80

E  Cl.



B  Cl. 1



B  Cl. 2
B  Cl. 3
B  Cl. 4

B  Cl. 5

B  Cl. 6

B. Cl.




       

     
 

B  Cl. 1
B  Cl. 2
B  Cl. 3



      


   









   
  







  
  







   
  











  
  


 

85

E  Cl.



 
 



rit.







 
      


B  Cl. 4

        

B  Cl. 5

 

B  Cl. 6

 

B. Cl.

 


 









  

BOHEMIAN RHAPSODY








 

 
























 

 


















 




 





















  


 

  

 






 

 







 




 





   

   







 






 



 

Piu Mosso 



    
 

      




   
  

87




      
 




 


9












 






































































