13 The Universal Band Collection Jacob de Haan Set of Clarinets .pdf



Nombre del archivo original: 13 - The Universal Band Collection - Jacob de Haan - Set of Clarinets.pdf
Título: V Final Dance.mus
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THE Universal Band
Collection
(Jacob de Haan)
A collection of 5 short works in pop style which can be performed by any kind of
compilation. The titles can be presented on the programme as separate works but the
Universal Band Collection can also be performed as a complete suite. From a didactic
point of view it is a suitable work to teach musicians something about the structure in
music. For this purpose not only the big structure but also the small structure was kept
very clear.
1. Western Girl : A girl from the west of the USA rides her horse across the prairie, dreaming of her
future. The rough structure: introduction - theme in a blues scale - the same thing in a different
instrumentation - finale.
2.Just a ballad : A ballad in pop style with a rough A-B-A form. First there is the introduction of the
main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B).
Finally there is the main melody, performed tutti with a different rhythm in the drums (A').
3.Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to
China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.
4.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth
with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a
slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.
5.Final Dance : Eventually there is a dance with an introduction in renaissance style, followed by a fast
dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus,
shortened verse, bridge, chorus, chorus.

I. WESTERN GIRL


Clarinet in B  1
Clarinet in B  2

     

 

  

  




   



    





   
      
Clarinet in B  3
   
 






Clarinet in B  4
 
               
 
 

 
Clarinet in B  5
 
               


 
  
 
Bass Clarinet
     


 
 





    
    
  


Cl. 1


              
Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 
 






 



 




   





Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

    






Arr. by Gino Gonçals

     
     
     












 



               
 
 
 
   

   

 
  
  

    



 
   

   

 














 





                              








  




       


 

 



       


 

 



©Gino Gonçals

       


 

 



   

 
 

WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

    



 
   




   



    









    







 
 
















  





 


 








    





    









    






 



                             








  

 


     


 

 




2




      








 





       


 





 

   




    



    






       


 





 

    
    
    














 

   
 
 








                            








  





                         






 
 











 













Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

WESTERN GIRL

   
  


  
  

    

  

     

     



















   

 
 
  








 
  






 

 
 

 
 



    






 




   


   










    





   




















 









  
  


   
    


 


 


    












 
 










 

 


























   


 
  


3






    


 
  


 








20











    
  



    


25
Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

  
 














   













   





    

  
 








   











 




 



   




30






























 

 


  

 





   














   



    




   











    
   



















   







WESTERN GIRL
























  
  




 


   











    
   
















 
     
    

     

4

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.








    



     





3
























  
 














3

    



WESTERN GIRL















   


















   






























     
     




   
 




      

    








35












 


    










  

  
  

  
 
  
 
 


 

 


  

 


   





  
40



 





5
















      


 
 
 

 
   



     

 
   

  
 
  
 
  


WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3







 
 


Cl. 5



Cl. 2

Cl. 3

Cl. 4

Cl. 5

 








  

 


B. Cl.



       






 



 

 

    


 




 








    





    



3

3

                         









45
Cl. 1

    
3















Cl. 4

B. Cl.

 

6






 

    



    









    







    












  


   


 

 

 




 
  





     

               











 

    



          


 



 
 

  





 
 

  

 


















    










WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 

 

    


 




 














 

     

50

     
     

 

 





    



















   


 





     

                  











 
 

 
 


 



 


 



 


 


  

    



  
  






    



    

55



























    



    

























 

 




 

    

    

    

7














 
















 

 

 



WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 

 



     


 




 

 

 

 

  



   


    


     







 



      



 







    
    
    

 

 


 

8



    





    










   





 



60





     








 
  
  




  



   

     
   


 
 

 



 
  

 



























 

 





               




 
               
    
    

 

 

WESTERN GIRL
65
Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.







