44 Narga Parbat Michael Geisler Set of Clarinets .pdf



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Nanga
parbat
(Michael Geisler)
King of Mountains
The Nanga Parbat, literally Naked Mountain, and also known as Killer Mountain is
one of the largest and most dangerous mountains in the West Himalayas. At a
height of 8125m it is the ninth highest mountain in the world. It was climbed for the
first time in 1953. The composer describes the picturesque but highly dangerous
acent of this 'King of the Mountains' A very rewarding work for the middle level band.

Nanga Parbat
King of Mountains

Misterioso 

Clarinet 1

Clarinet 2

Clarinet 3

Clarinet 4

Clarinet 5

Clarinet 6

Clarinet 7

Bass Clarinet

Cl. 1



 





 





















 
 
 
 

  

  







  















 





 















Cl. 3

 

Cl. 5



Cl. 6



Cl. 7



B.Cl.

 

  



 










  

 























 










  


 







  

 









Cl. 2

Cl. 4



Michael Geisler
Arr. by Gino Gonçals

(Cover of Clarinets, Aragón, S.XXI)

  

































 
 

 

























©Gino Gonçals

  





  












   






Nanga Parbat

A
Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

  



 




 





 



 
   

 





















































 






  


  










































 





  











 









 























B.Cl.





 



 





Cl. 5

Cl. 7









  




Cl. 4

Cl. 6



 

  



  

 











 

  

  




 




B





















  


2



 
  

   

 
























  

 



Cl. 1

Cl. 2








 







 



Cl. 3

 

Cl. 4



Cl. 5

Cl. 6

B.Cl.


C

Cl. 1



Cl. 2



Cl. 3



Cl. 4



Cl. 7

B.Cl.

 














Allegro con brio 





 














 

solo





 


Cl. 6

    

 

Cl. 7

Cl. 5



solo
























Nanga Parbat

 
 

 
 

 
  





















3


























 









 






























                            


 



















 


 












                      
                


   
      
                  


                  
                   















                       








                     








   

   


 
 




   
      
 
     




   
       
 
     




Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

 

        




 


   

   
    
         


 
       
       


Nanga Parbat

 
 




                                     

 

 




   

 
   
  
 



 







 













  



                                















 

  
 

 
   
 




   
   
 
 
                 
       
                 
       









  

                               
                        

               





  
  
 


  

 




2. 

1.

        


 
 

4



 
   
 



   
 


                            



 

   




        

  

  
















      
 

6
6




      
 
 


6
6


  

 
 






3
  

 
  

 
 





       


 


 





  



    
 
   


     


D



 


 
















 

      


 

 


 

      
6

3

  

 






 

 


 













6














Nanga Parbat

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.


  

   
 







  











  

     


    
  

  




Cl. 2



Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.



 




 
 








6
    
 
  




6








 

 






   


Cl. 1

Cl. 3


   

 


     
 
  


  
 
           

             







          

          

 


   
  
  






             
  
6

    
 
 
  
6




 

  





 







          
         
    

 
 
 

 


 



6





           












   

6


 





 
 


           

6


 



3

 
 

  





 





5




 

6


 

 












 










 


 














 


    


   


3


 


  



 




 








 





                   



                     





















 
               

     
  
          



   
 


















 
 












Nanga Parbat

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

6

 



       
     
   
       
                             

 

  

                             

  


   

  
 
 
 






 
 

                                 
                             
       
     
   
       
           
      
 



  
 



       
       

       

        

       
        
        

        


Cl. 6



Cl. 7



B.Cl.



       
       
       
       

       
       



           

 

      
 
   
 


     
   
 
     
   
 







  




  

Rit..



  


  

  
  

  


                 

Rit..





































 







 



















Andante Expressive 








E

     
     















solo

     










   






     











 

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5






B.Cl.



Cl. 4

Cl. 5




















Cl. 7



B.Cl.




















 



 

























































 

















F





 







 





 












 













 



 

Cl. 6










 





 

Cl. 7

Cl. 3

 

 


Cl. 2





Cl. 6

Cl. 1

Nanga Parbat



solo





























 

7

Nanga Parbat

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5







Cl. 7



B.Cl.



Cl. 1



Cl. 3

Cl. 4

Cl. 5









































B.Cl.
















































 






 

Cl. 7





 









Cl. 6





 


Cl. 2



 

Cl. 6



8









solo


 
solo

































G

























 


















   
 
  




 














   
  
 




Nanga Parbat

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5


 
 

 

 

 

Cl. 6



Cl. 7

 

B.Cl.



