    








 

12

 
 



  



   



 

  
 

    
     
  






 

 




    

    






 
    


 


    
 


 





   













   




  




    
    




  

 

 

 








 



   











   





  



  


   








    












 













 




    




  







    




    
 






   





13

TRANSALPINIA

 



  


 

  



 

  



 


  

 

 









 


 
   
  
 




   



K  









 










    

   



   





   








 
    





       












 





  



 

 

 









 
 
 

   



   








       









  
   

  


 

 

 

  

     


     







  

   













  














  
















   






   

 


 

   







   

      

    


 

    


    












    

   

       

    


 

  







  






 




   





   

   


   






TRANSALPINIA





   
        
 

14

  





  

    






 


     

             
 
             
 




 
    

       

   
    




             








 




 



 





 Molto rit.




 







       



       






 













 

 
 


    
  

    
  

      

 

       


















    







     
     












     
     

    
  






     
     


















   

Grandioso, a tempo

     
     



    
     
    
     




 M 



 
   
 



       








   





   
























    




    
 




   






15

TRANSALPINIA
















 

















  


 





 





 



 

 

 


  

































   

   
   




  




   




   
   
   



  



  
 


 





 








































 
 











   













   

   



  













   
   



   

  





  
 

  
 



 







   


    






 












   






  

    




  
 

 










 





















  
















 










   

  

   




  


   



TRANSALPINIA



 


 

 

 


 

  

 



 







 

 
 























  


  



 









     


 








   



   




















 














   

   





 
    


  




 


 



   



   






   










   















   

  



  






 












 


 




















  




  




 





 







   

  








   

















N

16


















 















 


 




    




  



 










 



17

TRANSALPINIA

 

















 



  





































 









 




 
   
   


     


 
 























   

  

 



















 




 




 

     





     




 









 





    
 
 
    


 


 
       


 
       




       

 


       

 

 

    


   



 


 










TRANSALPINIA

Clarinet 1º

(Cover of Clarinets, Aragón, S.XXI)

Alla Marcia 


  

 



. . . . . . . .


A


 
   
       

  
          



  
  


 
   



  


 







D
   
   

  





 
C





   

 





B

     




  


  


  
  

 
    
  



   



  
           


 

 

               




Armin Kofler
Arr. by Gino Gonçals

          


                               




1.


   

2.

 
 


       
                               





E



         















  
          
    



F


   

G

TRIO



H









 



©Gino Gonçals

 















 

2

TRANSALPINIA


   




  





    

 
   

  

J 





I



   
   



   

 
  



















         
        
 



K




 
      






    

 

 




   













N




 


Grandioso, a tempo

       
Molto rit.

M

    

    

 
   

  








 
  
 








 





 
  





   


  
 

 







 



    
   




  

    
  



TRANSALPINIA

Clarinet 2º

(Cover of Clarinets, Aragón, S.XXI)

      
A












 
  




Alla Marcia 

 




 

B

  
  
   



  



   

       

  
  
 

             


  
  
   



         




 

    
     
 

      



Armin Kofler
Arr. by Gino Gonçals




  

 
 


 



 



    


                



   



         



C

D

      










   
   
        
 

     

   

             



1.
2.
      



E

 



 






                    


           

F

    
  

   

G

TRIO









H









©Gino Gonçals






 



   






    




TRANSALPINIA


 




 


   

I


















 




            


 







    



2


 



J

     

 




 



 



 



 


    
 
 
  
  

 


 


  


            


    








 







 

 
K




      
                 
 









   

 

N



   

     






   

Grandioso, a tempo

       
Molto rit.






M



    

  


  




  








  
   

   


 










    



 


  

   


 


         

 



TRANSALPINIA

Clarinet 3º

Armin Kofler

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

A
      












 
 












           


Alla Marcia 








       

                                
       


 

B

  
  



  


      

   


   


  





       

  
             


  


 

  
D

      



   



           


              


C

               


 
                                      



        


1.

2.



                   
 
               



E


            












  

F

 
 
TRIO

G







   



solo

 

H





 




   
  
©Gino Gonçals



                 

  


 



I








 

 






TRANSALPINIA


  

 




 

 
   

J

 

  
  




2


   

    

 




  




   



























 






    





        
 

       




   
   


       



  
 


Grandioso, a tempo


 
M




 
    
 
      




   

 
  
 

     


N

K



 
   









 

 





Molto rit.
      

 



    


  

              




 


 

TRANSALPINIA

Clarinet 4º

Armin Kofler

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

Alla Marcia 

A
                    
 



    


 
       







 











 


 

            



       
 

C

 



D



                  


 

















           





              
  


                 



 


             

         
 



      



              


         
       




  
      










  


solo


  

B


        


 



1.

2.



E











         







 
 


F

G TRIO



                 



   


 




©Gino Gonçals


 






 



   

TRANSALPINIA














 
   



 

  
 


   
 

    








   


   
 



     





















 








   




 


 



 

  

       



J


  



   


    



  


 





I



 



 






   


     


  


 






             


 








Molto rit.
      