     







3

    



    



3

3









              






          





    


 


  
   
 
 
  
 
  
 


  


  


  































































  


      

  



 






 

  
 
  

 



 































     







  

 

 




 
  





























 

9

I. WESTERN GIRL

Clarinet 1ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

                                  
 




        
                   






  
  
                    







        25     

20


 




 







 




 




 




        



    



3

  




 




35





30



      
   







  


  
   
     
 



3


     45                  
    




50
              
            55    




 
     
                  60 





  
 65      
           
 




3
 

  

 
  
     





 



40

©Gino Gonçals






I. WESTERN GIRL

Clarinet 2ºB 


             
 

7

     














14
           
  



  


30
28

       



21

35



 

 







     
3

      


49



50

    



62

   


68



     



             



     


     












      




    

 





20





  


3




      

40

      
  





45
                     







     





     


©Gino Gonçals



     

60

                           
 
 


65 3
  


   


     


















 
  
 


  


        

55



Arr. by Gino Gonçals

 
 
            

       


 25   
       



 
       


42

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

I. WESTERN GIRL

Clarinet 3ºB 


   
                  



 



        
  

      
20




 




 
 

     



  



 




 



25

     

 




  
60

30

      




 
           


        

35

     



            
 

  


55



    
3

     







     


     


     


45

                   

50

     


     



    


      
  


                  


     


   
 


             



40

Arr. by Gino Gonçals

                    
        














   



 


     

  
 



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)






      




     
©Gino Gonçals

     







     

65

     
3


           

   

I. WESTERN GIRL

Clarinet 4ºB 

(Cover of Clarinets, Aragón, S.XXI)









 
 

Jacob de Haan
Arr. by Gino Gonçals

                                       

 
 
 




    
              




 
                                       
20























       
      
 

  

25


















         
     


30























  
  
  

   
 
35 
40  
  
 












                



45






                                 







 
50






  




 
 








    
  

55

          


      
 



   

60
65









     
                       



 
 

  
  









          







     
      
   


©Gino Gonçals

I. WESTERN GIRL

Clarinet 5ºB 









Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

 
 
                               










Arr. by Gino Gonçals

    
              

 

       



       


  




                  
 




  




 
  


 
     
25








 
   
         

30




 
 






  
 

  
     
35














  
  
   



40
     
   
                       







45
50

   


 

         
        












  

60









 


  

55









 
  

20

 
 







 
  





  
     

   

 

      


 
 








    
               





 

65












         








       
              
 
  



©Gino Gonçals

Clarinet Bass


 
 

I. WESTERN GIRL
(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan

Arr. by Gino Gonçals

    
    
    
    
    
 

 

 

   
 
 
10





 
 



   
   







  
  
               


    
    
    
    
        

 

 

 

 



20


 
                      















 







25

                              















30





 

 














     
    





     
35





                












     















40



 
  
 
 
   
   














   





 

45




 
                      
    

 

 

 

 
50



 
              






    

 

 

 

     
55




 
                   

     
     





60


 
 
 
 
 
 










     

 

    







65



 
         

    
        
      


 
     

 


©Gino Gonçals

II. JUST A BALLAD
(Cover of Clarinets, Aragón, S.XXI)



Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5

Bass Clarinet

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.











                   
 
 
 



  
 

   

   

 



  

   

 



  

  

   







  







  









Arr. by Gino Gonçals

                   
 




          







          

     
 
 


 
         


5
Cl. 1

    
  

    
  

 
  



    


  
 


  
  


Jacob de Haan





 

  

 



  



   


  

©Gino Gonçals





    

 
 
 
  

     
 

 








  

  

  

  
















   






JUST BALLAD

 
 

10
Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.



















  



















  






 



  


 

 


 



  






  


 




 


  













 



  





   



















   














 

  






 







   

  






  
  

2

   




   



      











 



 

 

 

 


 

 

JUST BALLAD

3





     
             








     
 








 
 
    
 



   
    
   
 
   


    
   
   
  
   


   
   
   
  





 



 













 

20

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.


  

   

        
 


 


 


   

     
   








  


 


 














 

 





  




 





   










 


 









 









 

  

















JUST BALLAD

  
 

 
  

 
  

 
  

 
 

  
 



25
Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.






