QUEEN OF THE DOLOMITES

2

                                  

 
 




54

  





  






        
       


72



 





    

  



 

78



  



    

 



       

Allegro Molto 



 

   

           




              
  



94



62 Meno mosso e maestoso 

 


 
     

    



    


 

  

rit.

86

   

       


    





        
 
 
   

   





      

      



rit.


            



   