 


   
 



     

   











H

              

  

Grandioso, a tempo


 


 


                 

K

  


 
M


  



2




N




      
 














 


    
      




TRANSALPINIA

Clarinet 5º

Armin Kofler

(Cover of Clarinets, Aragón, S.XXI)

Alla Marcia 

 





 
                  

Arr. by Gino Gonçals

      
  
       

A

   
    
  
    







        
 
    
 

B


                  

          




          
   
  



                           
  

C




      


  






 

       
   
    


 

    

  

    




                
        
   
 


1.

2.

 

            
F

D

 
    


        
      










E





  


       
 



           
  




     

    



    
 

   
G

TRIO


 
                                        

H
 
     








  

                               

©Gino Gonçals

TRANSALPINIA

2


 
   
                                         
        I       
 
  
  


    
                        


   
 
                                         
J

  
   
  
  
 

                                     

 
 
          


        







 



 





 




       


 


  


 

      



 



                

 


Grandioso, a tempo



                             
  

       


 
M

K

 





N







 

  
      









Molto rit.

     

 



  


 




      

     

 

TRANSALPINIA

Clarinet 6º

(Cover of Clarinets, Aragón, S.XXI)

Alla Marcia 

 



Armin Kofler
Arr. by Gino Gonçals



  
                         

  








A

 
   
  
    
  



 
 
    
         
             

B



   
   
    
 
             

                          
  

    

 
 
C



D

       


 



      


 


     
              
 
   

 





 

    

   
             

               
  
 
        

 

   


1.



        
     




G





               

     



TRIO


       



        

     



F

    

 


      
     

  
 

     
   



  



©Gino Gonçals

E

2.










   




TRANSALPINIA


 

2

     
    
   
   
    
                
   
H


                                      

 

 
 

 
 



 

     
    
   
    
  





 
    
 


 

 
  

I


                                     

 
 


 

 

 

           
                        

 

 
  

   
 
J


                      

 

 
 

    

K






               

 

         

 


 

              





       

 
        





Molto rit.

      

Grandioso, a tempo


                                       
  



      
  

M


             
    
              


 
 

 

     
  
N




                                         
  

  
     
  

TRANSALPINIA

Clarinet 7º

(Cover of Clarinets, Aragón, S.XXI)

Alla Marcia 




Armin Kofler
Arr. by Gino Gonçals

        
   

  
        





         

A

    
  
   
  
 
                       

   
  
   
 
 



        
                
 


B

   
  
  
                 
C


  

 



G



    

         
   
 
 


         
 

  

    



2.

E

   
   

     




F

TRIO




     




          

         
   
        
  


   
 





D

1.



       



   
   
      
 

  
 


                 
       

                         
       
             



                             
                     
H

©Gino Gonçals

TRANSALPINIA


 

 

 

 
J


 







2

    
    
    
    
   

 
   
   





 
 
 


    
   
    
    
   
 
   
   
 
 
    

I

    
    
    
    
   

 
   
   
   
   
 
    
    
    
    
    
 
   
   
   
   
 
    
    
 

 
 
        
 
 

K


 




 





 










 


 




 

Grandioso, a tempo




  
         





       
  
            
            

 


 

 

 

Molto rit.

M

    
    
    
    
   
 
   
   
   
   
 
N

    
    
    
 
 
   
 
 
   
       
 
 


     





     


 


 
 


 

      
   

TRANSALPINIA

Clarinet Bass

Armin Kofler

(Cover of Clarinets, Aragón, S.XXI)

Alla Marcia 




Arr. by Gino Gonçals


 
 
                        




         
     

    
A


  
 

        
   
                
                         
                    
  
  

  

  
  



















  

 
B


                 
   

           
 
  
 



 
         
    
C



 
 
     

             


    




   
 

D

    
  

 


  

   
  

 



 

  
 





                                 
     
 

  
  
 
 
1.



 

 
  
F









G

TRIO







2.

E

     
 


    
  
   
  


 
  




 

 
    




 
 

   
 




 


  
  
 

   
  

©Gino Gonçals










 
      

 

   
  


  

H

 
  
 

   
 


2

TRANSALPINIA



     

 



    

   
I

  
     
  




   
  





   
 


 

  
 

   
  


  

      


M





 
 




 
 

Grandioso, a tempo








 
  




     

 

  




 





 
  
 


 
  
 
J

 

  
 








 

 
 
 

   
 


   
  
 

 

      
 
 

 
  



 
      



                
  




 

Molto rit.


 
  

 
  
 

 

 

 

 
  
 

   
  

   
  




      



 


   
  

 
  
 

 

  
 

   
  

 
  
  

K



 
  
  

N








 

   
 


   
 


   
  

 

  
 

 
 

 
        
     




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