  

  

  

  

  

 









  

  

  

  

  

 





rit.












  

  

  

  

  

  



















4








II. JUST A BALLAD

Clarinet 1ºB 

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan
Arr. by Gino Gonçals





 

 
    
                


          

        
 



5

    
  


10



     


   

  
 


25



   






    






   


 
  20













  
  







 
 

    

    

 



       
      

 
 

©Gino Gonçals





rit.


  








II. JUST A BALLAD

Clarinet 2ºB 

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan
Arr. by Gino Gonçals



5






                     
 














10

      
             



 



 
 































  20










  
       
        


  

 
  


25



 

   







  



         
 



  

  

©Gino Gonçals





rit.


  









II. JUST A BALLAD

Clarinet 3ºB 














Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

 
     


   
 

   








 



    
 




















Arr. by Gino Gonçals
5

   
10










   




   





      











   
   
  
     

 
  


20

25




  




  



©Gino Gonçals



rit.


  









II. JUST A BALLAD

Clarinet 4ºB 







 

20






 
     
   


   








  

   


 


  

   



     








  






   

  

©Gino Gonçals

Arr. by Gino Gonçals



rit.



5

  





   

 
  


25

   



    




Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



10







   




   













    


  







II. JUST A BALLAD

Clarinet 5ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals



 
 
















   


     
   


 
 

25













   











   



  








  

   

   

10


  



5









    
 





   



20

   

   






  

©Gino Gonçals






rit.

 


  




   





II. JUST A BALLAD

Clarinet Bass

(Cover of Clarinets, Aragón, S.XXI)



 
  



  




















  





















  

20
    

            


  



25







 





5



10


  




Jacob de Haan
Arr. by Gino Gonçals




  

   





  

  
       



  






                

 

©Gino Gonçals



 rit.


  







III. PLAY THE GAME
(Cover of Clarinets, Aragón, S.XXI)

   
 

 
   

 
  


 

 
 
 

 
  
  


        

     
  

        

     
  

  



     



 

      

  



     



 

      



Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5

Bass Clarinet

5
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.






 




Jacob de Haan



         


     
 

    
   

     

     
  

   
 


 



    

      


             


  



  

     



Arr. by Gino Gonçals

     

      
  

    
©Gino Gonçals









  



  



 
  
    




















 

PLAY THE GAME

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.






















a la CODA



a la CODA






 







      






      


 


 

  

  

 
 


  


 













     



 

 



a la CODA 
 


a la CODA 
 

a la CODA  


a la CODA 





16

    
 


    





     



 




 









  




   







10








  
        
 













2




 


  




















     
     

PLAY THE GAME

Cl.1



Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.



Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



20















    
  

    
  

   


    



  

      
   





  



    
  


  

   
      



            
 

25

  

3

    
  


                



 


   
 
  


   
 
  


      




       

   
   
    
    


















       

  

  

  

  



    
  


      

   




  




  



  

  

  




 

  

PLAY THE GAME

Cl.1

    
   

Cl.2

    





Cl.3







Cl.4



Cl.5



B.Cl.



30

   
  







  







  

    


.

loco

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 



 














.

.



   
    


 

 



.

.

.

    

35



  

  
  

  
  

  

















4

    
  


      


  

 

  

               


       

   




  

  


  

   
 
 
 
 
  
  
 
 












  

      

     


      

      

     

     


  

  
  
    


   



   



   

 

 


 


 


Cl.1

Cl.2

Cl.3

    

   

   
    

 
 



   
    

Cl.4



Cl.5



B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



  

  




 












PLAY THE GAME

 
 
 
 










     
 CODA
  




 CODA
           


 CODA




      


 CODA



       
 

 CODA






    
CODA


 







      
 


      

     


      

      

     

     


 al Coda 
  D.C.
 


D.C. al Coda 
  
 


D.C. al Coda 


   

D.C. al Coda 


     

D.C. al Coda 



   
D.C. al Coda 



   

         





          


          


       
 







      

            


5

  

  



     
    





 


Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.