Cl. 2



Cl. 3



Cl. 4



Cl. 6

Cl. 7

B.Cl.
















































H



















































     
     

       
 
 
     
 
 


Cl. 1

Cl. 5

  









        
       
   
 
       


   
       
        





Allegro con brio 















 





 





9

      


      


      


      




     
     
     
     

























 









          





 







 
  












  

    

                               












                
                         

                            
                         

 
 
 
                      












  


   

  

  

 


Nanga Parbat

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

10

 
 





                                             




  

  

   


   







 










 










 











 
















  

                                    
                                

                                        
                                   


                          









  
                  

  

  








2. 
1. 
I








      

 

 
6
6





      
 
 
 


6

6

  








     
 
  





3




















 







  
                 




        



                 
 





        

 






    



        

          
 






    

 




                


      
               



 


 







   
 


 

 


 


            
6

3

 

 






 

 


 











   

   





 

 




 














 



6










 
 


 




 








 





Nanga Parbat

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.




 





 





    
 
  
6
    
 
  


          

          
6


           

           



  
 






3
3








 
 








 
  

 






 







 
















 





                 
  

 

             

            
     
     
     

















 






     







6

       






6


       
   
       

    


      
    
  
    
    
 
      
    
   
  
  
6

  
   

6

       







     




   
  

  
  

     
  

  
  
  

6

6











      
   

   
 















  
     



    


   


6




6









 























  
  
6




6








  
 


              
             


       






6

     

     


 
      

      
    

      
    

  
  
  




   
  




     







6

 

11

  
   








  






  
  

     



   
  

  
  

     
  

  
  
  

6

6











   

  



  


  


  






Nanga Parbat

                            
J








      
6














   
6














 

   
6

6

    
  
  
 












 
6

  
  
         


   


 




 




















 


 












 


 


 





 
 












                                    



















6



 

















Molto rit.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

Cl. 7

B.Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6

12

Maestoso 

6

     
     
   

Cl. 7



B.Cl.

  






 


 




 









 
 













 




 






 








   
  
   
  

 


 












 











 


 









Nanga Parbat





     











K

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6


 





 











   

Cl. 7



B.Cl.

  

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

Cl. 6








 
 

  



B.Cl.














  

  
  6 
 




 
6

 




 













 


 


 




   

Cl. 7


 


 

 


 















13

 

 
 
6



 








6















 




Molto rit.


 










 


 
 

 solo

 


                 



 




             



3
3

3

3
3

3
  






         

  3 

3
3
3
3
3

 
             
   


             
 


3








3

3

3























 


Nanga Parbat

Clarinet 1ºB 



Misterioso 

 






    



C

 
     
 

Michael Geisler
Arr. by Gino Gonçals

King of Mountains

A








  

  
B

(Cover of Clarinets, Aragón, S.XXI)

  

  



  

  



    solo    

 

 


Allegro con brio 
  
  
         




















     
             
    



1. 


                                      
   
 
    






      











       
       
  
   
    
6
6
6

6
D




      
       













      
  
       
  
6
6
6


                                            








                

 

 
 





 
solo



G




 

Rit..



 

 
 



 





©Gino Gonçals



E

solo

 







 





Andante Expressive 










F






H Allegro con brio 








       


  

    






   

  

I


  



Nanga Parbat

 
 
    
    


























 
     
  
    
  
1. 
                         

    









  
  








  
  

6

6

     
  





6




      


     
 
   
   

6

6

6








  

6

    



       









 


      






  
  
    

6



2

6

       





6





Rit..



   

 

6


 
6













              



         
  









J

Maestoso 

           















K







    

 



















Rit..







Nanga Parbat

Clarinet 2ºB 

Michael Geisler
Arr. by Gino Gonçals

King of Mountains

(Cover of Clarinets, Aragón, S.XXI)

 

Misterioso 



  

  










  



   
 


 










  

      


B

 








      
 



  




    
 


1.







A

       
C



  

  

Allegro con brio 










  




 


    
 


 


 

solo





   
 











  
       
         


6
6
6

2.

D

 

                                        




6

              


6

6

6

                       





                                             







©Gino Gonçals

Nanga Parbat

   




Rit..







E







F



 



Andante Expressive 

 







solo G







H Allegro con brio 





     
 



 




  

    



  






 

  
 

 







    


 
 
I
2.











 
      
         


6
6
6


1.

 



2


    
 





  




      

 

                                        





6

6

6

                                                 





6

6


     



 

   
Rit..

6








K


  






   

6



  
Rit..

6

6

   


      
6

  
 

J









Maestoso 



















Nanga Parbat

Clarinet 3ºB 

 

Misterioso 







(Cover of Clarinets, Aragón, S.XXI)










   



  
B





  



C Allegro con brio 







1.










   


D

 

 
    

  


     

2.

 

 

 






  
 



  
 

 

 






A

    




Michael Geisler
Arr. by Gino Gonçals

King of Mountains

 


   
 



   
  
 





      
     
   
    




















     
 
 
 





  

                               


                        








Rit..



E Andante Expressive 





 

solo



F

    

    

©Gino Gonçals



    

Nanga Parbat

     



H Allegro con brio 










  
 

1.

G






     

2.