 

 


 



 










PLAY THE GAME
































































6

























III. PLAY THE GAME

Clarinet 1º B 

(Cover of Clarinets, Aragón, S.XXI)

                        
 

                 



Jacob de Haan
Arr. by Gino Gonçals



           




20

25










a la CODA



5

  

10



     
  
16





              
 


            
        



 

30
    
    



  
     


.
loco 35 
        


      








 


        

 al Coda
    
         D.C.


 
 



 CODA
 
 


  
     








  
  

   
 

©Gino Gonçals







  

 


    
  


III. PLAY THE GAME

Clarinet 2º B 



 
             


      

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

    
  

    
  



Arr. by Gino Gonçals




5

  


10












   


  




25
20


       














     
                


a la CODA

            

30

     

35

    

    
     

        
        

 CODA




   
      

     


  

 

©Gino Gonçals





16

      


     



 





   
 

 D.C. al Coda
 


  

 


      
  

III. PLAY THE GAME

Clarinet 3º B 

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan

Arr. by Gino Gonçals



5
 
                                    


10


 





                  

a la CODA 
16













   



     




20







 
  
         


25











  

 
         



30

         






35





    
 


 
  CODA
      

      


  
  




  
  
 

         


  
  




   



        


    



     

©Gino Gonçals










 


  

D.C. al Coda

  



 


      
  

III. PLAY THE GAME

Clarinet 4º B 

(Cover of Clarinets, Aragón, S.XXI)



 
 
5












    

          







          

10
a la CODA
 

    
 




      

16

20



 










 
 


25





         
         






30

  

  

            
           
    
  
    
 CODA


     


     
  

 

35

  
   

  
  


         



    



    
  
©Gino Gonçals






  

 

      
  


               


  

  
  

Jacob de Haan

Arr. by Gino Gonçals







      

D.C. al Coda 

 

  



 

 
    
  

III. PLAY THE GAME

Clarinet 5º B 

(Cover of Clarinets, Aragón, S.XXI)



 
 
5









 



 



      



 







Jacob de Haan

Arr. by Gino Gonçals

 



 





   



       

10
a la CODA 







 










 
 

16
20




 
           





25

     

  


  


  

  

  

 



CODA



 


   
  




  

  



  
  
  

     




  
  





 

  

  

30

  

 
 

  

 

35

  





 

©Gino Gonçals




  


  

  
  
D.C. al Coda 

     



 





 


  



 

 


   

III. PLAY THE GAME

Clarinet Bass

5



(Cover of Clarinets, Aragón, S.XXI)

  
         

     



       


 








10


  


   
 


16



 
    



        

   



    

  

    
 


     
 




 
  



  
  
 CODA
          
 


  

  

 
 

30

25

   

    

    



©Gino Gonçals

  
  
 


       

35

 






            

  

        



a la CODA



20

         


    

Jacob de Haan
Arr. by Gino Gonçals

      
 


  


     



 


D.C. al Coda

            


  

    
 

IV. SAN DIEGO

(Cover of Clarinets, Aragón, S.XXI)
Clarinet in B  1
Clarinet in B  2

 
 



 
 

















   
   
   


Clarinet in B  4
    
    

 
Clarinet in B  5
   




    
 
Bass Clarinet
 


  

6
 
    
Cl.1
 
Clarinet in B  3

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 
 

    


 
 
   
 

 

  

 
 



   
   
 
 



   
   




  
  


         





3

         


 
 

 
 


  
  

 





 
 
 
    
    
    

 
                
   
   
 
 

Jacob de Haan

Arr. by Gino Gonçals

  








©Gino Gonçals

3






  

  


 

















 
    
    

 

 

 


 
 

 
 


  
  



  

 


IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

 

 

 






 



Cl.4



B.Cl.























 
 

    
    
    

    
    


 

  
 



  





16



3

  








3






 

 

 



        


 
 

 
 


  
  







     



 


 

        

              
   
   





        


(2nd time only)

 
 

    
    
 

 
 
  


   
   
 








    
   


Cl.3

Cl.5







11

2






  






  










            

 

 

 


 
 

 
 


  
  



  








IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.