   
 



  


I

2







   


K

   

  




   

Rit..

     
  

 

       
6

    

   Rit..

 





  
 


     
   
    








     
 
 





     
   
    

























 
 

  











  







  

 






     
   

           
6

  
 
  
J Maestoso 

                

solo









Nanga Parbat

Clarinet 4ºB 

Michael Geisler
Arr. by Gino Gonçals

King of Mountains

 

Misterioso 

 





B


























   










  
 


  
 
3








     

2.


  

3





D






 
  



1.








 
 


 
 


 

   

  


  
 


  

3

3


   


    




                             

 

                     



 



C Allegro con brio 




  
 

     






 


  




A



 


(Cover of Clarinets, Aragón, S.XXI)

 








Rit..



©Gino Gonçals



E Andante Expressive 

 











F








Nanga Parbat

 



   








     

 

   












G






  
 






  
 
1.


  
 





     

2.


  


I






 


   
 


  
 
3


     



3

3






H Allegro con brio 









     



3





2

     
     
     
  
        





  
  

      
     




Rit..

 





J Maestoso 


  

  



            



3

Rit..

 


 
   












6

3

3

3

K









 




 



6








  





 
6





Nanga Parbat

Clarinet 5ºB 

 

(Cover of Clarinets, Aragón, S.XXI)

Misterioso 

 
 










     
 


A








 


B



 














    









 






 














Allegro con brio 


                                    













C

                                     





 
 
 
 

          


 
 
    




 
  

    




D
 







                      
 

 




 



 
                    
  
 




1.







2.







                
 


                          




E Andante Expressive 

 


Michael Geisler
Arr. by Gino Gonçals

King of Mountains








©Gino Gonçals



Rit..

















Nanga Parbat

 


F

















 

H Allegro con brio 





G

2




















 











                                              
   
    
   
   
   
              
                                           





 


 
 
 

                               

                        
 
 
     
    







  
 



 
  





1.



    




2.

            
     
  

K

 

 


 





 
6







I








                 
              




Rit..

J Maestoso 



6

 


  


  


  

 




6

Rit..

 

   3     
   

 3 
3
3



















Nanga Parbat

Clarinet 6ºB 

King of Mountains



Misterioso 

 

(Cover of Clarinets, Aragón, S.XXI)




           
 







Michael Geisler
Arr. by Gino Gonçals



B





  
A








 

 

 



 








  













C Allegro con brio 

 


 






 
    
                                        
                                        
                    
1.

  
         
    




 









 
   









  
 
        
D

2.




               

  
  












  
 
                






Rit..

©Gino Gonçals

  



            






E Andante Expressive 









Nanga Parbat

 


2
F
















G



 
















H Allegro con brio 




    



 
  



          

 








               



 


                                   
   

 




 

                                       
 
                                
1.

          

  



I

2.




               
  
  









  
   
                          
                    


Rit..



   


 

     
   



J Maestoso 


 



 










         


 


 


 

             
      

3

Rit..


 



   


3

3

3


    
 
K

 







    



 



Nanga Parbat

Clarinet 7ºB 

  


Misterioso 





D









(Cover of Clarinets, Aragón, S.XXI)
A


























B




































C Allegro con brio 

                

                     




 



        



1.

     





  
 











  








    



2.


  

 
  



  
 
  
 








      
  




 

                


E Andante Expressive 







           





                                 
        
  

                 





  
  








Michael Geisler
Arr. by Gino Gonçals

King of Mountains

F



©Gino Gonçals









Rit..



Nanga Parbat



G





  










 







H


 











 


1.

                        


        











           


 

 






 
        
2.

I

 
  
     




  
 



  
  

 






                           
                   




   







                               
           

                               


 

 









Allegro con brio 

           




  

  


2


Rit..


   


J



Maestoso 



   
 


   




   



  



  


             
  



3

3

3

3


   


K



  



  








   



  
 Rit..


Nanga Parbat

Clarinet Bass

Michael Geisler
Arr. by Gino Gonçals

King of Mountains

  


(Cover of Clarinets, Aragón, S.XXI)

Misterioso 

 

 
C










A





B








 






 



 

 

 



 






























                                         
  

  
  

 
 








Allegro con brio 






 
                          
        
      


 

                  






      

           

  
 


   
                             


             




  
  

              
 



            





                           


   



 



    

    
   
 

1.




Rit..




2.






D

E Andante Expressive 







 

©Gino Gonçals





  



Nanga Parbat

  


2

F

 

 

 






G













 



 

           
   
 
 



                        
 
  
 



H Allegro con brio 



 



  





                                   




    
 
 

  
  
  







                                  
    
      

  


          
          
      
  







                        
  

              

          


                 
 
 
  
  
                
  
  
      
1.

 



I

2.

J Maestoso 
Rit..



 




















K








  




Rit..













   

 
 
 
 

   

 
 
 
 

 
  
  













  
  
  















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