 



 


21
Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



  







  









 







 







3


 

    
     

 

    
 

 
  

   
 




  
   






3

 

 




   


   



 


 




 


 





 

 

 












   












 
    
    









3





   



 


 


 

 
 
 

 
 


  







 


  







 

 

   
 

   
 


 



 

IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.




 




 



 







1.





1.

26









  
 
 


               
1.



 
 
 








           
1.

 
 

  



            1.





   





   

















1.

2.

3

3




4


 

 



 
          

    

       

    
 
       





 
    

    













    













 

 
 
 

 
 



 


 

 
 
 

 
 







  

2.

3

3



2.



2.



2.

2.




 
 
 
    
    
    
     

 

 

 

 

 
 
 

 
 


  









IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.







 



 



3

3

 














 
    
    

 

 

 

 

 
 
 

 
 


  

  








    


    


  



  



  



  




   

   


   

   
  

  


5

IV. SAN DIEGO

Clarinet 1º B 

   
 
     


   

 


 




    


3



3





3



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)
















 


26


 


©Gino Gonçals

16



3












     







  




 











21

3







    

    
 

11



3




    




   

6

 

  

     
     



Arr. by Gino Gonçals









 

IV. SAN DIEGO

Clarinet 2º B 

 
 



  
 

 


1.





 21
     

     






3

     
3



    
   


  


16



  



3

 


©Gino Gonçals




 


      
2.



3

11 (2nd time only)

   


Arr. by Gino Gonçals

       

6

   


3

 




        



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



 












    



 

   




  


3

26









IV. SAN DIEGO

Clarinet 3º B 

 
        
   


Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)


      

Arr. by Gino Gonçals


      


     

6
   
                                  
   
   
   
   
   
11
  
           

    
   
   
        



                                    
   
   
   
   
   
16

21
  
           


   
   
   
   
   
26
  




                            
1.



                             
   
   
   
   
2.


 


     


 

    

©Gino Gonçals







  



IV. SAN DIEGO

Clarinet 4º B 

  

 


  
    


Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)




   

Arr. by Gino Gonçals




   


    

6
 


           
 


   
   
   
   
   
11
  
 
 
 
 






   
   
   
   
    
16
  
 
 
 
 






   
   
   
   
    



                
   
   
   
   
   
21



 
 


2.

 



 
 
 





   
   
   
   
1.

26

 
 
 




   
   
   
    



   


 

    

©Gino Gonçals







  



IV. SAN DIEGO

Clarinet 5º B 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

 
   
 
    


 
   

Arr. by Gino Gonçals


 
   



   

6
  
 
 
 
 
 





    
   
   
   
   
11
  


            
   
   
   
   
   



16



21

               
   
   
   
   
   
               
   
   
   
   
   
 



 


2.

 


 
 
 



    
    
   
   
1.

26

 
 
 





   
   
   
   



   


 

    

©Gino Gonçals






 




IV. SAN DIEGO

Clarinet Bass


 
 
6

















  




  



  






  
  
   


Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



     


Arr. by Gino Gonçals







  













  
   
11


   


   

16


   

21







                       

   


   



   







       




 

2.






 


   


©Gino Gonçals

 


1.

26


   


   



   


   






 




V. FINAL DANCE

(Cover of Clarinets, Aragón, S.XXI)



             

              


 
      

 
 

 




 

    



 

    


Clarinet in B  1
Clarinet in B  2
Clarinet in B  3
Clarinet in B  4
Clarinet in B  5

Bass Clarinet

    


5
Cl. 1























     

        

Cl. 4





     


Cl. 5





  

B. Cl.














  


   
 

  

  

©Gino Gonçals



 
 


 


 

    
 
 

  


A Tempo

rit.

Cl. 3



  

        
        





            

     





       



Cl. 2



Jacob de Haan
Arr. by Gino Gonçals



     

     















 









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